Kam Man Wu

Kam Man Wu, Haolin Yang, Qingyu Chen et al.

Recent advances in image generation have made it easy to produce high-quality images. However, these outputs are inherently flattened, entangling foreground elements, background, and text within a fixed canvas. As a result, flexible post-generation editing remains challenging, revealing a clear last-mile gap toward practical usability. Existing approaches either rely on scarce proprietary layered assets or construct partially synthetic data from limited structural priors. However, both strategies face fundamental challenges in scalability. In this work, we investigate whether pure synthetic layered data can improve graphic design decomposition. We make the assumption that, in graphic design, effective decomposition does not require modeling inter-layer dependencies as precisely as in natural-image composition, since design elements are often intentionally arranged as modular and semantically separable components. Concretely, we conduct a data-centric study based on CLD baseline, which is a state-of-the-art layer decomposition framework. Based on the baseline, we construct our own synthetic dataset, SynLayers, generate textual supervision using vision language models, and automate inference inputs with VLM-predicted bounding boxes. Our study reveals three key findings: (1) even training with purely synthetic data can outperform non-scalable alternatives such as the widely used PrismLayersPro dataset, demonstrating its viability as a scalable and effective substitute; (2) performance consistently improves with increased training data scale, while gains begin to saturate at around 50K samples; and (3) synthetic data enables balanced control over layer-count distributions, avoiding the layer-count imbalance commonly observed in real-world datasets. We hope this data-centric study encourages broader adoption of synthetic data as a practical foundation for layered design editing systems.

Kam Man Wu, Zeyue Tian, Liya Ji et al.

Video and audio inpainting for mixed audio-visual content has become a crucial task in multimedia editing recently. However, precisely removing an object and its corresponding audio from a video without affecting the rest of the scene remains a significant challenge. To address this, we propose VAInpaint, a novel pipeline that first utilizes a segmentation model to generate masks and guide a video inpainting model in removing objects. At the same time, an LLM then analyzes the scene globally, while a region-specific model provides localized descriptions. Both the overall and regional descriptions will be inputted into an LLM, which will refine the content and turn it into text queries for our text-driven audio separation model. Our audio separation model is fine-tuned on a customized dataset comprising segmented MUSIC instrument images and VGGSound backgrounds to enhance its generalization performance. Experiments show that our method achieves performance comparable to current benchmarks in both audio and video inpainting.