Jingchuan Xiao

Zhendong Wang, Cihan Ruan, Jingchuan Xiao et al.

We investigate what structure emerges in 3D Gaussian Splatting (3DGS) solutions from standard multi-view optimization. We term these Rendering-Optimal References (RORs) and analyze their statistical properties, revealing stable patterns: mixture-structured scales and bimodal radiance across diverse scenes. To understand what determines these parameters, we apply learnability probes by training predictors to reconstruct RORs from point clouds without rendering supervision. Our analysis uncovers fundamental density-stratification. Dense regions exhibit geometry-correlated parameters amenable to render-free prediction, while sparse regions show systematic failure across architectures. We formalize this through variance decomposition, demonstrating that visibility heterogeneity creates covariance-dominated coupling between geometric and appearance parameters in sparse regions. This reveals the dual character of RORs: geometric primitives where point clouds suffice, and view synthesis primitives where multi-view constraints are essential. We provide density-aware strategies that improve training robustness and discuss architectural implications for systems that adaptively balance feed-forward prediction and rendering-based refinement.

Jingchuan Xiao, Xinyi Sui, Cihan Ruan

Alignment, the tendency of adjacent weight matrices in deep networks to develop compatible subspace orientations, underlies gradient flow, Neural Collapse, and representation similarity across architectures. Despite extensive empirical documentation, these phenomena have resisted unified theoretical treatment: existing explanations are post-hoc, each fitted to a specific observation with whatever mathematics is at hand. We reverse this direction by deriving the mathematical structure that layerwise alignment inherently demands. Using geometric invariant theory, we prove that alignment geometry has a canonical closed, polystable stratum given by a flag variety, and that subspace intersection dimension is its unique reparameterization-invariant observable, establishing that subspace metrics are not empirical conventions but mathematical necessities. This unified framework yields two dynamical consequences: ridge regularization drives subspace alignment at an exponential rate set by weight decay, whereas nonlinear activations induce a commutator obstruction to exact basis alignment, generically present in nonlinear networks and absent in linear ones. Together these give a geometric explanation of the Level-2/3 hierarchy in Neural Collapse from first principles rather than post-hoc analysis. The commutator magnitude and head subspace overlap further serve as weight-space windows into internal alignment structure, requiring no forward passes. Experiments on multilayer perceptrons, residual networks, and pretrained language models support the proposed diagnostics and delineate their scope.

Zhendong Wang, Lebin Zhou, Jingchuan Xiao et al.

In 1888, Vincent van Gogh wrote, "I am seeking exaggeration in the essential." This principle, amplifying structural form while suppressing photographic detail, lies at the core of Post-Impressionist art. However, most existing 3D style transfer methods invert this philosophy, treating geometry as a rigid substrate for surface-level texture projection. To authentically reproduce Post-Impressionist stylization, geometric abstraction must be embraced as the primary vehicle of expression. We propose a flow-guided geometric advection framework for 3D Gaussian Splatting (3DGS) that operationalizes this principle in a mesh-free setting. Our method extracts directional flow fields from 2D paintings and back-propagates them into 3D space, rectifying Gaussian primitives to form flow-aligned brushstrokes that conform to scene topology without relying on explicit mesh priors. This enables expressive structural deformation driven directly by painterly motion rather than photometric constraints. Our contributions are threefold: (1) a projection-based, mesh-free flow guidance mechanism that transfers 2D artistic motion into 3D Gaussian geometry; (2) a luminance-structure decoupling strategy that isolates geometric deformation from color optimization, mitigating artifacts during aggressive structural abstraction; and (3) a VLM-as-a-Judge evaluation framework that assesses artistic authenticity through aesthetic judgment instead of conventional pixel-level metrics, explicitly addressing the subjective nature of artistic stylization.