Teerapat Jenrungrot

Teerapat Jenrungrot, Vivek Jayaram, Steve Seitz et al.

Given a multi-microphone recording of an unknown number of speakers talking concurrently, we simultaneously localize the sources and separate the individual speakers. At the core of our method is a deep network, in the waveform domain, which isolates sources within an angular region $θ\pm w/2$, given an angle of interest $θ$ and angular window size $w$. By exponentially decreasing $w$, we can perform a binary search to localize and separate all sources in logarithmic time. Our algorithm allows for an arbitrary number of potentially moving speakers at test time, including more speakers than seen during training. Experiments demonstrate state-of-the-art performance for both source separation and source localization, particularly in high levels of background noise.

Daniel Yang, Thitaree Tanprasert, Teerapat Jenrungrot et al.

This paper investigates a cross-modal retrieval problem in which a user would like to retrieve a passage of music from a MIDI file by taking a cell phone picture of a physical page of sheet music. While audio-sheet music retrieval has been explored by a number of works, this scenario is novel in that the query is a cell phone picture rather than a digital scan. To solve this problem, we introduce a mid-level feature representation called a bootleg score which explicitly encodes the rules of Western musical notation. We convert both the MIDI and the sheet music into bootleg scores using deterministic rules of music and classical computer vision techniques for detecting simple geometric shapes. Once the MIDI and cell phone image have been converted into bootleg scores, we estimate the alignment using dynamic programming. The most notable characteristic of our system is that it does test-time adaptation and has no trainable weights at all -- only a set of about 30 hyperparameters. On a dataset containing 1000 cell phone pictures taken of 100 scores of classical piano music, our system achieves an F measure score of .869 and outperforms baseline systems based on commercial optical music recognition software.

Thitaree Tanprasert, Teerapat Jenrungrot, Meinard Mueller et al.

MIDI-sheet music alignment is the task of finding correspondences between a MIDI representation of a piece and its corresponding sheet music images. Rather than using optical music recognition to bridge the gap between sheet music and MIDI, we explore an alternative approach: projecting the MIDI data into pixel space and performing alignment in the image domain. Our method converts the MIDI data into a crude representation of the score that only contains rectangular floating notehead blobs, a process we call bootleg score synthesis. Furthermore, we project sheet music images into the same bootleg space by applying a deep watershed notehead detector and filling in the bounding boxes around each detected notehead. Finally, we align the bootleg representations using a simple variant of dynamic time warping. On a dataset of 68 real scanned piano scores from IMSLP and corresponding MIDI performances, our method achieves a 97.3% accuracy at an error tolerance of one second, outperforming several baseline systems that employ optical music recognition.