Yuh-Jzer Joung

Guan-Lun Huang, Yuh-Jzer Joung

Modern web scraping struggles with dynamic, interactive websites that require more than static HTML parsing. Current methods are often brittle and require manual customization for each site. To address this, we introduce Webscraper, a framework designed to handle the challenges of modern, dynamic web applications. It leverages a Multimodal Large Language Model (MLLM) to autonomously navigate interactive interfaces, invoke specialized tools, and perform structured data extraction in environments where traditional scrapers are ineffective. Webscraper utilizes a structured five-stage prompting procedure and a set of custom-built tools to navigate and extract data from websites following the common ``index-and-content'' architecture. Our experiments, conducted on six news websites, demonstrate that the full Webscraper framework, equipped with both our guiding prompt and specialized tools, achieves a significant improvement in extraction accuracy over the baseline agent Anthropic's Computer Use. We also applied the framework to e-commerce platforms to validate its generalizability.

Tse-Yang Chen, Yuh-Jzer Joung

Piano cover generation aims to automatically transform a pop song into a piano arrangement. While numerous deep learning approaches have been proposed, existing models often fail to maintain structural consistency with the original song, likely due to the absence of beat-aware mechanisms or the difficulty of modeling complex rhythmic patterns. Rhythmic information is crucial, as it defines structural similarity (e.g., tempo, BPM) and directly impacts the overall quality of the generated music. In this paper, we introduce Etude, a three-stage architecture consisting of Extract, strucTUralize, and DEcode stages. By pre-extracting rhythmic information and applying a novel, simplified REMI-based tokenization, our model produces covers that preserve proper song structure, enhance fluency and musical dynamics, and support highly controllable generation through style injection. Subjective evaluations with human listeners show that Etude substantially outperforms prior models, achieving a quality level comparable to that of human composers.