Simone Parisotto

Simone Parisotto, Ninetta Leone, Carola-Bibiane Schönlieb et al.

In this paper we propose an artificial intelligence imaging solution to support archaeologists in the classification task of Roman commonware potsherds. Usually, each potsherd is represented by its sectional profile as a two dimensional black-white image and printed in archaeological books related to specific archaeological excavations. The partiality and handcrafted variance of the fragments make their matching a challenging problem: we propose to pair similar profiles via the unsupervised hierarchical clustering of non-linear features learned in the latent space of a deep convolutional Variational Autoencoder (VAE) network. Our contribution also include the creation of a ROman COmmonware POTtery (ROCOPOT) database, with more than 4000 potsherds profiles extracted from 25 Roman pottery corpora, and a MATLAB GUI software for the easy inspection of shape similarities. Results are commented both from a mathematical and archaeological perspective so as to unlock new research directions in both communities.

Jeremy Budd, Yves van Gennip, Jonas Latz et al.

Practical image segmentation tasks concern images which must be reconstructed from noisy, distorted, and/or incomplete observations. A recent approach for solving such tasks is to perform this reconstruction jointly with the segmentation, using each to guide the other. However, this work has so far employed relatively simple segmentation methods, such as the Chan--Vese algorithm. In this paper, we present a method for joint reconstruction-segmentation using graph-based segmentation methods, which have been seeing increasing recent interest. Complications arise due to the large size of the matrices involved, and we show how these complications can be managed. We then analyse the convergence properties of our scheme. Finally, we apply this scheme to distorted versions of ``two cows'' images familiar from previous graph-based segmentation literature, first to a highly noised version and second to a blurred version, achieving highly accurate segmentations in both cases. We compare these results to those obtained by sequential reconstruction-segmentation approaches, finding that our method competes with, or even outperforms, those approaches in terms of reconstruction and segmentation accuracy.

Simone Parisotto, Luca Calatroni, Claudia Daffara

In Cultural Heritage (CH) imaging, data acquired within different spectral regions are often used to inspect surface and sub-surface features. Due to the experimental setup, these images may suffer from intensity inhomogeneities, which may prevent conservators from distinguishing the physical properties of the object under restoration. Furthermore, in multi-modal imaging, the transfer of information between one modality to another is often used to integrate image contents. In this paper, we apply the image osmosis model proposed in (Weickert et al. 2013) to solve similar problems arising when using diagnostic CH imaging techniques based on reflectance, emission and fluorescence mode in the optical and thermal range. For an efficient computation, we use stable operator splitting techniques. We test our methods on real artwork datasets: the thermal measurements of the mural painting "Monocromo" by Leonardo Da Vinci, the UV-VIS-IR imaging of an ancient Russian icon and the Archimedes Palimpsest dataset.

Coloma Ballester, Aurelie Bugeau, Samuel Hurault et al.

Image inpainting refers to the restoration of an image with missing regions in a way that is not detectable by the observer. The inpainting regions can be of any size and shape. This is an ill-posed inverse problem that does not have a unique solution. In this work, we focus on learning-based image completion methods for multiple and diverse inpainting which goal is to provide a set of distinct solutions for a given damaged image. These methods capitalize on the probabilistic nature of certain generative models to sample various solutions that coherently restore the missing content. Along the chapter, we will analyze the underlying theory and analyze the recent proposals for multiple inpainting. To investigate the pros and cons of each method, we present quantitative and qualitative comparisons, on common datasets, regarding both the quality and the diversity of the set of inpainted solutions. Our analysis allows us to identify the most successful generative strategies in both inpainting quality and inpainting diversity. This task is closely related to the learning of an accurate probability distribution of images. Depending on the dataset in use, the challenges that entail the training of such a model will be discussed through the analysis.

Simone Parisotto, Luca Calatroni, Claudia Daffara

In Cultural Heritage, non-invasive infrared imaging techniques are used to analyse portions of deep structures behind wall paintings. When mosaicked, these images usually suffer from light inhomogeneities due to the experimental setup, which may prevent restorers from distinguishing the physical properties of the object under restoration. A light-balanced image is therefore essential for inter-frame comparisons, while preserving intra-frames details. In this paper we apply the image osmosis model proposed in (Weickert, 2013) to solve the light balance problem in Thermal-Quasi Reflectography (TQR) imaging. Due to the large amount of image data, the computation of the numerical solution of the model may be prohibitively costly. To overcome this issue, we make use of efficient operator splitting techniques. We test the proposed numerical schemes on the TQR measurement dataset of the mural painting "Monocromo" by Leonardo Da Vinci at Castello Sforzesco (Milan, Italy). The light corrected result is registered to a visible orthophoto, which makes it re-usable for further restorations.

Simone Parisotto, Alessandro Launaro, Ninetta Leone et al.

In this paper we introduce the ROman COmmonware POTtery (ROCOPOT) database, which comprises of more than 2000 black and white imaging profiles of pottery shapes extracted from 11 Roman catalogues and related to different excavation sites. The partiality and the handcrafted variance of the shape fragments within this new database make their unsupervised clustering a very challenging problem: profile similarities are thus explored via the hierarchical clustering of non-linear features learned in the latent representation space of a stacked sparse autoencoder (SSAE) network, unveiling new profile matches. Results are commented both from a mathematical and archaeological perspective so as to unlock new research directions in the respective communities.

Simone Parisotto, Luca Calatroni, Aurélie Bugeau et al.

We propose a new variational model for non-linear image fusion. Our approach is based on the use of an osmosis energy term related to the one studied in Vogel et al. (2013) and Weickert et al. (2013) The minimization of the proposed non-convex energy realizes visually plausible image data fusion, invariant to multiplicative brightness changes. On the practical side, it requires minimal supervision and parameter tuning and can encode prior information on the structure of the images to be fused. For the numerical solution of the proposed model, we develop a primal-dual algorithm and we apply the resulting minimization scheme to solve multi-modal face fusion, color transfer and cultural heritage conservation problems. Visual and quantitative comparisons to state-of-the-art approaches prove the out-performance and the flexibility of our method.

Simone Parisotto, Carola-Bibiane Schönlieb

In this paper, we propose a variational approach for video denoising, based on a total directional variation (TDV) regulariser proposed in Parisotto et al. (2018), for image denoising and interpolation. In the TDV regulariser, the underlying image structure is encoded by means of weighted derivatives so as to enhance the anisotropic structures in images, e.g. stripes or curves with a dominant local directionality. For the extension of TDV to video denoising, the space-time structure is captured by the volumetric structure tensor guiding the smoothing process. We discuss this and present our whole video denoising work-flow. Our numerical results are compared with some state-of-the-art video denoising methods.

Luca Calatroni, Marie d'Autume, Rob Hocking et al.

The last fifty years have seen an impressive development of mathematical methods for the analysis and processing of digital images, mostly in the context of photography, biomedical imaging and various forms of engineering. The arts have been mostly overlooked in this process, apart from a few exceptional works in the last ten years. With the rapid emergence of digitisation in the arts, however, the arts domain is becoming increasingly receptive to digital image processing methods and the importance of paying attention to this therefore increases. In this paper we discuss a range of mathematical methods for digital image restoration and digital visualisation for illuminated manuscripts. The latter provide an interesting opportunity for digital manipulation because they traditionally remain physically untouched. At the same time they also serve as an example for the possibilities mathematics and digital restoration offer as a generic and objective toolkit for the arts.

Luca Calatroni, Claudio Estatico, Nicola Garibaldi et al.

We consider \emph{Alternating Direction Implicit} (ADI) splitting schemes to compute efficiently the numerical solution of the PDE osmosis model considered by Weickert et al. for several imaging applications. The discretised scheme is shown to preserve analogous properties to the continuous model. The dimensional splitting strategy traduces numerically into the solution of simple tridiagonal systems for which standard matrix factorisation techniques can be used to improve upon the performance of classical implicit methods, even for large time steps. Applications to the shadow removal problem are presented.