Ruineng Li

Pengyu Cheng, Ruineng Li

We introduce replacing language model (RLM), a sequence-to-sequence language modeling framework for text style transfer (TST). Our method autoregressively replaces each token of the source sentence with a text span that has a similar meaning but in the target style. The new span is generated via a non-autoregressive masked language model, which can better preserve the local-contextual meaning of the replaced token. This RLM generation scheme gathers the flexibility of autoregressive models and the accuracy of non-autoregressive models, which bridges the gap between sentence-level and word-level style transfer methods. To control the generation style more precisely, we conduct a token-level style-content disentanglement on the hidden representations of RLM. Empirical results on real-world text datasets demonstrate the effectiveness of RLM compared with other TST baselines. The code is at https://github.com/Linear95/RLM.

Huiming Sun, Yikang Li, Kangning Yang et al.

Inpainting for real-world human and pedestrian removal in high-resolution video clips presents significant challenges, particularly in achieving high-quality outcomes, ensuring temporal consistency, and managing complex object interactions that involve humans, their belongings, and their shadows. In this paper, we introduce VIP (Video Inpainting Pipeline), a novel promptless video inpainting framework for real-world human removal applications. VIP enhances a state-of-the-art text-to-video model with a motion module and employs a Variational Autoencoder (VAE) for progressive denoising in the latent space. Additionally, we implement an efficient human-and-belongings segmentation for precise mask generation. Sufficient experimental results demonstrate that VIP achieves superior temporal consistency and visual fidelity across diverse real-world scenarios, surpassing state-of-the-art methods on challenging datasets. Our key contributions include the development of the VIP pipeline, a reference frame integration technique, and the Dual-Fusion Latent Segment Refinement method, all of which address the complexities of inpainting in long, high-resolution video sequences.