Yankun Wu

CV
h-index6
5papers
148citations
Novelty33%
AI Score41

5 Papers

24.5CVApr 6, 2023Code
Uncurated Image-Text Datasets: Shedding Light on Demographic Bias

Noa Garcia, Yusuke Hirota, Yankun Wu et al.

The increasing tendency to collect large and uncurated datasets to train vision-and-language models has raised concerns about fair representations. It is known that even small but manually annotated datasets, such as MSCOCO, are affected by societal bias. This problem, far from being solved, may be getting worse with data crawled from the Internet without much control. In addition, the lack of tools to analyze societal bias in big collections of images makes addressing the problem extremely challenging. Our first contribution is to annotate part of the Google Conceptual Captions dataset, widely used for training vision-and-language models, with four demographic and two contextual attributes. Our second contribution is to conduct a comprehensive analysis of the annotations, focusing on how different demographic groups are represented. Our last contribution lies in evaluating three prevailing vision-and-language tasks: image captioning, text-image CLIP embeddings, and text-to-image generation, showing that societal bias is a persistent problem in all of them.

15.3CVApr 20, 2023Code
Not Only Generative Art: Stable Diffusion for Content-Style Disentanglement in Art Analysis

Yankun Wu, Yuta Nakashima, Noa Garcia

The duality of content and style is inherent to the nature of art. For humans, these two elements are clearly different: content refers to the objects and concepts in the piece of art, and style to the way it is expressed. This duality poses an important challenge for computer vision. The visual appearance of objects and concepts is modulated by the style that may reflect the author's emotions, social trends, artistic movement, etc., and their deep comprehension undoubtfully requires to handle both. A promising step towards a general paradigm for art analysis is to disentangle content and style, whereas relying on human annotations to cull a single aspect of artworks has limitations in learning semantic concepts and the visual appearance of paintings. We thus present GOYA, a method that distills the artistic knowledge captured in a recent generative model to disentangle content and style. Experiments show that synthetically generated images sufficiently serve as a proxy of the real distribution of artworks, allowing GOYA to separately represent the two elements of art while keeping more information than existing methods.

1.5CVFeb 6
Privacy in Image Datasets: A Case Study on Pregnancy Ultrasounds

Rawisara Lohanimit, Yankun Wu, Amelia Katirai et al.

The rise of generative models has led to increased use of large-scale datasets collected from the internet, often with minimal or no data curation. This raises concerns about the inclusion of sensitive or private information. In this work, we explore the presence of pregnancy ultrasound images, which contain sensitive personal information and are often shared online. Through a systematic examination of LAION-400M dataset using CLIP embedding similarity, we retrieve images containing pregnancy ultrasound and detect thousands of entities of private information such as names and locations. Our findings reveal that multiple images have high-risk information that could enable re-identification or impersonation. We conclude with recommended practices for dataset curation, data privacy, and ethical use of public image datasets.

16.4CVDec 5, 2023
Stable Diffusion Exposed: Gender Bias from Prompt to Image

Yankun Wu, Yuta Nakashima, Noa Garcia

Several studies have raised awareness about social biases in image generative models, demonstrating their predisposition towards stereotypes and imbalances. This paper contributes to this growing body of research by introducing an evaluation protocol that analyzes the impact of gender indicators at every step of the generation process on Stable Diffusion images. Leveraging insights from prior work, we explore how gender indicators not only affect gender presentation but also the representation of objects and layouts within the generated images. Our findings include the existence of differences in the depiction of objects, such as instruments tailored for specific genders, and shifts in overall layouts. We also reveal that neutral prompts tend to produce images more aligned with masculine prompts than their feminine counterparts. We further explore where bias originates through representational disparities and how it manifests in the images via prompt-image dependencies, and provide recommendations for developers and users to mitigate potential bias in image generation.

3.6CVOct 10, 2025
Instance-Level Generation for Representation Learning

Yankun Wu, Zakaria Laskar, Giorgos Kordopatis-Zilos et al.

Instance-level recognition (ILR) focuses on identifying individual objects rather than broad categories, offering the highest granularity in image classification. However, this fine-grained nature makes creating large-scale annotated datasets challenging, limiting ILR's real-world applicability across domains. To overcome this, we introduce a novel approach that synthetically generates diverse object instances from multiple domains under varied conditions and backgrounds, forming a large-scale training set. Unlike prior work on automatic data synthesis, our method is the first to address ILR-specific challenges without relying on any real images. Fine-tuning foundation vision models on the generated data significantly improves retrieval performance across seven ILR benchmarks spanning multiple domains. Our approach offers a new, efficient, and effective alternative to extensive data collection and curation, introducing a new ILR paradigm where the only input is the names of the target domains, unlocking a wide range of real-world applications.