Xinrui Yan

Xinrui Yan, Jiangyan Yi, Jianhua Tao et al.

Many effective attempts have been made for fake audio detection. However, they can only provide detection results but no countermeasures to curb this harm. For many related practical applications, what model or algorithm generated the fake audio also is needed. Therefore, We propose a new problem for detecting vocoder fingerprints of fake audio. Experiments are conducted on the datasets synthesized by eight state-of-the-art vocoders. We have preliminarily explored the features and model architectures. The t-SNE visualization shows that different vocoders generate distinct vocoder fingerprints.

Xinrui Yan, Jiangyan Yi, Jianhua Tao et al.

The rapid progress of deep speech synthesis models has posed significant threats to society such as malicious manipulation of content. This has led to an increase in studies aimed at detecting so-called deepfake audio. However, existing works focus on the binary detection of real audio and fake audio. In real-world scenarios such as model copyright protection and digital evidence forensics, binary classification alone is insufficient. It is essential to identify the source of deepfake audio. Therefore, audio deepfake attribution has emerged as a new challenge. To this end, we designed the first deepfake audio dataset for the attribution of audio generation tools, called Audio Deepfake Attribution (ADA), and conducted a comprehensive investigation on system fingerprints. To address the challenges of attribution of continuously emerging unknown audio generation tools in the real world, we propose the Class-Representation Multi-Center Learning (CRML) method for open-set audio deepfake attribution (OSADA). CRML enhances the global directional variation of representations, ensuring the learning of discriminative representations with strong intra-class similarity and inter-class discrepancy among known classes. Finally, the strong class discrimination capability learned from known classes is extended to both known and unknown classes. Experimental results demonstrate that the CRML method effectively addresses open-set risks in real-world scenarios. The dataset is publicly available at: https://zenodo.org/records/13318702, and https://zenodo.org/records/13340666.

Jiangyan Yi, Ruibo Fu, Jianhua Tao et al.

Audio deepfake detection is an emerging topic, which was included in the ASVspoof 2021. However, the recent shared tasks have not covered many real-life and challenging scenarios. The first Audio Deep synthesis Detection challenge (ADD) was motivated to fill in the gap. The ADD 2022 includes three tracks: low-quality fake audio detection (LF), partially fake audio detection (PF) and audio fake game (FG). The LF track focuses on dealing with bona fide and fully fake utterances with various real-world noises etc. The PF track aims to distinguish the partially fake audio from the real. The FG track is a rivalry game, which includes two tasks: an audio generation task and an audio fake detection task. In this paper, we describe the datasets, evaluation metrics, and protocols. We also report major findings that reflect the recent advances in audio deepfake detection tasks.