Max Morrison

Max Morrison, Brian Tang, Gefei Tan et al.

Human perceptual studies are the gold standard for the evaluation of many research tasks in machine learning, linguistics, and psychology. However, these studies require significant time and cost to perform. As a result, many researchers use objective measures that can correlate poorly with human evaluation. When subjective evaluations are performed, they are often not reported with sufficient detail to ensure reproducibility. We propose Reproducible Subjective Evaluation (ReSEval), an open-source framework for quickly deploying crowdsourced subjective evaluations directly from Python. ReSEval lets researchers launch A/B, ABX, Mean Opinion Score (MOS) and MUltiple Stimuli with Hidden Reference and Anchor (MUSHRA) tests on audio, image, text, or video data from a command-line interface or using one line of Python, making it as easy to run as objective evaluation. With ReSEval, researchers can reproduce each other's subjective evaluations by sharing a configuration file and the audio, image, text, or video files.

Noah Schaffer, Boaz Cogan, Ethan Manilow et al.

Despite phenomenal progress in recent years, state-of-the-art music separation systems produce source estimates with significant perceptual shortcomings, such as adding extraneous noise or removing harmonics. We propose a post-processing model (the Make it Sound Good (MSG) post-processor) to enhance the output of music source separation systems. We apply our post-processing model to state-of-the-art waveform-based and spectrogram-based music source separators, including a separator unseen by MSG during training. Our analysis of the errors produced by source separators shows that waveform models tend to introduce more high-frequency noise, while spectrogram models tend to lose transients and high frequency content. We introduce objective measures to quantify both kinds of errors and show MSG improves the source reconstruction of both kinds of errors. Crowdsourced subjective evaluations demonstrate that human listeners prefer source estimates of bass and drums that have been post-processed by MSG.

Max Morrison, Rithesh Kumar, Kundan Kumar et al.

Conditional waveform synthesis models learn a distribution of audio waveforms given conditioning such as text, mel-spectrograms, or MIDI. These systems employ deep generative models that model the waveform via either sequential (autoregressive) or parallel (non-autoregressive) sampling. Generative adversarial networks (GANs) have become a common choice for non-autoregressive waveform synthesis. However, state-of-the-art GAN-based models produce artifacts when performing mel-spectrogram inversion. In this paper, we demonstrate that these artifacts correspond with an inability for the generator to learn accurate pitch and periodicity. We show that simple pitch and periodicity conditioning is insufficient for reducing this error relative to using autoregression. We discuss the inductive bias that autoregression provides for learning the relationship between instantaneous frequency and phase, and show that this inductive bias holds even when autoregressively sampling large chunks of the waveform during each forward pass. Relative to prior state-of-the-art GAN-based models, our proposed model, Chunked Autoregressive GAN (CARGAN) reduces pitch error by 40-60%, reduces training time by 58%, maintains a fast generation speed suitable for real-time or interactive applications, and maintains or improves subjective quality.

Max Morrison, Zeyu Jin, Nicholas J. Bryan et al.

Modifying the pitch and timing of an audio signal are fundamental audio editing operations with applications in speech manipulation, audio-visual synchronization, and singing voice editing and synthesis. Thus far, methods for pitch-shifting and time-stretching that use digital signal processing (DSP) have been favored over deep learning approaches due to their speed and relatively higher quality. However, even existing DSP-based methods for pitch-shifting and time-stretching induce artifacts that degrade audio quality. In this paper, we propose Controllable LPCNet (CLPCNet), an improved LPCNet vocoder capable of pitch-shifting and time-stretching of speech. For objective evaluation, we show that CLPCNet performs pitch-shifting of speech on unseen datasets with high accuracy relative to prior neural methods. For subjective evaluation, we demonstrate that the quality and naturalness of pitch-shifting and time-stretching with CLPCNet on unseen datasets meets or exceeds competitive neural- or DSP-based approaches.

Max Morrison, Lucas Rencker, Zeyu Jin et al.

Text-based speech editors expedite the process of editing speech recordings by permitting editing via intuitive cut, copy, and paste operations on a speech transcript. A major drawback of current systems, however, is that edited recordings often sound unnatural because of prosody mismatches around edited regions. In our work, we propose a new context-aware method for more natural sounding text-based editing of speech. To do so, we 1) use a series of neural networks to generate salient prosody features that are dependent on the prosody of speech surrounding the edit and amenable to fine-grained user control 2) use the generated features to control a standard pitch-shift and time-stretch method and 3) apply a denoising neural network to remove artifacts induced by the signal manipulation to yield a high-fidelity result. We evaluate our approach using a subjective listening test, provide a detailed comparative analysis, and conclude several interesting insights.

Max Morrison, Zeyu Jin, Justin Salamon et al.

Speech synthesis has recently seen significant improvements in fidelity, driven by the advent of neural vocoders and neural prosody generators. However, these systems lack intuitive user controls over prosody, making them unable to rectify prosody errors (e.g., misplaced emphases and contextually inappropriate emotions) or generate prosodies with diverse speaker excitement levels and emotions. We address these limitations with a user-controllable, context-aware neural prosody generator. Given a real or synthesized speech recording, our model allows a user to input prosody constraints for certain time frames and generates the remaining time frames from input text and contextual prosody. We also propose a pitch-shifting neural vocoder to modify input speech to match the synthesized prosody. Through objective and subjective evaluations we show that we can successfully incorporate user control into our prosody generation model without sacrificing the overall naturalness of the synthesized speech.

Max Morrison, Bryan Pardo

Early detection and repair of failing components in automobiles reduces the risk of vehicle failure in life-threatening situations. Many automobile components in need of repair produce characteristic sounds. For example, loose drive belts emit a high-pitched squeaking sound, and bad starter motors have a characteristic whirring or clicking noise. Often drivers can tell that the sound of their car is not normal, but may not be able to identify the cause. To mitigate this knowledge gap, we have developed OtoMechanic, a web application to detect and diagnose vehicle component issues from their corresponding sounds. It compares a user's recording of a problematic sound to a database of annotated sounds caused by failing automobile components. OtoMechanic returns the most similar sounds, and provides weblinks for more information on the diagnosis associated with each sound, along with an estimate of the similarity of each retrieved sound. In user studies, we find that OtoMechanic significantly increases diagnostic accuracy relative to a baseline accuracy of consumer performance.