Jorge Calvo-Zaragoza

Enrique Vidal, Alejandro H. Toselli, Antonio Ríos-Vila et al.

The evaluation of Handwritten Text Recognition (HTR) systems has traditionally used metrics based on the edit distance between HTR and ground truth (GT) transcripts, at both the character and word levels. This is very adequate when the experimental protocol assumes that both GT and HTR text lines are the same, which allows edit distances to be independently computed to each given line. Driven by recent advances in pattern recognition, HTR systems increasingly face the end-to-end page-level transcription of a document, where the precision of locating the different text lines and their corresponding reading order (RO) play a key role. In such a case, the standard metrics do not take into account the inconsistencies that might appear. In this paper, the problem of evaluating HTR systems at the page level is introduced in detail. We analyse the convenience of using a two-fold evaluation, where the transcription accuracy and the RO goodness are considered separately. Different alternatives are proposed, analysed and empirically compared both through partially simulated and through real, full end-to-end experiments. Results support the validity of the proposed two-fold evaluation approach. An important conclusion is that such an evaluation can be adequately achieved by just two simple and well-known metrics: the Word Error Rate (WER), that takes transcription sequentiality into account, and the here re-formulated Bag of Words Word Error Rate (bWER), that ignores order. While the latter directly and very accurately assess intrinsic word recognition errors, the difference between both metrics gracefully correlates with the Normalised Spearman's Foot Rule Distance (NSFD), a metric which explicitly measures RO errors associated with layout analysis flaws.

María Alfaro-Contreras, Jose J. Valero-Mas, José M. Iñesta et al.

Music transcription, which deals with the conversion of music sources into a structured digital format, is a key problem for Music Information Retrieval (MIR). When addressing this challenge in computational terms, the MIR community follows two lines of research: music documents, which is the case of Optical Music Recognition (OMR), or audio recordings, which is the case of Automatic Music Transcription (AMT). The different nature of the aforementioned input data has conditioned these fields to develop modality-specific frameworks. However, their recent definition in terms of sequence labeling tasks leads to a common output representation, which enables research on a combined paradigm. In this respect, multimodal image and audio music transcription comprises the challenge of effectively combining the information conveyed by image and audio modalities. In this work, we explore this question at a late-fusion level: we study four combination approaches in order to merge, for the first time, the hypotheses regarding end-to-end OMR and AMT systems in a lattice-based search space. The results obtained for a series of performance scenarios -- in which the corresponding single-modality models yield different error rates -- showed interesting benefits of these approaches. In addition, two of the four strategies considered significantly improve the corresponding unimodal standard recognition frameworks.

Carlos Penarrubia, Jose J. Valero-Mas, Jorge Calvo-Zaragoza

Text Recognition (TR) refers to the research area that focuses on retrieving textual information from images, a topic that has seen significant advancements in the last decade due to the use of Deep Neural Networks (DNN). However, these solutions often necessitate vast amounts of manually labeled or synthetic data. Addressing this challenge, Self-Supervised Learning (SSL) has gained attention by utilizing large datasets of unlabeled data to train DNN, thereby generating meaningful and robust representations. Although SSL was initially overlooked in TR because of its unique characteristics, recent years have witnessed a surge in the development of SSL methods specifically for this field. This rapid development, however, has led to many methods being explored independently, without taking previous efforts in methodology or comparison into account, thereby hindering progress in the field of research. This paper, therefore, seeks to consolidate the use of SSL in the field of TR, offering a critical and comprehensive overview of the current state of the art. We will review and analyze the existing methods, compare their results, and highlight inconsistencies in the current literature. This thorough analysis aims to provide general insights into the field, propose standardizations, identify new research directions, and foster its proper development.

Carlos Garrido-Munoz, Aniello Panariello, Silvia Cascianelli et al.

Handwritten Text Recognition (HTR) models trained on synthetic handwriting often struggle to generalize to real text, and existing adaptation methods still require real samples from the target domain. In this work, we tackle the fully zero-shot synthetic-to-real generalization setting, where no real data from the target language is available. Our approach learns how model parameters change when moving from synthetic to real handwriting in one or more source languages and transfers this learned correction to new target languages. When using multiple sources, we rely on linguistic similarity to weigh their contrubition when combining them. Experiments across five languages and six architectures show consistent improvements over synthetic-only baselines and reveal that the transferred corrections benefit even languages unrelated to the sources.

Enrique Mas-Candela, Antonio Ríos-Vila, Jorge Calvo-Zaragoza

In this work, the novel Image Transformation Sequence Retrieval (ITSR) task is presented, in which a model must retrieve the sequence of transformations between two given images that act as source and target, respectively. Given certain characteristics of the challenge such as the multiplicity of a correct sequence or the correlation between consecutive steps of the process, we propose a solution to ITSR using a general model-based Reinforcement Learning such as Monte Carlo Tree Search (MCTS), which is combined with a deep neural network. Our experiments provide a benchmark in both synthetic and real domains, where the proposed approach is compared with supervised training. The results report that a model trained with MCTS is able to outperform its supervised counterpart in both the simplest and the most complex cases. Our work draws interesting conclusions about the nature of ITSR and its associated challenges.

Jorge Calvo-Zaragoza, Alexander Pacha, Elona Shatri

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 4th International Workshop on Reading Music Systems, held online on Nov. 18th 2022.

Noelia Luna-Barahona, Antonio Ríos-Vila, David Rizo et al.

The digitization of musical scores plays a crucial role in their preservation and accessibility, yet information retrieval still depends mainly on metadata searches, such as by title or composer. Content based search in music score images remains underexplored compared to text documents, despite its potential value for musicians, musicologists, and educators. This work contributes to the field by first studying which characteristics of a score are most relevant for search and by defining a systematic method to build query datasets from any annotated corpus. We also consider diverse methods for content-based search on music score images, ranging from transcription-based approaches relying on Optical Music Recognition (OMR), to a transcription-free Transformer model trained to recognize queries directly from score images, and a text-prompted Large Language Model. Our experiments evaluate these models on four corpora exhibiting diverse characteristics in terms of dataset size, image quality, and typesetting mechanisms. Overall, each method excels under different conditions: OMR-based pipelines achieve higher in-domain retrieval, whereas transcription-free models handle domain variability more effectively.

Jorge Calvo-Zaragoza, Alexander Pacha

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 2nd International Workshop on Reading Music Systems, held in Delft on the 2nd of November 2019.

Jorge Calvo-Zaragoza, Alexander Pacha, Elona Shatri

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 5th International Workshop on Reading Music Systems, held in Milan, Italy on Nov. 4th 2023.

Jorge Calvo-Zaragoza, Jan Hajič, Alexander Pacha

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 1st International Workshop on Reading Music Systems, held in Paris on the 20th of September 2018.

Jorge Calvo-Zaragoza, Alexander Pacha

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 3rd International Workshop on Reading Music Systems, held in Alicante on the 23rd of July 2021.

Hatef Otroshi Shahreza, Christophe Ecabert, Anjith George et al.

Large-scale face recognition datasets are collected by crawling the Internet and without individuals' consent, raising legal, ethical, and privacy concerns. With the recent advances in generative models, recently several works proposed generating synthetic face recognition datasets to mitigate concerns in web-crawled face recognition datasets. This paper presents the summary of the Synthetic Data for Face Recognition (SDFR) Competition held in conjunction with the 18th IEEE International Conference on Automatic Face and Gesture Recognition (FG 2024) and established to investigate the use of synthetic data for training face recognition models. The SDFR competition was split into two tasks, allowing participants to train face recognition systems using new synthetic datasets and/or existing ones. In the first task, the face recognition backbone was fixed and the dataset size was limited, while the second task provided almost complete freedom on the model backbone, the dataset, and the training pipeline. The submitted models were trained on existing and also new synthetic datasets and used clever methods to improve training with synthetic data. The submissions were evaluated and ranked on a diverse set of seven benchmarking datasets. The paper gives an overview of the submitted face recognition models and reports achieved performance compared to baseline models trained on real and synthetic datasets. Furthermore, the evaluation of submissions is extended to bias assessment across different demography groups. Lastly, an outlook on the current state of the research in training face recognition models using synthetic data is presented, and existing problems as well as potential future directions are also discussed.

Antonio Ríos-Vila, Jorge Calvo-Zaragoza, Thierry Paquet

State-of-the-art end-to-end Optical Music Recognition (OMR) has, to date, primarily been carried out using monophonic transcription techniques to handle complex score layouts, such as polyphony, often by resorting to simplifications or specific adaptations. Despite their efficacy, these approaches imply challenges related to scalability and limitations. This paper presents the Sheet Music Transformer, the first end-to-end OMR model designed to transcribe complex musical scores without relying solely on monophonic strategies. Our model employs a Transformer-based image-to-sequence framework that predicts score transcriptions in a standard digital music encoding format from input images. Our model has been tested on two polyphonic music datasets and has proven capable of handling these intricate music structures effectively. The experimental outcomes not only indicate the competence of the model, but also show that it is better than the state-of-the-art methods, thus contributing to advancements in end-to-end OMR transcription.

Antonio Ríos-Vila, Jorge Calvo-Zaragoza, David Rizo et al.

Optical Music Recognition (OMR) has made significant progress since its inception, with various approaches now capable of accurately transcribing music scores into digital formats. Despite these advancements, most so-called end-to-end OMR approaches still rely on multi-stage processing pipelines for transcribing full-page score images, which entails challenges such as the need for dedicated layout analysis and specific annotated data, thereby limiting the general applicability of such methods. In this paper, we present the first truly end-to-end approach for page-level OMR in complex layouts. Our system, which combines convolutional layers with autoregressive Transformers, processes an entire music score page and outputs a complete transcription in a music encoding format. This is made possible by both the architecture and the training procedure, which utilizes curriculum learning through incremental synthetic data generation. We evaluate the proposed system using pianoform corpora, which is one of the most complex sources in the OMR literature. This evaluation is conducted first in a controlled scenario with synthetic data, and subsequently against two real-world corpora of varying conditions. Our approach is compared with leading commercial OMR software. The results demonstrate that our system not only successfully transcribes full-page music scores but also outperforms the commercial tool in both zero-shot settings and after fine-tuning with the target domain, representing a significant contribution to the field of OMR.

Juan P. Martinez-Esteso, Francisco J. Castellanos, Jorge Calvo-Zaragoza et al.

The speed of response by search and rescue teams at sea is of vital importance, as survival may depend on it. Recent technological advancements have led to the development of more efficient systems for locating individuals involved in a maritime incident, such as the use of Unmanned Aerial Vehicles (UAVs) equipped with cameras and other integrated sensors. Over the past decade, several researchers have contributed to the development of automatic systems capable of detecting people using aerial images, particularly by leveraging the advantages of deep learning. In this article, we provide a comprehensive review of the existing literature on this topic. We analyze the methods proposed to date, including both traditional techniques and more advanced approaches based on machine learning and neural networks. Additionally, we take into account the use of synthetic data to cover a wider range of scenarios without the need to deploy a team to collect data, which is one of the major obstacles for these systems. Overall, this paper situates the reader in the field of detecting people at sea using aerial images by quickly identifying the most suitable methodology for each scenario, as well as providing an in-depth discussion and direction for future trends.

Carlos Garrido-Munoz, Antonio Rios-Vila, Jorge Calvo-Zaragoza

Handwritten Text Recognition (HTR) has become an essential field within pattern recognition and machine learning, with applications spanning historical document preservation to modern data entry and accessibility solutions. The complexity of HTR lies in the high variability of handwriting, which makes it challenging to develop robust recognition systems. This survey examines the evolution of HTR models, tracing their progression from early heuristic-based approaches to contemporary state-of-the-art neural models, which leverage deep learning techniques. The scope of the field has also expanded, with models initially capable of recognizing only word-level content progressing to recent end-to-end document-level approaches. Our paper categorizes existing work into two primary levels of recognition: (1) \emph{up to line-level}, encompassing word and line recognition, and (2) \emph{beyond line-level}, addressing paragraph- and document-level challenges. We provide a unified framework that examines research methodologies, recent advances in benchmarking, key datasets in the field, and a discussion of the results reported in the literature. Finally, we identify pressing research challenges and outline promising future directions, aiming to equip researchers and practitioners with a roadmap for advancing the field.

Carlos Penarrubia, Carlos Garrido-Munoz, Jose J. Valero-Mas et al.

Handwritten Text Recognition (HTR) is a relevant problem in computer vision, and implies unique challenges owing to its inherent variability and the rich contextualization required for its interpretation. Despite the success of Self-Supervised Learning (SSL) in computer vision, its application to HTR has been rather scattered, leaving key SSL methodologies unexplored. This work focuses on one of them, namely Spatial Context-based SSL. We investigate how this family of approaches can be adapted and optimized for HTR and propose new workflows that leverage the unique features of handwritten text. Our experiments demonstrate that the methods considered lead to advancements in the state-of-the-art of SSL for HTR in a number of benchmark cases.

Juan C. Martinez-Sevilla, Joan Cerveto-Serrano, Noelia Luna et al.

In this work, we introduce the Sheet Music Benchmark (SMB), a dataset of six hundred and eighty-five pages specifically designed to benchmark Optical Music Recognition (OMR) research. SMB encompasses a diverse array of musical textures, including monophony, pianoform, quartet, and others, all encoded in Common Western Modern Notation using the Humdrum **kern format. Alongside SMB, we introduce the OMR Normalized Edit Distance (OMR-NED), a new metric tailored explicitly for evaluating OMR performance. OMR-NED builds upon the widely-used Symbol Error Rate (SER), offering a fine-grained and detailed error analysis that covers individual musical elements such as note heads, beams, pitches, accidentals, and other critical notation features. The resulting numeric score provided by OMR-NED facilitates clear comparisons, enabling researchers and end-users alike to identify optimal OMR approaches. Our work thus addresses a long-standing gap in OMR evaluation, and we support our contributions with baseline experiments using standardized SMB dataset splits for training and assessing state-of-the-art methods.

Carlos Garrido-Munoz, Jorge Calvo-Zaragoza

Recent advances in Handwritten Text Recognition (HTR) have led to significant reductions in transcription errors on standard benchmarks under the i.i.d. assumption, thus focusing on minimizing in-distribution (ID) errors. However, this assumption does not hold in real-world applications, which has motivated HTR research to explore Transfer Learning and Domain Adaptation techniques. In this work, we investigate the unaddressed limitations of HTR models in generalizing to out-of-distribution (OOD) data. We adopt the challenging setting of Domain Generalization, where models are expected to generalize to OOD data without any prior access. To this end, we analyze 336 OOD cases from eight state-of-the-art HTR models across seven widely used datasets, spanning five languages. Additionally, we study how HTR models leverage synthetic data to generalize. We reveal that the most significant factor for generalization lies in the textual divergence between domains, followed by visual divergence. We demonstrate that the error of HTR models in OOD scenarios can be reliably estimated, with discrepancies falling below 10 points in 70\% of cases. We identify the underlying limitations of HTR models, laying the foundation for future research to address this challenge.

Juan Carlos Martinez-Sevilla, Francesco Foscarin, Patricia Garcia-Iasci et al.

In this paper, we address the challenge of Optical Music Recognition (OMR) for handwritten jazz lead sheets, a widely used musical score type that encodes melody and chords. The task is challenging due to the presence of chords, a score component not handled by existing OMR systems, and the high variability and quality issues associated with handwritten images. Our contribution is two-fold. We present a novel dataset consisting of 293 handwritten jazz lead sheets of 163 unique pieces, amounting to 2021 total staves aligned with Humdrum **kern and MusicXML ground truth scores. We also supply synthetic score images generated from the ground truth. The second contribution is the development of an OMR model for jazz lead sheets. We discuss specific tokenisation choices related to our kind of data, and the advantages of using synthetic scores and pretrained models. We publicly release all code, data, and models.

Eliseo Fuentes-Martínez, Antonio Ríos-Vila, Juan C. Martinez-Sevilla et al.

The digitization of vocal music scores presents unique challenges that go beyond traditional Optical Music Recognition (OMR) and Optical Character Recognition (OCR), as it necessitates preserving the critical alignment between music notation and lyrics. This alignment is essential for proper interpretation and processing in practical applications. This paper introduces and formalizes, for the first time, the Aligned Music Notation and Lyrics Transcription (AMNLT) challenge, which addresses the complete transcription of vocal scores by jointly considering music symbols, lyrics, and their synchronization. We analyze different approaches to address this challenge, ranging from traditional divide-and-conquer methods that handle music and lyrics separately, to novel end-to-end solutions including direct transcription, unfolding mechanisms, and language modeling. To evaluate these methods, we introduce four datasets of Gregorian chants, comprising both real and synthetic sources, along with custom metrics specifically designed to assess both transcription and alignment accuracy. Our experimental results demonstrate that end-to-end approaches generally outperform heuristic methods in the alignment challenge, with language models showing particular promise in scenarios where sufficient training data is available. This work establishes the first comprehensive framework for AMNLT, providing both theoretical foundations and practical solutions for preserving and digitizing vocal music heritage.

Jorge Calvo-Zaragoza, Alexander Pacha, Elona Shatri

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 6th International Workshop on Reading Music Systems, held Online on November 22nd 2024.

María Alfaro-Contreras, Jorge Calvo-Zaragoza

This paper serves to introduce the Align, Minimize and Diversify (AMD) method, a Source-Free Unsupervised Domain Adaptation approach for Handwritten Text Recognition (HTR). This framework decouples the adaptation process from the source data, thus not only sidestepping the resource-intensive retraining process but also making it possible to leverage the wealth of pre-trained knowledge encoded in modern Deep Learning architectures. Our method explicitly eliminates the need to revisit the source data during adaptation by incorporating three distinct regularization terms: the Align term, which reduces the feature distribution discrepancy between source and target data, ensuring the transferability of the pre-trained representation; the Minimize term, which encourages the model to make assertive predictions, pushing the outputs towards one-hot-like distributions in order to minimize prediction uncertainty, and finally, the Diversify term, which safeguards against the degeneracy in predictions by promoting varied and distinctive sequences throughout the target data, preventing informational collapse. Experimental results from several benchmarks demonstrated the effectiveness and robustness of AMD, showing it to be competitive and often outperforming DA methods in HTR.

Francisco J. Castellanos, Carlos Garrido-Munoz, Antonio Ríos-Vila et al.

The Layout Analysis (LA) stage is of vital importance to the correct performance of an Optical Music Recognition (OMR) system. It identifies the regions of interest, such as staves or lyrics, which must then be processed in order to transcribe their content. Despite the existence of modern approaches based on deep learning, an exhaustive study of LA in OMR has not yet been carried out with regard to the precision of different models, their generalization to different domains or, more importantly, their impact on subsequent stages of the pipeline. This work focuses on filling this gap in literature by means of an experimental study of different neural architectures, music document types and evaluation scenarios. The need for training data has also led to a proposal for a new semi-synthetic data generation technique that enables the efficient applicability of LA approaches in real scenarios. Our results show that: (i) the choice of the model and its performance are crucial for the entire transcription process; (ii) the metrics commonly used to evaluate the LA stage do not always correlate with the final performance of the OMR system, and (iii) the proposed data-generation technique enables state-of-the-art results to be achieved with a limited set of labeled data.

Francisco J. Castellanos, Antonio-Javier Gallego, Jorge Calvo-Zaragoza

Binarization is a well-known image processing task, whose objective is to separate the foreground of an image from the background. One of the many tasks for which it is useful is that of preprocessing document images in order to identify relevant information, such as text or symbols. The wide variety of document types, alphabets, and formats makes binarization challenging. There are multiple proposals with which to solve this problem, from classical manually-adjusted methods, to more recent approaches based on machine learning. The latter techniques require a large amount of training data in order to obtain good results; however, labeling a portion of each existing collection of documents is not feasible in practice. This is a common problem in supervised learning, which can be addressed by using the so-called Domain Adaptation (DA) techniques. These techniques take advantage of the knowledge learned in one domain, for which labeled data are available, to apply it to other domains for which there are no labeled data. This paper proposes a method that combines neural networks and DA in order to carry out unsupervised document binarization. However, when both the source and target domains are very similar, this adaptation could be detrimental. Our methodology, therefore, first measures the similarity between domains in an innovative manner in order to determine whether or not it is appropriate to apply the adaptation process. The results reported in the experimentation, when evaluating up to 20 possible combinations among five different domains, show that our proposal successfully deals with the binarization of new document domains without the need for labeled data.

Antonio-Javier Gallego, Jorge Calvo-Zaragoza, Robert B. Fisher

In the context of supervised statistical learning, it is typically assumed that the training set comes from the same distribution that draws the test samples. When this is not the case, the behavior of the learned model is unpredictable and becomes dependent upon the degree of similarity between the distribution of the training set and the distribution of the test set. One of the research topics that investigates this scenario is referred to as domain adaptation. Deep neural networks brought dramatic advances in pattern recognition and that is why there have been many attempts to provide good domain adaptation algorithms for these models. Here we take a different avenue and approach the problem from an incremental point of view, where the model is adapted to the new domain iteratively. We make use of an existing unsupervised domain-adaptation algorithm to identify the target samples on which there is greater confidence about their true label. The output of the model is analyzed in different ways to determine the candidate samples. The selected set is then added to the source training set by considering the labels provided by the network as ground truth, and the process is repeated until all target samples are labelled. Our results report a clear improvement with respect to the non-incremental case in several datasets, also outperforming other state-of-the-art domain adaptation algorithms.

Miguel A. Román, Antonio Pertusa, Jorge Calvo-Zaragoza

We present a framework based on neural networks to extract music scores directly from polyphonic audio in an end-to-end fashion. Most previous Automatic Music Transcription (AMT) methods seek a piano-roll representation of the pitches, that can be further transformed into a score by incorporating tempo estimation, beat tracking, key estimation or rhythm quantization. Unlike these methods, our approach generates music notation directly from the input audio in a single stage. For this, we use a Convolutional Recurrent Neural Network (CRNN) with Connectionist Temporal Classification (CTC) loss function which does not require annotated alignments of audio frames with the score rhythmic information. We trained our model using as input Haydn, Mozart, and Beethoven string quartets and Bach chorales synthesized with different tempos and expressive performances. The output is a textual representation of four-voice music scores based on **kern format. Although the proposed approach is evaluated in a simplified scenario, results show that this model can learn to transcribe scores directly from audio signals, opening a promising avenue towards complete AMT.

Jorge Calvo-Zaragoza, Jan Hajič, Alexander Pacha

For over 50 years, researchers have been trying to teach computers to read music notation, referred to as Optical Music Recognition (OMR). However, this field is still difficult to access for new researchers, especially those without a significant musical background: few introductory materials are available, and furthermore the field has struggled with defining itself and building a shared terminology. In this tutorial, we address these shortcomings by (1) providing a robust definition of OMR and its relationship to related fields, (2) analyzing how OMR inverts the music encoding process to recover the musical notation and the musical semantics from documents, (3) proposing a taxonomy of OMR, with most notably a novel taxonomy of applications. Additionally, we discuss how deep learning affects modern OMR research, as opposed to the traditional pipeline. Based on this work, the reader should be able to attain a basic understanding of OMR: its objectives, its inherent structure, its relationship to other fields, the state of the art, and the research opportunities it affords.

Jorge Calvo-Zaragoza, Antonio-Javier Gallego

Binarization plays a key role in the automatic information retrieval from document images. This process is usually performed in the first stages of documents analysis systems, and serves as a basis for subsequent steps. Hence it has to be robust in order to allow the full analysis workflow to be successful. Several methods for document image binarization have been proposed so far, most of which are based on hand-crafted image processing strategies. Recently, Convolutional Neural Networks have shown an amazing performance in many disparate duties related to computer vision. In this paper we discuss the use of convolutional auto-encoders devoted to learning an end-to-end map from an input image to its selectional output, in which activations indicate the likelihood of pixels to be either foreground or background. Once trained, documents can therefore be binarized by parsing them through the model and applying a threshold. This approach has proven to outperform existing binarization strategies in a number of document domains.