C. Alejandro Parraga

Mehdi Fatan Serj, C. Alejandro Parraga, Xavier Otazu

We introduce an unsupervised visual representation learning system based entirely on local plasticity rules, without labels, backpropagation, or global error signals. The model is a VisNet-inspired hierarchical architecture combining opponent color inputs, multi-frequency Gabor and wavelet feature streams, competitive normalization with lateral inhibition, saliency modulation, associative memory, and a feedback loop. All representation learning occurs through continuous local plasticity applied to unlabeled image streams over 300 epochs. Performance is evaluated using a fixed linear probe trained only at readout time. The system achieves 80.1 percent accuracy on CIFAR-10 and 47.6 percent on CIFAR-100, improving over a Hebbian-only baseline. Ablation studies show that anti-Hebbian decorrelation, free-energy inspired plasticity, and associative memory are the main contributors, with strong synergistic effects. Even without learning, the fixed architecture alone reaches 61.4 percent on CIFAR-10, indicating that plasticity, not only inductive bias, drives most of the performance. Control analyses show that independently trained probes match co-trained ones within 0.3 percentage points, and a nearest-class-mean classifier achieves 78.3 percent without gradient-based training, confirming the intrinsic structure of the learned features. Overall, the system narrows but does not eliminate the performance gap to backpropagation-trained CNNs (5.7 percentage points on CIFAR-10, 7.5 percentage points on CIFAR-100), demonstrating that structured local plasticity alone can learn strong visual representations from raw unlabeled data.

Mehdi Fatan Serj, C. Alejandro Parraga, Xavier Otazu

Object recognition plays a fundamental role in how biological organisms perceive and interact with their environment. While the human visual system performs this task with remarkable efficiency, reproducing similar capabilities in artificial systems remains challenging. This study investigates VisNet, a biologically inspired neural network model, and several enhanced variants incorporating radial basis function neurons, Mahalanobis distance based learning, and retinal like preprocessing for both general object recognition and symmetry classification. By leveraging principles of Hebbian learning and temporal continuity associating temporally adjacent views to build invariant representations. VisNet and its extensions capture robust and transformation invariant features. Experimental results across multiple datasets, including MNIST, CIFAR10, and custom symmetric object sets, show that these enhanced VisNet variants substantially improve recognition accuracy compared with the baseline model. These findings underscore the adaptability and biological relevance of VisNet inspired architectures, offering a powerful and interpretable framework for visual recognition in both neuroscience and artificial intelligence. Keywords: VisNet, Object Recognition, Symmetry Detection, Hebbian Learning, RBF Neurons, Mahalanobis Distance, Biologically Inspired Models, Invariant Representations

C. Alejandro Parraga, Olivier Penacchio, Marcos Muňoz Gonzalez et al.

While it is easy for human observers to judge an image as beautiful or ugly, aesthetic decisions result from a combination of entangled perceptual and cognitive (semantic) factors, making the understanding of aesthetic judgements particularly challenging from a scientific point of view. Furthermore, our research shows a prevailing bias in current databases, which include mostly beautiful images, further complicating the study and prediction of aesthetic responses. We address these limitations by creating a database of images with minimal semantic content and devising, and next exploiting, a method to generate images on the ugly side of aesthetic valuations. The resulting Minimum Semantic Content (MSC) database consists of a large and balanced collection of 10,426 images, each evaluated by 100 observers. We next use established image metrics to demonstrate how augmenting an image set biased towards beautiful images with ugly images can modify, or even invert, an observed relationship between image features and aesthetics valuation. Taken together, our study reveals that works in empirical aesthetics attempting to link image content and aesthetic judgements may magnify, underestimate, or simply miss interesting effects due to a limitation of the range of aesthetic values they consider.

Arash Akbarinia, Raquel Gil Rodríguez, C. Alejandro Parraga

Pooling is a ubiquitous operation in image processing algorithms that allows for higher-level processes to collect relevant low-level features from a region of interest. Currently, max-pooling is one of the most commonly used operators in the computational literature. However, it can lack robustness to outliers due to the fact that it relies merely on the peak of a function. Pooling mechanisms are also present in the primate visual cortex where neurons of higher cortical areas pool signals from lower ones. The receptive fields of these neurons have been shown to vary according to the contrast by aggregating signals over a larger region in the presence of low contrast stimuli. We hypothesise that this contrast-variant-pooling mechanism can address some of the shortcomings of max-pooling. We modelled this contrast variation through a histogram clipping in which the percentage of pooled signal is inversely proportional to the local contrast of an image. We tested our hypothesis by applying it to the phenomenon of colour constancy where a number of popular algorithms utilise a max-pooling step (e.g. White-Patch, Grey-Edge and Double-Opponency). For each of these methods, we investigated the consequences of replacing their original max-pooling by the proposed contrast-variant-pooling. Our experiments on three colour constancy benchmark datasets suggest that previous results can significantly improve by adopting a contrast-variant-pooling mechanism.

Arash Akbarinia, C. Alejandro Parraga

Although it seems counter-intuitive, categorical colours do not exist as external physical entities but are very much the product of our brains. Our cortical machinery segments the world and associate objects to specific colour terms, which is not only convenient for communication but also increases the efficiency of visual processing by reducing the dimensionality of input scenes. Although the neural substrate for this phenomenon is unknown, a recent study of cortical colour processing has discovered a set of neurons that are isoresponsive to stimuli in the shape of 3D-ellipsoidal surfaces in colour-opponent space. We hypothesise that these neurons might help explain the underlying mechanisms of colour naming in the visual cortex. Following this, we propose a biologically-inspired colour naming model where each colour term - e.g. red, green, blue, yellow, etc. - is represented through an ellipsoid in 3D colour-opponent space. This paradigm is also supported by previous psychophysical colour categorisation experiments whose results resemble such shapes. "Belongingness" of each pixel to different colour categories is computed by a non-linear sigmoidal logistic function. The final colour term for a given pixel is calculated by a maximum pooling mechanism. The simplicity of our model allows its parameters to be learnt from a handful of segmented images. It also offers a straightforward extension to include further colour terms. Additionally, ellipsoids of proposed model can adapt to image contents offering a dynamical solution in order to address phenomenon of colour constancy. Our results on the Munsell chart and two datasets of real-world images show an overall improvement comparing to state-of-the-art algorithms.