Seán Mullery

Seán Mullery, Paul F. Whelan

Automatic colourisation of grey-scale images is the process of creating a full-colour image from the grey-scale prior. It is an ill-posed problem, as there are many plausible colourisations for a given grey-scale prior. The current SOTA in auto-colourisation involves image-to-image type Deep Convolutional Neural Networks with Generative Adversarial Networks showing the greatest promise. The end goal of colourisation is to produce full colour images that appear plausible to the human viewer, but human assessment is costly and time consuming. This work assesses how well commonly used objective measures correlate with human opinion. We also attempt to determine what facets of colourisation have the most significant effect on human opinion. For each of 20 images from the BSD dataset, we create 65 recolourisations made up of local and global changes. Opinion scores are then crowd sourced using the Amazon Mechanical Turk and together with the images this forms an extensible dataset called the Human Evaluated Colourisation Dataset (HECD). While we find statistically significant correlations between human-opinion scores and a small number of objective measures, the strength of the correlations is low. There is also evidence that human observers are most intolerant to an incorrect hue of naturally occurring objects.

Seán Mullery, Paul F. Whelan

Automatic colourisation of grey-scale images is an ill-posed multi-modal problem. Where full-reference images exist, objective performance measures rely on pixel-difference techniques such as MSE and PSNR. These measures penalise any plausible modes other than the reference ground-truth; They often fail to adequately penalise implausible modes if they are close in pixel distance to the ground-truth; As these are pixel-difference methods they cannot assess spatial coherency. We use the polar form of the a*b* channels from the CIEL*a*b* colour space to separate the multi-modal problems, which we confine to the hue channel, and the common-mode which applies to the chroma channel. We apply SSIM to the chroma channel but reformulate SSIM for the hue channel to a measure we call the Spatial Hue Similarity Measure (SHSM). This reformulation allows spatially-coherent hue channels to achieve a high score while penalising spatially-incoherent modes. This method allows qualitative and quantitative performance comparison of SOTA colourisation methods and reduces reliance on subjective human visual inspection.

Sean Mullery, Paul F. Whelan

Generative Networks have shown great promise in generating photo-realistic images. Despite this, the theory surrounding them is still an active research area. Much of the useful work with Generative networks rely on heuristics that tend to produce good results. One of these heuristics is the advice not to use Batch Normalization in the final layer of the generator network. Many of the state-of-the-art generative network architectures use this heuristic, but the reasons for doing so are inconsistent. This paper will show that this is not necessarily a good heuristic and that Batch Normalization can be beneficial in the final layer of the generator network either by placing it before the final non-linear activation, usually a $tanh$ or replacing the final $tanh$ activation altogether with Batch Normalization and clipping. We show that this can lead to the faster training of Generator networks by matching the generator to the mean and standard deviation of the target distribution's image colour values.