Hyeonyu Kim

Hyeonyu Kim, Jongeun Kim, Jeonghun Kang et al.

This technical report presents the 2nd winning model for AQTC, a task newly introduced in CVPR 2022 LOng-form VidEo Understanding (LOVEU) challenges. This challenge faces difficulties with multi-step answers, multi-modal, and diverse and changing button representations in video. We address this problem by proposing a new context ground module attention mechanism for more effective feature mapping. In addition, we also perform the analysis over the number of buttons and ablation study of different step networks and video features. As a result, we achieved the overall 2nd place in LOVEU competition track 3, specifically the 1st place in two out of four evaluation metrics. Our code is available at https://github.com/jaykim9870/ CVPR-22_LOVEU_unipyler.

Taegyeong Lee, Jeonghun Kang, Hyeonyu Kim et al.

Representing wild sounds as images is an important but challenging task due to the lack of paired datasets between sound and images and the significant differences in the characteristics of these two modalities. Previous studies have focused on generating images from sound in limited categories or music. In this paper, we propose a novel approach to generate images from in-the-wild sounds. First, we convert sound into text using audio captioning. Second, we propose audio attention and sentence attention to represent the rich characteristics of sound and visualize the sound. Lastly, we propose a direct sound optimization with CLIPscore and AudioCLIP and generate images with a diffusion-based model. In experiments, it shows that our model is able to generate high quality images from wild sounds and outperforms baselines in both quantitative and qualitative evaluations on wild audio datasets.

Youngwon Choi, Jinwoo Oh, Hwayeon Kim et al.

We investigate the use of zero-shot text-to-speech (ZS-TTS) as a data augmentation source for low-resource personalized speech synthesis. While synthetic augmentation can provide linguistically rich and phonetically diverse speech, naively mixing large amounts of synthetic speech with limited real recordings often leads to speaker similarity degradation during fine-tuning. To address this issue, we propose ZeSTA, a simple domain-conditioned training framework that distinguishes real and synthetic speech via a lightweight domain embedding, combined with real-data oversampling to stabilize adaptation under extremely limited target data, without modifying the base architecture. Experiments on LibriTTS and an in-house dataset with two ZS-TTS sources demonstrate that our approach improves speaker similarity over naive synthetic augmentation while preserving intelligibility and perceptual quality.

Taeyoun Kwon, Youngwon Choi, Hyeonyu Kim et al.

Side-scan sonar (SSS) mine classification is a challenging maritime vision problem characterized by extreme data scarcity and a large domain gap from natural images. While self-supervised learning (SSL) and general-purpose vision foundation models have shown strong performance in general vision and several specialized domains, their use in SSS remains largely unexplored. We present Mine-JEPA, the first in-domain SSL pipeline for SSS mine classification, using SIGReg, a regularization-based SSL loss, to pretrain on only 1,170 unlabeled sonar images. In the binary mine vs. non-mine setting, Mine-JEPA achieves an F1 score of 0.935, outperforming fine-tuned DINOv3 (0.922), a foundation model pretrained on 1.7B images. For 3-class mine-like object classification, Mine-JEPA reaches 0.820 with synthetic data augmentation, again outperforming fine-tuned DINOv3 (0.810). We further observe that applying in-domain SSL to foundation models degrades performance by 10--13 percentage points, suggesting that stronger pretrained models do not always benefit from additional domain adaptation. In addition, Mine-JEPA with a compact ViT-Tiny backbone achieves competitive performance while using 4x fewer parameters than DINOv3. These results suggest that carefully designed in-domain self-supervised learning is a viable alternative to much larger foundation models in data-scarce maritime sonar imagery.

Youngwon Choi, Jaeyoon Jung, Hyeonyu Kim et al.

Large Audio Language Models (LALMs) have emerged as powerful tools for speech-related tasks but remain underexplored for fine-tuning, especially with limited speech data. To bridge this gap, we systematically examine how different fine-tuning schemes including text-only, direct mixing, and curriculum learning affect spoken language understanding (SLU), focusing on scenarios where text-label pairs are abundant while paired speech-label data are limited. Results show that LALMs already achieve competitive performance with text-only fine-tuning, highlighting their strong generalization ability. Adding even small amounts of speech data (2-5%) yields substantial further gains, with curriculum learning particularly effective under scarce data. In cross-lingual SLU, combining source-language speech data with target-language text and minimal target-language speech data enables effective adaptation. Overall, this study provides practical insights into the LALM fine-tuning under realistic data constraints.

Hyeonyu Kim, Seokhoon Jeong, Seonghee Han et al.

Visual editing with diffusion models has made significant progress but often struggles with complex scenarios that textual guidance alone could not adequately describe, highlighting the need for additional non-text editing prompts. In this work, we introduce a novel audio-guided visual editing framework that can handle complex editing tasks with multiple text and audio prompts without requiring additional training. Existing audio-guided visual editing methods often necessitate training on specific datasets to align audio with text, limiting their generalization to real-world situations. We leverage a pre-trained multi-modal encoder with strong zero-shot capabilities and integrate diverse audio into visual editing tasks, by alleviating the discrepancy between the audio encoder space and the diffusion model's prompt encoder space. Additionally, we propose a novel approach to handle complex scenarios with multiple and multi-modal editing prompts through our separate noise branching and adaptive patch selection. Our comprehensive experiments on diverse editing tasks demonstrate that our framework excels in handling complicated editing scenarios by incorporating rich information from audio, where text-only approaches fail.