Tianxiang Ma

Team Seedance, De Chen, Liyang Chen et al. · gatech

Seedance 2.0 is a new native multi-modal audio-video generation model, officially released in China in early February 2026. Compared with its predecessors, Seedance 1.0 and 1.5 Pro, Seedance 2.0 adopts a unified, highly efficient, and large-scale architecture for multi-modal audio-video joint generation. This allows it to support four input modalities: text, image, audio, and video, by integrating one of the most comprehensive suites of multi-modal content reference and editing capabilities available in the industry to date. It delivers substantial, well-rounded improvements across all key sub-dimensions of video and audio generation. In both expert evaluations and public user tests, the model has demonstrated performance on par with the leading levels in the field. Seedance 2.0 supports direct generation of audio-video content with durations ranging from 4 to 15 seconds, with native output resolutions of 480p and 720p. For multi-modal inputs as reference, its current open platform supports up to 3 video clips, 9 images, and 3 audio clips. In addition, we provide Seedance 2.0 Fast version, an accelerated variant of Seedance 2.0 designed to boost generation speed for low-latency scenarios. Seedance 2.0 has delivered significant improvements to its foundational generation capabilities and multi-modal generation performance, bringing an enhanced creative experience for end users.

Tianxiang Ma, Bingchuan Li, Qian He et al.

Recently 3D-aware GAN methods with neural radiance field have developed rapidly. However, current methods model the whole image as an overall neural radiance field, which limits the partial semantic editability of synthetic results. Since NeRF renders an image pixel by pixel, it is possible to split NeRF in the spatial dimension. We propose a Compositional Neural Radiance Field (CNeRF) for semantic 3D-aware portrait synthesis and manipulation. CNeRF divides the image by semantic regions and learns an independent neural radiance field for each region, and finally fuses them and renders the complete image. Thus we can manipulate the synthesized semantic regions independently, while fixing the other parts unchanged. Furthermore, CNeRF is also designed to decouple shape and texture within each semantic region. Compared to state-of-the-art 3D-aware GAN methods, our approach enables fine-grained semantic region manipulation, while maintaining high-quality 3D-consistent synthesis. The ablation studies show the effectiveness of the structure and loss function used by our method. In addition real image inversion and cartoon portrait 3D editing experiments demonstrate the application potential of our method.

Tianxiang Ma, Bingchuan Li, Wei Liu et al.

Exemplar-based image translation refers to the task of generating images with the desired style, while conditioning on certain input image. Most of the current methods learn the correspondence between two input domains and lack the mining of information within the domains. In this paper, we propose a more general learning approach by considering two domain features as a whole and learning both inter-domain correspondence and intra-domain potential information interactions. Specifically, we propose a Cross-domain Feature Fusion Transformer (CFFT) to learn inter- and intra-domain feature fusion. Based on CFFT, the proposed CFFT-GAN works well on exemplar-based image translation. Moreover, CFFT-GAN is able to decouple and fuse features from multiple domains by cascading CFFT modules. We conduct rich quantitative and qualitative experiments on several image translation tasks, and the results demonstrate the superiority of our approach compared to state-of-the-art methods. Ablation studies show the importance of our proposed CFFT. Application experimental results reflect the potential of our method.

Jiahao Zhu, Shanshan Lao, Lijie Liu et al.

With the advancement of video generation foundation models (VGFMs), customized generation, particularly subject-to-video (S2V), has attracted growing attention. However, a key challenge lies in balancing the intrinsic priors of a VGFM, such as motion coherence, visual aesthetics, and prompt alignment, with its newly derived S2V capability. Existing methods often neglect this balance by enhancing one aspect at the expense of others. To address this, we propose LibraGen, a novel framework that views extending foundation models for S2V generation as a balance game between intrinsic VGFM strengths and S2V capability. Specifically, guided by the core philosophy of "Raising the Fulcrum, Tuning to Balance," we identify data quality as the fulcrum and advocate a quality-over-quantity approach. We construct a hybrid pipeline that combines automated and manual data filtering to improve overall data quality. To further harmonize the VGFM's native capabilities with its S2V extension, we introduce a Tune-to-Balance post-training paradigm. During supervised fine-tuning, both cross-pair and in-pair data are incorporated, and model merging is employed to achieve an effective trade-off. Subsequently, two tailored direct preference optimization (DPO) pipelines, namely Consis-DPO and Real-Fake DPO, are designed and merged to consolidate this balance. During inference, we introduce a time-dependent dynamic classifier-free guidance scheme to enable flexible and fine-grained control. Experimental results demonstrate that LibraGen outperforms both open-source and commercial S2V models using only thousand-scale training data.

Bingchuan Li, Tianxiang Ma, Peng Zhang et al.

The StyleGAN family succeed in high-fidelity image generation and allow for flexible and plausible editing of generated images by manipulating the semantic-rich latent style space.However, projecting a real image into its latent space encounters an inherent trade-off between inversion quality and editability. Existing encoder-based or optimization-based StyleGAN inversion methods attempt to mitigate the trade-off but see limited performance. To fundamentally resolve this problem, we propose a novel two-phase framework by designating two separate networks to tackle editing and reconstruction respectively, instead of balancing the two. Specifically, in Phase I, a W-space-oriented StyleGAN inversion network is trained and used to perform image inversion and editing, which assures the editability but sacrifices reconstruction quality. In Phase II, a carefully designed rectifying network is utilized to rectify the inversion errors and perform ideal reconstruction. Experimental results show that our approach yields near-perfect reconstructions without sacrificing the editability, thus allowing accurate manipulation of real images. Further, we evaluate the performance of our rectifying network, and see great generalizability towards unseen manipulation types and out-of-domain images.

Tianxiang Ma, Bingchuan Li, Qian He et al.

While current face animation methods can manipulate expressions individually, they suffer from several limitations. The expressions manipulated by some motion-based facial reenactment models are crude. Other ideas modeled with facial action units cannot generalize to arbitrary expressions not covered by annotations. In this paper, we introduce a novel Geometry-aware Facial Expression Translation (GaFET) framework, which is based on parametric 3D facial representations and can stably decoupled expression. Among them, a Multi-level Feature Aligned Transformer is proposed to complement non-geometric facial detail features while addressing the alignment challenge of spatial features. Further, we design a De-expression model based on StyleGAN, in order to reduce the learning difficulty of GaFET in unpaired "in-the-wild" images. Extensive qualitative and quantitative experiments demonstrate that we achieve higher-quality and more accurate facial expression transfer results compared to state-of-the-art methods, and demonstrate applicability of various poses and complex textures. Besides, videos or annotated training data are omitted, making our method easier to use and generalize.

Tianxiang Ma, Kang Zhao, Jianxin Sun et al.

Efficiently generating a freestyle 3D portrait with high quality and 3D-consistency is a promising yet challenging task. The portrait styles generated by most existing methods are usually restricted by their 3D generators, which are learned in specific facial datasets, such as FFHQ. To get the diverse 3D portraits, one can build a large-scale multi-style database to retrain a 3D-aware generator, or use a off-the-shelf tool to do the style translation. However, the former is time-consuming due to data collection and training process, the latter may destroy the multi-view consistency. To tackle this problem, we propose a novel text-driven 3D-aware portrait synthesis framework that can generate out-of-distribution portrait styles. Specifically, for a given portrait style prompt, we first composite two generative priors, a 3D-aware GAN generator and a text-guided image editor, to quickly construct a few-shot stylized portrait set. Then we map the special style domain of this set to our proposed 3D latent feature generator and obtain a 3D representation containing the given style information. Finally we use a pre-trained 3D renderer to generate view-consistent stylized portraits from the 3D representation. Extensive experimental results show that our method is capable of synthesizing high-quality 3D portraits with specified styles in a few minutes, outperforming the state-of-the-art.

Tianxiang Ma, Weijie Feng, Xinyu Wang et al.

Emotion-Cause Pair Extraction in Conversations (ECPEC) aims to identify the set of causal relations between emotion utterances and their triggering causes within a dialogue. Most existing approaches formulate ECPEC as an independent pairwise classification task, overlooking the distinct semantics of emotion diffusion and cause explanation, and failing to capture globally consistent many-to-many conversational causality. To address these limitations, we revisit ECPEC from a semantic perspective and seek to disentangle emotion-oriented semantics from cause-oriented semantics, mapping them into two complementary representation spaces to better capture their distinct conversational roles. Building on this semantic decoupling, we naturally formulate ECPEC as a global alignment problem between the emotion-side and cause-side representations, and employ optimal transport to enable many-to-many and globally consistent emotion-cause matching. Based on this perspective, we propose a unified framework SCALE that instantiates the above semantic decoupling and alignment principle within a shared conversational structure. Extensive experiments on several benchmark datasets demonstrate that SCALE consistently achieves state-of-the-art performance. Our codes are released at https://github.com/CoCoSphere/SCALE.

Lijie Liu, Tianxiang Ma, Bingchuan Li et al.

The continuous development of foundational models for video generation is evolving into various applications, with subject-consistent video generation still in the exploratory stage. We refer to this as Subject-to-Video, which extracts subject elements from reference images and generates subject-consistent videos following textual instructions. We believe that the essence of subject-to-video lies in balancing the dual-modal prompts of text and image, thereby deeply and simultaneously aligning both text and visual content. To this end, we propose Phantom, a unified video generation framework for both single- and multi-subject references. Building on existing text-to-video and image-to-video architectures, we redesign the joint text-image injection model and drive it to learn cross-modal alignment via text-image-video triplet data. The proposed method achieves high-fidelity subject-consistent video generation while addressing issues of image content leakage and multi-subject confusion. Evaluation results indicate that our method outperforms other state-of-the-art closed-source commercial solutions. In particular, we emphasize subject consistency in human generation, covering existing ID-preserving video generation while offering enhanced advantages.

Wanquan Feng, Jiawei Liu, Pengqi Tu et al.

Video generation technologies are developing rapidly and have broad potential applications. Among these technologies, camera control is crucial for generating professional-quality videos that accurately meet user expectations. However, existing camera control methods still suffer from several limitations, including control precision and the neglect of the control for subject motion dynamics. In this work, we propose I2VControl-Camera, a novel camera control method that significantly enhances controllability while providing adjustability over the strength of subject motion. To improve control precision, we employ point trajectory in the camera coordinate system instead of only extrinsic matrix information as our control signal. To accurately control and adjust the strength of subject motion, we explicitly model the higher-order components of the video trajectory expansion, not merely the linear terms, and design an operator that effectively represents the motion strength. We use an adapter architecture that is independent of the base model structure. Experiments on static and dynamic scenes show that our framework outperformances previous methods both quantitatively and qualitatively. The project page is: https://wanquanf.github.io/I2VControlCamera .

Wanquan Feng, Tianhao Qi, Jiawei Liu et al.

Motion controllability is crucial in video synthesis. However, most previous methods are limited to single control types, and combining them often results in logical conflicts. In this paper, we propose a disentangled and unified framework, namely I2VControl, to overcome the logical conflicts. We rethink camera control, object dragging, and motion brush, reformulating all tasks into a consistent representation based on point trajectories, each managed by a dedicated formulation. Accordingly, we propose a spatial partitioning strategy, where each unit is assigned to a concomitant control category, enabling diverse control types to be dynamically orchestrated within a single synthesis pipeline without conflicts. Furthermore, we design an adapter structure that functions as a plug-in for pre-trained models and is agnostic to specific model architectures. We conduct extensive experiments, achieving excellent performance on various control tasks, and our method further facilitates user-driven creative combinations, enhancing innovation and creativity. Project page: https://wanquanf.github.io/I2VControl .

Yue Jiang, Yueming Lyu, Tianxiang Ma et al.

Recent text-conditioned image generation models have demonstrated an exceptional capacity to produce diverse and creative imagery with high visual quality. However, when pre-trained on billion-sized datasets randomly collected from the Internet, where potential biased human preferences exist, these models tend to produce images with common and recurring stereotypes, particularly for certain racial groups. In this paper, we conduct an initial analysis of the publicly available Stable Diffusion model and its derivatives, highlighting the presence of racial stereotypes. These models often generate distorted or biased images for certain racial groups, emphasizing stereotypical characteristics. To address these issues, we propose a framework called "RS-Corrector", designed to establish an anti-stereotypical preference in the latent space and update the latent code for refined generated results. The correction process occurs during the inference stage without requiring fine-tuning of the original model. Extensive empirical evaluations demonstrate that the introduced \themodel effectively corrects the racial stereotypes of the well-trained Stable Diffusion model while leaving the original model unchanged.

Zhuowei Chen, Bingchuan Li, Tianxiang Ma et al.

Subject-to-video generation has witnessed substantial progress in recent years. However, existing models still face significant challenges in faithfully following textual instructions. This limitation, commonly known as the copy-paste problem, arises from the widely used in-pair training paradigm. This approach inherently entangles subject identity with background and contextual attributes by sampling reference images from the same scene as the target video. To address this issue, we introduce \textbf{Phantom-Data, the first general-purpose cross-pair subject-to-video consistency dataset}, containing approximately one million identity-consistent pairs across diverse categories. Our dataset is constructed via a three-stage pipeline: (1) a general and input-aligned subject detection module, (2) large-scale cross-context subject retrieval from more than 53 million videos and 3 billion images, and (3) prior-guided identity verification to ensure visual consistency under contextual variation. Comprehensive experiments show that training with Phantom-Data significantly improves prompt alignment and visual quality while preserving identity consistency on par with in-pair baselines.

Liyang Chen, Tianxiang Ma, Jiawei Liu et al.

Human-Centric Video Generation (HCVG) methods seek to synthesize human videos from multimodal inputs, including text, image, and audio. Existing methods struggle to effectively coordinate these heterogeneous modalities due to two challenges: the scarcity of training data with paired triplet conditions and the difficulty of collaborating the sub-tasks of subject preservation and audio-visual sync with multimodal inputs. In this work, we present HuMo, a unified HCVG framework for collaborative multimodal control. For the first challenge, we construct a high-quality dataset with diverse and paired text, reference images, and audio. For the second challenge, we propose a two-stage progressive multimodal training paradigm with task-specific strategies. For the subject preservation task, to maintain the prompt following and visual generation abilities of the foundation model, we adopt the minimal-invasive image injection strategy. For the audio-visual sync task, besides the commonly adopted audio cross-attention layer, we propose a focus-by-predicting strategy that implicitly guides the model to associate audio with facial regions. For joint learning of controllabilities across multimodal inputs, building on previously acquired capabilities, we progressively incorporate the audio-visual sync task. During inference, for flexible and fine-grained multimodal control, we design a time-adaptive Classifier-Free Guidance strategy that dynamically adjusts guidance weights across denoising steps. Extensive experimental results demonstrate that HuMo surpasses specialized state-of-the-art methods in sub-tasks, establishing a unified framework for collaborative multimodal-conditioned HCVG. Project Page: https://phantom-video.github.io/HuMo.

Jinshu Chen, Xinghui Li, Xu Bai et al.

Recent advances in video insertion based on diffusion models are impressive. However, existing methods rely on complex control signals but struggle with subject consistency, limiting their practical applicability. In this paper, we focus on the task of Mask-free Video Insertion and aim to resolve three key challenges: data scarcity, subject-scene equilibrium, and insertion harmonization. To address the data scarcity, we propose a new data pipeline InsertPipe, constructing diverse cross-pair data automatically. Building upon our data pipeline, we develop OmniInsert, a novel unified framework for mask-free video insertion from both single and multiple subject references. Specifically, to maintain subject-scene equilibrium, we introduce a simple yet effective Condition-Specific Feature Injection mechanism to distinctly inject multi-source conditions and propose a novel Progressive Training strategy that enables the model to balance feature injection from subjects and source video. Meanwhile, we design the Subject-Focused Loss to improve the detailed appearance of the subjects. To further enhance insertion harmonization, we propose an Insertive Preference Optimization methodology to optimize the model by simulating human preferences, and incorporate a Context-Aware Rephraser module during reference to seamlessly integrate the subject into the original scenes. To address the lack of a benchmark for the field, we introduce InsertBench, a comprehensive benchmark comprising diverse scenes with meticulously selected subjects. Evaluation on InsertBench indicates OmniInsert outperforms state-of-the-art closed-source commercial solutions. The code will be released.

Tianxiang Ma, Dongze Li, Wei Wang et al.

De-identification of face data has drawn increasing attention in recent years. It is important to protect people's identities meanwhile keeping the utility of the data in many computer vision tasks. We propose a Controllable Face Anonymization Network (CFA-Net), a novel approach that can anonymize the identity of given faces in images and videos, based on a generator that can disentangle face identity from other image contents. We reach the goal of controllable face anonymization through manipulating identity vectors in the generator's identity representation space. Various anonymized faces deriving from an original face can be generated through our method and maintain high similarity to the original image contents. Quantitative and qualitative results demonstrate our method's superiority over literature models on visual quality and anonymization validity.

Tianxiang Ma, Bo Peng, Wei Wang et al.

Pose-guided person image generation usually involves using paired source-target images to supervise the training, which significantly increases the data preparation effort and limits the application of the models. To deal with this problem, we propose a novel multi-level statistics transfer model, which disentangles and transfers multi-level appearance features from person images and merges them with pose features to reconstruct the source person images themselves. So that the source images can be used as supervision for self-driven person image generation. Specifically, our model extracts multi-level features from the appearance encoder and learns the optimal appearance representation through attention mechanism and attributes statistics. Then we transfer them to a pose-guided generator for re-fusion of appearance and pose. Our approach allows for flexible manipulation of person appearance and pose properties to perform pose transfer and clothes style transfer tasks. Experimental results on the DeepFashion dataset demonstrate our method's superiority compared with state-of-the-art supervised and unsupervised methods. In addition, our approach also performs well in the wild.