Nikita Drobyshev

Nikita Drobyshev, Jenya Chelishev, Taras Khakhulin et al. · eth-zurich

In this work, we advance the neural head avatar technology to the megapixel resolution while focusing on the particularly challenging task of cross-driving synthesis, i.e., when the appearance of the driving image is substantially different from the animated source image. We propose a set of new neural architectures and training methods that can leverage both medium-resolution video data and high-resolution image data to achieve the desired levels of rendered image quality and generalization to novel views and motion. We demonstrate that suggested architectures and methods produce convincing high-resolution neural avatars, outperforming the competitors in the cross-driving scenario. Lastly, we show how a trained high-resolution neural avatar model can be distilled into a lightweight student model which runs in real-time and locks the identities of neural avatars to several dozens of pre-defined source images. Real-time operation and identity lock are essential for many practical applications head avatar systems.

Andreas Zinonos, Michał Stypułkowski, Antoni Bigata et al.

We present FlashLips, a two-stage, mask-free lip-sync system that decouples lips control from rendering and achieves real-time performance running at over 100 FPS on a single GPU, while matching the visual quality of larger state-of-the-art models. Stage 1 is a compact, one-step latent-space editor that reconstructs an image using a reference identity, a masked target frame, and a low-dimensional lips-pose vector, trained purely with reconstruction losses - no GANs or diffusion. To remove explicit masks at inference, we use self-supervision: we generate mouth-altered variants of the target image, that serve as pseudo ground truth for fine-tuning, teaching the network to localize edits to the lips while preserving the rest. Stage 2 is an audio-to-pose transformer trained with a flow-matching objective to predict lips-poses vectors from speech. Together, these stages form a simple and stable pipeline that combines deterministic reconstruction with robust audio control, delivering high perceptual quality and faster-than-real-time speed.

Maxim Kan, Ruslan Aliev, Anna Rudenko et al.

Deep learning shows high potential for many medical image analysis tasks. Neural networks can work with full-size data without extensive preprocessing and feature generation and, thus, information loss. Recent work has shown that the morphological difference in specific brain regions can be found on MRI with the means of Convolution Neural Networks (CNN). However, interpretation of the existing models is based on a region of interest and can not be extended to voxel-wise image interpretation on a whole image. In the current work, we consider the classification task on a large-scale open-source dataset of young healthy subjects -- an exploration of brain differences between men and women. In this paper, we extend the previous findings in gender differences from diffusion-tensor imaging on T1 brain MRI scans. We provide the voxel-wise 3D CNN interpretation comparing the results of three interpretation methods: Meaningful Perturbations, Grad CAM and Guided Backpropagation, and contribute with the open-source library.

Nikita Drobyshev, Antoni Bigata Casademunt, Konstantinos Vougioukas et al.

Head avatars animated by visual signals have gained popularity, particularly in cross-driving synthesis where the driver differs from the animated character, a challenging but highly practical approach. The recently presented MegaPortraits model has demonstrated state-of-the-art results in this domain. We conduct a deep examination and evaluation of this model, with a particular focus on its latent space for facial expression descriptors, and uncover several limitations with its ability to express intense face motions. To address these limitations, we propose substantial changes in both training pipeline and model architecture, to introduce our EMOPortraits model, where we: Enhance the model's capability to faithfully support intense, asymmetric face expressions, setting a new state-of-the-art result in the emotion transfer task, surpassing previous methods in both metrics and quality. Incorporate speech-driven mode to our model, achieving top-tier performance in audio-driven facial animation, making it possible to drive source identity through diverse modalities, including visual signal, audio, or a blend of both. We propose a novel multi-view video dataset featuring a wide range of intense and asymmetric facial expressions, filling the gap with absence of such data in existing datasets.

Antoni Bigata, Michał Stypułkowski, Rodrigo Mira et al.

Current audio-driven facial animation methods achieve impressive results for short videos but suffer from error accumulation and identity drift when extended to longer durations. Existing methods attempt to mitigate this through external spatial control, increasing long-term consistency but compromising the naturalness of motion. We propose KeyFace, a novel two-stage diffusion-based framework, to address these issues. In the first stage, keyframes are generated at a low frame rate, conditioned on audio input and an identity frame, to capture essential facial expressions and movements over extended periods of time. In the second stage, an interpolation model fills in the gaps between keyframes, ensuring smooth transitions and temporal coherence. To further enhance realism, we incorporate continuous emotion representations and handle a wide range of non-speech vocalizations (NSVs), such as laughter and sighs. We also introduce two new evaluation metrics for assessing lip synchronization and NSV generation. Experimental results show that KeyFace outperforms state-of-the-art methods in generating natural, coherent facial animations over extended durations, successfully encompassing NSVs and continuous emotions.

Mallikarjun B. R., Fei Yin, Vikram Voleti et al.

Portrait animation aims to generate photo-realistic videos from a single source image by reenacting the expression and pose from a driving video. While early methods relied on 3D morphable models or feature warping techniques, they often suffered from limited expressivity, temporal inconsistency, and poor generalization to unseen identities or large pose variations. Recent advances using diffusion models have demonstrated improved quality but remain constrained by weak control signals and architectural limitations. In this work, we propose a novel diffusion based framework that leverages masked facial regions specifically the eyes, nose, and mouth from the driving video as strong motion control cues. To enable robust training without appearance leakage, we adopt cross identity supervision. To leverage the strong prior from the pretrained diffusion model, our novel architecture introduces minimal new parameters that converge faster and help in better generalization. We introduce spatial temporal attention mechanisms that allow inter frame and intra frame interactions, effectively capturing subtle motions and reducing temporal artifacts. Our model uses history frames to ensure continuity across segments. At inference, we propose a novel signal fusion strategy that balances motion fidelity with identity preservation. Our approach achieves superior temporal consistency and accurate expression control, enabling high-quality, controllable portrait animation suitable for real-world applications.

Antoni Bigata Casademunt, Rodrigo Mira, Nikita Drobyshev et al.

Speech-driven animation has gained significant traction in recent years, with current methods achieving near-photorealistic results. However, the field remains underexplored regarding non-verbal communication despite evidence demonstrating its importance in human interaction. In particular, generating laughter sequences presents a unique challenge due to the intricacy and nuances of this behaviour. This paper aims to bridge this gap by proposing a novel model capable of generating realistic laughter sequences, given a still portrait and an audio clip containing laughter. We highlight the failure cases of traditional facial animation methods and leverage recent advances in diffusion models to produce convincing laughter videos. We train our model on a diverse set of laughter datasets and introduce an evaluation metric specifically designed for laughter. When compared with previous speech-driven approaches, our model achieves state-of-the-art performance across all metrics, even when these are re-trained for laughter generation. Our code and project are publicly available

Aleksandr Safin, Maxim Kan, Nikita Drobyshev et al.

Depth maps captured with commodity sensors are often of low quality and resolution; these maps need to be enhanced to be used in many applications. State-of-the-art data-driven methods of depth map super-resolution rely on registered pairs of low- and high-resolution depth maps of the same scenes. Acquisition of real-world paired data requires specialized setups. Another alternative, generating low-resolution maps from high-resolution maps by subsampling, adding noise and other artificial degradation methods, does not fully capture the characteristics of real-world low-resolution images. As a consequence, supervised learning methods trained on such artificial paired data may not perform well on real-world low-resolution inputs. We consider an approach to depth super-resolution based on learning from unpaired data. While many techniques for unpaired image-to-image translation have been proposed, most fail to deliver effective hole-filling or reconstruct accurate surfaces using depth maps. We propose an unpaired learning method for depth super-resolution, which is based on a learnable degradation model, enhancement component and surface normal estimates as features to produce more accurate depth maps. We propose a benchmark for unpaired depth SR and demonstrate that our method outperforms existing unpaired methods and performs on par with paired.