Julio J. Carabias-Orti

Jaime Garcia-Martinez, David Diaz-Guerra, Archontis Politis et al.

Recent advancements in music source separation have significantly progressed, particularly in isolating vocals, drums, and bass elements from mixed tracks. These developments owe much to the creation and use of large-scale, multitrack datasets dedicated to these specific components. However, the challenge of extracting similarly sounding sources from orchestra recordings has not been extensively explored, largely due to a scarcity of comprehensive and clean (i.e bleed-free) multitrack datasets. In this paper, we introduce a novel multitrack dataset called SynthSOD, developed using a set of simulation techniques to create a realistic (i.e. using high-quality soundfonts), musically motivated, and heterogeneous training set comprising different dynamics, natural tempo changes, styles, and conditions. Moreover, we demonstrate the application of a widely used baseline music separation model trained on our synthesized dataset w.r.t to the well-known EnsembleSet, and evaluate its performance under both synthetic and real-world conditions.

Jaime Garcia-Martinez, David Diaz-Guerra, John Anderson et al.

This paper introduces The Spheres dataset, multitrack orchestral recordings designed to advance machine learning research in music source separation and related MIR tasks within the classical music domain. The dataset is composed of over one hour recordings of musical pieces performed by the Colibrì Ensemble at The Spheres recording studio, capturing two canonical works - Tchaikovsky's Romeo and Juliet and Mozart's Symphony No. 40 - along with chromatic scales and solo excerpts for each instrument. The recording setup employed 23 microphones, including close spot, main, and ambient microphones, enabling the creation of realistic stereo mixes with controlled bleeding and providing isolated stems for supervised training of source separation models. In addition, room impulse responses were estimated for each instrument position, offering valuable acoustic characterization of the recording space. We present the dataset structure, acoustic analysis, and baseline evaluations using X-UMX based models for orchestral family separation and microphone debleeding. Results highlight both the potential and the challenges of source separation in complex orchestral scenarios, underscoring the dataset's value for benchmarking and for exploring new approaches to separation, localization, dereverberation, and immersive rendering of classical music.

Pablo Cabanas-Molero, Antonio J. Munoz-Montoro, Julio Carabias-Orti et al.

This paper presents a novel approach to sound source separation that leverages spatial information obtained during the recording setup. Our method trains a spatial mixing filter using solo passages to capture information about the room impulse response and transducer response at each sensor location. This pre-trained filter is then integrated into a multichannel non-negative matrix factorization (MNMF) scheme to better capture the variances of different sound sources. The recording setup used in our experiments is the typical setup for orchestra recordings, with a main microphone and a close "cardioid" or "supercardioid" microphone for each section of the orchestra. This makes the proposed method applicable to many existing recordings. Experiments on polyphonic ensembles demonstrate the effectiveness of the proposed framework in separating individual sound sources, improving performance compared to conventional MNMF methods.

F. D. Gonzalez-Martinez, J. J. Carabias-Orti, F. J. Canadas-Quesada et al.

Snoring, an acoustic biomarker commonly observed in individuals with Obstructive Sleep Apnoea Syndrome (OSAS), holds significant potential for diagnosing and monitoring this recognized clinical disorder. Irrespective of snoring types, most snoring instances exhibit identifiable harmonic patterns manifested through distinctive energy distributions over time. In this work, we propose a novel method to differentiate monaural snoring from non-snoring sounds by analyzing the harmonic content of the input sound using harmonic/percussive sound source separation (HPSS). The resulting feature, based on the harmonic spectrogram from HPSS, is employed as input data for conventional neural network architectures, aiming to enhance snoring detection performance even under a limited data learning framework. To evaluate the performance of our proposal, we studied two different scenarios: 1) using a large dataset of snoring and interfering sounds, and 2) using a reduced training set composed of around 1% of the data material. In the former scenario, the proposed HPSS-based feature provides competitive results compared to other input features from the literature. However, the key advantage of the proposed method lies in the superior performance of the harmonic spectrogram derived from HPSS in a limited data learning context. In this particular scenario, using the proposed harmonic feature significantly enhances the performance of all the studied architectures in comparison to the classical input features documented in the existing literature. This finding clearly demonstrates that incorporating harmonic content enables more reliable learning of the essential time-frequency characteristics that are prevalent in most snoring sounds, even in scenarios where the amount of training data is limited.

Antonio J. Muñoz-Montoro, Julio J. Carabias-Orti, Archontis Politis et al.

This work addresses the problem of multichannel source separation combining two powerful approaches, multichannel spectral factorization with recent monophonic deep-learning (DL) based spectrum inference. Individual source spectra at different channels are estimated with a Masker-Denoiser Twin Network (MaD TwinNet), able to model long-term temporal patterns of a musical piece. The monophonic source spectrograms are used within a spatial covariance mixing model based on Complex Non-Negative Matrix Factorization (CNMF) that predicts the spatial characteristics of each source. The proposed framework is evaluated on the task of singing voice separation with a large multichannel dataset. Experimental results show that our joint DL+CNMF method outperforms both the individual monophonic DL-based separation and the multichannel CNMF baseline methods.