Tianxiong Zhou

Hanting Li, Huaao Tang, Jianhong Han et al.

Recently, latent diffusion models has demonstrated promising performance in real-world video super-resolution (VSR) task, which can reconstruct high-quality videos from distorted low-resolution input through multiple diffusion steps. Compared to image super-resolution (ISR), VSR methods needs to process each frame in a video, which poses challenges to its inference efficiency. However, video quality and inference efficiency have always been a trade-off for the diffusion-based VSR methods. In this work, we propose One-Step Diffusion model for real-world Video Super-Resolution, namely OS-DiffVSR. Specifically, we devise a novel adjacent frame adversarial training paradigm, which can significantly improve the quality of synthetic videos. Besides, we devise a multi-frame fusion mechanism to maintain inter-frame temporal consistency and reduce the flicker in video. Extensive experiments on several popular VSR benchmarks demonstrate that OS-DiffVSR can even achieve better quality than existing diffusion-based VSR methods that require dozens of sampling steps.

Weinan Zhang, Ye Pan, Tianxiong Zhou et al.

Display advertising normally charges advertisers for every single ad impression. Specifically, if an ad in a webpage has been loaded in the browser, an ad impression is counted. However, due to the position and size of the ad slot, lots of ads are actually not viewed but still measured as impressions and charged. These fraud ad impressions indeed undermine the efficacy of display advertising. A perfect ad impression viewability measurement should match what the user has really viewed with a short memory. In this paper, we conduct extensive investigations on display ad impression viewability measurements on dimensions of ad creative displayed pixel percentage and exposure time to find which measurement provides the most accurate ad impression counting. The empirical results show that the most accurate measurement counts one ad impression if more than 75% of the ad creative pixels have been exposed for at least 2 continuous seconds.