Kangdi Wang

Kangdi Wang, Zhiyue Wu, Dinghao Zhou et al.

Variational Autoencoders (VAEs) are essential for large-scale audio tasks like diffusion-based generation. However, existing open-source models often neglect auditory perceptual aspects during training, leading to weaknesses in phase accuracy and stereophonic spatial representation. To address these challenges, we propose εar-VAE, an open-source music signal reconstruction model that rethinks and optimizes the VAE training paradigm. Our contributions are threefold: (i) A K-weighting perceptual filter applied prior to loss calculation to align the objective with auditory perception. (ii) Two novel phase losses: a Correlation Loss for stereo coherence, and a Phase Loss using its derivatives--Instantaneous Frequency and Group Delay--for precision. (iii) A new spectral supervision paradigm where magnitude is supervised by all four Mid/Side/Left/Right components, while phase is supervised only by the LR components. Experiments show εar-VAE at 44.1kHz substantially outperforms leading open-source models across diverse metrics, showing particular strength in reconstructing high-frequency harmonics and the spatial characteristics.

Rui Lin, Zhiyue Wu, Jiahe Le et al.

Duo-Tok is a source-aware dual-codebook tokenizer for vocal-accompaniment music that targets the growing tension between reconstruction quality and language-model (LM) learnability in modern lyrics-to-song systems. Existing codecs either prioritize high-fidelity reconstruction with difficult-to-model acoustic tokens or compress aggressively into semantic tokens that are LM-friendly but lossy, and they rarely make the tokenizer itself aware of dual-track structure. Duo-Tok follows a four-stage, SSL-centered pipeline: we first pretrain a BEST-RQ-style encoder on large-scale audio, then stabilize and factorize the representation with Gaussian replacement noise and multi-task supervision, before freezing the encoder to learn SimVQ-based dual codebooks with hard routing for vocals and accompaniment, and finally training latent diffusion decoders on top of the discrete tokens. Duo-Tok at 0.75 kbps shifts the empirical reconstruction-generation Pareto frontier, achieving the best music-tagging AP and the lowest vocabulary-normalized LM perplexity among compared codecs while maintaining reconstruction quality comparable to state-of-the-art music tokenizers.