Tzu-Wei Huang

CV
3papers
146citations
Novelty28%
AI Score31

3 Papers

LGSep 14, 2025
Decoding Musical Origins: Distinguishing Human and AI Composers

Cheng-Yang Tsai, Tzu-Wei Huang, Shao-Yu Wei et al.

With the rapid advancement of Large Language Models (LLMs), AI-driven music generation has become a vibrant and fruitful area of research. However, the representation of musical data remains a significant challenge. To address this, a novel, machine-learning-friendly music notation system, YNote, was developed. This study leverages YNote to train an effective classification model capable of distinguishing whether a piece of music was composed by a human (Native), a rule-based algorithm (Algorithm Generated), or an LLM (LLM Generated). We frame this as a text classification problem, applying the Term Frequency-Inverse Document Frequency (TF-IDF) algorithm to extract structural features from YNote sequences and using the Synthetic Minority Over-sampling Technique (SMOTE) to address data imbalance. The resulting model achieves an accuracy of 98.25%, successfully demonstrating that YNote retains sufficient stylistic information for analysis. More importantly, the model can identify the unique " technological fingerprints " left by different AI generation techniques, providing a powerful tool for tracing the origins of AI-generated content.

CVJan 28, 2019
Bridging the Gap Between Computational Photography and Visual Recognition

Rosaura G. VidalMata, Sreya Banerjee, Brandon RichardWebster et al.

What is the current state-of-the-art for image restoration and enhancement applied to degraded images acquired under less than ideal circumstances? Can the application of such algorithms as a pre-processing step to improve image interpretability for manual analysis or automatic visual recognition to classify scene content? While there have been important advances in the area of computational photography to restore or enhance the visual quality of an image, the capabilities of such techniques have not always translated in a useful way to visual recognition tasks. Consequently, there is a pressing need for the development of algorithms that are designed for the joint problem of improving visual appearance and recognition, which will be an enabling factor for the deployment of visual recognition tools in many real-world scenarios. To address this, we introduce the UG^2 dataset as a large-scale benchmark composed of video imagery captured under challenging conditions, and two enhancement tasks designed to test algorithmic impact on visual quality and automatic object recognition. Furthermore, we propose a set of metrics to evaluate the joint improvement of such tasks as well as individual algorithmic advances, including a novel psychophysics-based evaluation regime for human assessment and a realistic set of quantitative measures for object recognition performance. We introduce six new algorithms for image restoration or enhancement, which were created as part of the IARPA sponsored UG^2 Challenge workshop held at CVPR 2018. Under the proposed evaluation regime, we present an in-depth analysis of these algorithms and a host of deep learning-based and classic baseline approaches. From the observed results, it is evident that we are in the early days of building a bridge between computational photography and visual recognition, leaving many opportunities for innovation in this area.

CVJan 5, 2017
Quantitative Analysis of Automatic Image Cropping Algorithms: A Dataset and Comparative Study

Yi-Ling Chen, Tzu-Wei Huang, Kai-Han Chang et al.

Automatic photo cropping is an important tool for improving visual quality of digital photos without resorting to tedious manual selection. Traditionally, photo cropping is accomplished by determining the best proposal window through visual quality assessment or saliency detection. In essence, the performance of an image cropper highly depends on the ability to correctly rank a number of visually similar proposal windows. Despite the ranking nature of automatic photo cropping, little attention has been paid to learning-to-rank algorithms in tackling such a problem. In this work, we conduct an extensive study on traditional approaches as well as ranking-based croppers trained on various image features. In addition, a new dataset consisting of high quality cropping and pairwise ranking annotations is presented to evaluate the performance of various baselines. The experimental results on the new dataset provide useful insights into the design of better photo cropping algorithms.