Seungheon Doh

Ilaria Manco, Benno Weck, SeungHeon Doh et al. · bytedance

We introduce the Song Describer dataset (SDD), a new crowdsourced corpus of high-quality audio-caption pairs, designed for the evaluation of music-and-language models. The dataset consists of 1.1k human-written natural language descriptions of 706 music recordings, all publicly accessible and released under Creative Common licenses. To showcase the use of our dataset, we benchmark popular models on three key music-and-language tasks (music captioning, text-to-music generation and music-language retrieval). Our experiments highlight the importance of cross-dataset evaluation and offer insights into how researchers can use SDD to gain a broader understanding of model performance.

Seungheon Doh, Keunwoo Choi, Juhan Nam

We present TALKPLAY, a novel multimodal music recommendation system that reformulates recommendation as a token generation problem using large language models (LLMs). By leveraging the instruction-following and natural language generation capabilities of LLMs, our system effectively recommends music from diverse user queries while generating contextually relevant responses. While pretrained LLMs are primarily designed for text modality, TALKPLAY extends their scope through two key innovations: a multimodal music tokenizer that encodes audio features, lyrics, metadata, semantic tags, and playlist co-occurrence signals; and a vocabulary expansion mechanism that enables unified processing and generation of both linguistic and music-relevant tokens. By integrating the recommendation system directly into the LLM architecture, TALKPLAY transforms conventional systems by: (1) unifying previous two-stage conversational recommendation systems (recommendation engines and dialogue managers) into a cohesive end-to-end system, (2) effectively utilizing long conversational context for recommendation while maintaining strong performance in extended multi-turn interactions, and (3) generating natural language responses for seamless user interaction. Our qualitative and quantitative evaluation demonstrates that TALKPLAY significantly outperforms unimodal approaches based solely on text or listening history in both recommendation performance and conversational naturalness.

Seungheon Doh, Keunwoo Choi, Juhan Nam

While the recent developments in large language models (LLMs) have successfully enabled generative recommenders with natural language interactions, their recommendation behavior is limited, leaving other simpler yet crucial components such as metadata or attribute filtering underutilized in the system. We propose an LLM-based music recommendation system with tool calling to serve as a unified retrieval-reranking pipeline. Our system positions an LLM as an end-to-end recommendation system that interprets user intent, plans tool invocations, and orchestrates specialized components: boolean filters (SQL), sparse retrieval (BM25), dense retrieval (embedding similarity), and generative retrieval (semantic IDs). Through tool planning, the system predicts which types of tools to use, their execution order, and the arguments needed to find music matching user preferences, supporting diverse modalities while seamlessly integrating multiple database filtering methods. We demonstrate that this unified tool-calling framework achieves competitive performance across diverse recommendation scenarios by selectively employing appropriate retrieval methods based on user queries, envisioning a new paradigm for conversational music recommendation systems.

Haven Kim, SeungHeon Doh, Junwon Lee et al.

Automatically generating or captioning music playlist titles given a set of tracks is of significant interest in music streaming services as customized playlists are widely used in personalized music recommendation, and well-composed text titles attract users and help their music discovery. We present an encoder-decoder model that generates a playlist title from a sequence of music tracks. While previous work takes track IDs as tokenized input for playlist title generation, we use artist IDs corresponding to the tracks to mitigate the issue from the long-tail distribution of tracks included in the playlist dataset. Also, we introduce a chronological data split method to deal with newly-released tracks in real-world scenarios. Comparing the track IDs and artist IDs as input sequences, we show that the artist-based approach significantly enhances the performance in terms of word overlap, semantic relevance, and diversity.

Daeyong Kwon, SeungHeon Doh, Juhan Nam

Recent advances in large language models (LLMs) have transformed open-domain question answering, yet their effectiveness in music-related reasoning remains limited due to sparse music knowledge in pretraining data. While music information retrieval and computational musicology have explored structured and multimodal understanding, few resources support factual and contextual music question answering (MQA) grounded in artist metadata or historical context. We introduce MusWikiDB, a vector database of 3.2M passages from 144K music-related Wikipedia pages, and ArtistMus, a benchmark of 1,000 questions on 500 diverse artists with metadata such as genre, debut year, and topic. These resources enable systematic evaluation of retrieval-augmented generation (RAG) for MQA. Experiments show that RAG markedly improves factual accuracy; open-source models gain up to +56.8 percentage points (for example, Qwen3 8B improves from 35.0 to 91.8), approaching proprietary model performance. RAG-style fine-tuning further boosts both factual recall and contextual reasoning, improving results on both in-domain and out-of-domain benchmarks. MusWikiDB also yields approximately 6 percentage points higher accuracy and 40% faster retrieval than a general-purpose Wikipedia corpus. We release MusWikiDB and ArtistMus to advance research in music information retrieval and domain-specific question answering, establishing a foundation for retrieval-augmented reasoning in culturally rich domains such as music.

Keunwoo Choi, Seungheon Doh, Juhan Nam

We present TalkPlayData 2, a synthetic dataset for multimodal conversational music recommendation generated by an agentic data pipeline. In the proposed pipeline, multiple large language model (LLM) agents are created under various roles with specialized prompts and access to different parts of information, and the chat data is acquired by logging the conversation between the Listener LLM and the Recsys LLM. To cover various conversation scenarios, for each conversation, the Listener LLM is conditioned on a finetuned conversation goal. Finally, all the LLMs are multimodal with audio and images, allowing a simulation of multimodal recommendation and conversation. In the LLM-as-a-judge and subjective evaluation experiments, TalkPlayData 2 achieved the proposed goal in various aspects related to training a generative recommendation model for music. TalkPlayData 2 and its generation code are released at https://talkpl.ai/talkplaydata2.

Hayeon Bang, Eunjin Choi, Megan Finch et al.

While piano music has become a significant area of study in Music Information Retrieval (MIR), there is a notable lack of datasets for piano solo music with text labels. To address this gap, we present PIAST (PIano dataset with Audio, Symbolic, and Text), a piano music dataset. Utilizing a piano-specific taxonomy of semantic tags, we collected 9,673 tracks from YouTube and added human annotations for 2,023 tracks by music experts, resulting in two subsets: PIAST-YT and PIAST-AT. Both include audio, text, tag annotations, and transcribed MIDI utilizing state-of-the-art piano transcription and beat tracking models. Among many possible tasks with the multi-modal dataset, we conduct music tagging and retrieval using both audio and MIDI data and report baseline performances to demonstrate its potential as a valuable resource for MIR research.

Daeyong Kwon, SeungHeon Doh, Juhan Nam

Intent classification is a text understanding task that identifies user needs from input text queries. While intent classification has been extensively studied in various domains, it has not received much attention in the music domain. In this paper, we investigate intent classification models for music discovery conversation, focusing on pre-trained language models. Rather than only predicting functional needs: intent classification, we also include a task for classifying musical needs: musical attribute classification. Additionally, we propose a method of concatenating previous chat history with just single-turn user queries in the input text, allowing the model to understand the overall conversation context better. Our proposed model significantly improves the F1 score for both user intent and musical attribute classification, and surpasses the zero-shot and few-shot performance of the pretrained Llama 3 model.

Daeyong Kwon, SeungHeon Doh, Juhan Nam

Recent advancements in Large language models (LLMs) have demonstrated remarkable capabilities across diverse domains. While they exhibit strong zero-shot performance on various tasks, LLMs' effectiveness in music-related applications remains limited due to the relatively small proportion of music-specific knowledge in their training data. To address this limitation, we propose MusT-RAG, a comprehensive framework based on Retrieval Augmented Generation (RAG) to adapt general-purpose LLMs for text-only music question answering (MQA) tasks. RAG is a technique that provides external knowledge to LLMs by retrieving relevant context information when generating answers to questions. To optimize RAG for the music domain, we (1) propose MusWikiDB, a music-specialized vector database for the retrieval stage, and (2) utilizes context information during both inference and fine-tuning processes to effectively transform general-purpose LLMs into music-specific models. Our experiment demonstrates that MusT-RAG significantly outperforms traditional fine-tuning approaches in enhancing LLMs' music domain adaptation capabilities, showing consistent improvements across both in-domain and out-of-domain MQA benchmarks. Additionally, our MusWikiDB proves substantially more effective than general Wikipedia corpora, delivering superior performance and computational efficiency.

SeungHeon Doh, Junwon Lee, Juhan Nam

We propose a machine-translation approach to automatically generate a playlist title from a set of music tracks. We take a sequence of track IDs as input and a sequence of words in a playlist title as output, adapting the sequence-to-sequence framework based on Recurrent Neural Network (RNN) and Transformer to the music data. Considering the orderless nature of music tracks in a playlist, we propose two techniques that remove the order of the input sequence. One is data augmentation by shuffling and the other is deleting the positional encoding. We also reorganize the existing music playlist datasets to generate phrase-level playlist titles. The result shows that the Transformer models generally outperform the RNN model. Also, removing the order of input sequence improves the performance further.

Hsiao-Tzu Hung, Joann Ching, Seungheon Doh et al.

While there are many music datasets with emotion labels in the literature, they cannot be used for research on symbolic-domain music analysis or generation, as there are usually audio files only. In this paper, we present the EMOPIA (pronounced `yee-mò-pi-uh') dataset, a shared multi-modal (audio and MIDI) database focusing on perceived emotion in pop piano music, to facilitate research on various tasks related to music emotion. The dataset contains 1,087 music clips from 387 songs and clip-level emotion labels annotated by four dedicated annotators. Since the clips are not restricted to one clip per song, they can also be used for song-level analysis. We present the methodology for building the dataset, covering the song list curation, clip selection, and emotion annotation processes. Moreover, we prototype use cases on clip-level music emotion classification and emotion-based symbolic music generation by training and evaluating corresponding models using the dataset. The result demonstrates the potential of EMOPIA for being used in future exploration on piano emotion-related MIR tasks.

Dasaem Jeong, Seungheon Doh, Taegyun Kwon

The goal of this paper to generate a visually appealing video that responds to music with a neural network so that each frame of the video reflects the musical characteristics of the corresponding audio clip. To achieve the goal, we propose a neural music visualizer directly mapping deep music embeddings to style embeddings of StyleGAN, named TräumerAI, which consists of a music auto-tagging model using short-chunk CNN and StyleGAN2 pre-trained on WikiArt dataset. Rather than establishing an objective metric between musical and visual semantics, we manually labeled the pairs in a subjective manner. An annotator listened to 100 music clips of 10 seconds long and selected an image that suits the music among the 200 StyleGAN-generated examples. Based on the collected data, we trained a simple transfer function that converts an audio embedding to a style embedding. The generated examples show that the mapping between audio and video makes a certain level of intra-segment similarity and inter-segment dissimilarity.

Seungheon Doh, Jongpil Lee, Tae Hong Park et al.

Word embedding pioneered by Mikolov et al. is a staple technique for word representations in natural language processing (NLP) research which has also found popularity in music information retrieval tasks. Depending on the type of text data for word embedding, however, vocabulary size and the degree of musical pertinence can significantly vary. In this work, we (1) train the distributed representation of words using combinations of both general text data and music-specific data and (2) evaluate the system in terms of how they associate listening contexts with musical compositions.