Simone Caenazzo

Lucia Cipolina-Kun, Simone Caenazzo, Gaston Mazzei

Digital art restoration has benefited from inpainting models to correct the degradation or missing sections of a painting. This work compares three current state-of-the art models for inpainting of large missing regions. We provide qualitative and quantitative comparison of the performance by CoModGANs, LaMa and GLIDE in inpainting of blurry and missing sections of images. We use Escher's incomplete painting Print Gallery as our test study since it presents several of the challenges commonly present in restorative inpainting.

Lucia Cipolina-Kun, Simone Caenazzo, Gaston Mazzei et al.

This extended abstract presents the first stages of a research on in-painting suited for art reconstruction. We introduce M.C Eschers Print Gallery lithography as a use case example. This artwork presents a void on its center and additionally, it follows a challenging mathematical structure that needs to be preserved by the in-painting method. We present our work so far and our future line of research.