Lorenzo Porcaro

Isabelle Hupont, Emilia Gomez, Songul Tolan et al.

DivinAI is an open and collaborative initiative promoted by the European Commission's Joint Research Centre to measure and monitor diversity indicators related to AI conferences, with special focus on gender balance, geographical representation, and presence of academia vs companies. This paper summarizes the main achievements and lessons learnt during the first year of life of the DivinAI project, and proposes a set of recommendations for its further development and maintenance by the AI community.

Daniel Raffini, Agnese Macori, Lorenzo Porcaro et al.

This study examines the rhetorical and linguistic features of argumentative texts generated by ChatGPT on ethically nuanced topics and investigates their persuasive impact on human readers.Through a user study involving 62 participants and pre-post interaction surveys, the paper analyzes how exposure to AI-generated arguments affects opinion change and user perception. A linguistic and rhetorical analysis of the generated texts reveals a consistent argumentative macrostructure, reliance on formulaic expressions, and limited stylistic richness. While ChatGPT demonstrates proficiency in constructing coherent argumentative texts, its persuasive efficacy appears constrained, particularly on topics involving ethical issues.The study finds that while participants often acknowledge the benefits highlighted by ChatGPT, ethical concerns tend to persist or even intensify post-interaction. The results also demonstrate a variation depending on the topic. These findings highlight new insights on AI-generated persuasion in ethically sensitive domains and are a basis for future research.

Jacopo de Berardinis, Lorenzo Porcaro, Albert Meroño-Peñuela et al.

Generative AI is radically changing the creative arts, by fundamentally transforming the way we create and interact with cultural artefacts. While offering unprecedented opportunities for artistic expression and commercialisation, this technology also raises ethical, societal, and legal concerns. Key among these are the potential displacement of human creativity, copyright infringement stemming from vast training datasets, and the lack of transparency, explainability, and fairness mechanisms. As generative systems become pervasive in this domain, responsible design is crucial. Whilst previous work has tackled isolated aspects of generative systems (e.g., transparency, evaluation, data), we take a comprehensive approach, grounding these efforts within the Ethics Guidelines for Trustworthy Artificial Intelligence produced by the High-Level Expert Group on AI appointed by the European Commission - a framework for designing responsible AI systems across seven macro requirements. Focusing on generative music AI, we illustrate how these requirements can be contextualised for the field, addressing trustworthiness across multiple dimensions and integrating insights from the existing literature. We further propose a roadmap for operationalising these contextualised requirements, emphasising interdisciplinary collaboration and stakeholder engagement. Our work provides a foundation for designing and evaluating responsible music generation systems, calling for collaboration among AI experts, ethicists, legal scholars, and artists. This manuscript is accompanied by a website: https://amresearchlab.github.io/raim-framework/.

Gourab K Patro, Lorenzo Porcaro, Laura Mitchell et al.

Ranking, recommendation, and retrieval systems are widely used in online platforms and other societal systems, including e-commerce, media-streaming, admissions, gig platforms, and hiring. In the recent past, a large "fair ranking" research literature has been developed around making these systems fair to the individuals, providers, or content that are being ranked. Most of this literature defines fairness for a single instance of retrieval, or as a simple additive notion for multiple instances of retrievals over time. This work provides a critical overview of this literature, detailing the often context-specific concerns that such an approach misses: the gap between high ranking placements and true provider utility, spillovers and compounding effects over time, induced strategic incentives, and the effect of statistical uncertainty. We then provide a path forward for a more holistic and impact-oriented fair ranking research agenda, including methodological lessons from other fields and the role of the broader stakeholder community in overcoming data bottlenecks and designing effective regulatory environments.

Lorenzo Porcaro, Emilia Gómez, Carlos Castillo

Music listening in today's digital spaces is highly characterized by the availability of huge music catalogues, accessible by people all over the world. In this scenario, recommender systems are designed to guide listeners in finding tracks and artists that best fit their requests, having therefore the power to influence the diversity of the music they listen to. Albeit several works have proposed new techniques for developing diversity-aware recommendations, little is known about how people perceive diversity while interacting with music recommendations. In this study, we interview several listeners about the role that diversity plays in their listening experience, trying to get a better understanding of how they interact with music recommendations. We recruit the listeners among the participants of a previous quantitative study, where they were confronted with the notion of diversity when asked to identify, from a series of electronic music lists, the most diverse ones according to their beliefs. As a follow-up, in this qualitative study we carry out semi-structured interviews to understand how listeners may assess the diversity of a music list and to investigate their experiences with music recommendation diversity. We report here our main findings on 1) what can influence the diversity assessment of tracks and artists' music lists, and 2) which factors can characterize listeners' interaction with music recommendation diversity.

Lorenzo Porcaro, Emilia Gómez, Carlos Castillo

Shared practices to assess the diversity of retrieval system results are still debated in the Information Retrieval community, partly because of the challenges of determining what diversity means in specific scenarios, and of understanding how diversity is perceived by end-users. The field of Music Information Retrieval is not exempt from this issue. Even if fields such as Musicology or Sociology of Music have a long tradition in questioning the representation and the impact of diversity in cultural environments, such knowledge has not been yet embedded into the design and development of music technologies. In this paper, focusing on electronic music, we investigate the characteristics of listeners, artists, and tracks that are influential in the perception of diversity. Specifically, we center our attention on 1) understanding the relationship between perceived diversity and computational methods to measure diversity, and 2) analyzing how listeners' domain knowledge and familiarity influence such perceived diversity. To accomplish this, we design a user-study in which listeners are asked to compare pairs of lists of tracks and artists, and to select the most diverse list from each pair. We compare participants' ratings with results obtained through computational models built using audio tracks' features and artist attributes. We find that such models are generally aligned with participants' choices when most of them agree that one list is more diverse than the other, while they present a mixed behaviour in cases where participants have little agreement. Moreover, we observe how differences in domain knowledge, familiarity, and demographics can influence the level of agreement among listeners, and between listeners and diversity metrics computed automatically.

Dougal Shakespeare, Lorenzo Porcaro, Emilia Gómez et al.

Music Recommender Systems (mRS) are designed to give personalised and meaningful recommendations of items (i.e. songs, playlists or artists) to a user base, thereby reflecting and further complementing individual users' specific music preferences. Whilst accuracy metrics have been widely applied to evaluate recommendations in mRS literature, evaluating a user's item utility from other impact-oriented perspectives, including their potential for discrimination, is still a novel evaluation practice in the music domain. In this work, we center our attention on a specific phenomenon for which we want to estimate if mRS may exacerbate its impact: gender bias. Our work presents an exploratory study, analyzing the extent to which commonly deployed state of the art Collaborative Filtering(CF) algorithms may act to further increase or decrease artist gender bias. To assess group biases introduced by CF, we deploy a recently proposed metric of bias disparity on two listening event datasets: the LFM-1b dataset, and the earlier constructed Celma's dataset. Our work traces the causes of disparity to variations in input gender distributions and user-item preferences, highlighting the effect such configurations can have on user's gender bias after recommendation generation.

Ana Freire, Lorenzo Porcaro, Emilia Gómez

The lack of diversity of the Artificial Intelligence (AI) field is nowadays a concern, and several initiatives such as funding schemes and mentoring programs have been designed to overcome it. However, there is no indication on how these initiatives actually impact AI diversity in the short and long term. This work studies the concept of diversity in this particular context and proposes a small set of diversity indicators (i.e. indexes) of AI scientific events. These indicators are designed to quantify the diversity of the AI field and monitor its evolution. We consider diversity in terms of gender, geographical location and business (understood as the presence of academia versus industry). We compute these indicators for the different communities of a conference: authors, keynote speakers and organizing committee. From these components we compute a summarized diversity indicator for each AI event. We evaluate the proposed indexes for a set of recent major AI conferences and we discuss their values and limitations.

Lorenzo Porcaro, Horacio Saggion

Recognizing Musical Entities is important for Music Information Retrieval (MIR) since it can improve the performance of several tasks such as music recommendation, genre classification or artist similarity. However, most entity recognition systems in the music domain have concentrated on formal texts (e.g. artists' biographies, encyclopedic articles, etc.), ignoring rich and noisy user-generated content. In this work, we present a novel method to recognize musical entities in Twitter content generated by users following a classical music radio channel. Our approach takes advantage of both formal radio schedule and users' tweets to improve entity recognition. We instantiate several machine learning algorithms to perform entity recognition combining task-specific and corpus-based features. We also show how to improve recognition results by jointly considering formal and user-generated content