Weixing Wei

Weixing Wei, Peilin Li, Yi Yu et al.

Sounds, especially music, contain various harmonic components scattered in the frequency dimension. It is difficult for normal convolutional neural networks to observe these overtones. This paper introduces a multiple rates dilated causal convolution (MRDC-Conv) method to capture the harmonic structure in logarithmic scale spectrograms efficiently. The harmonic is helpful for pitch estimation, which is important for many sound processing applications. We propose HarmoF0, a fully convolutional network, to evaluate the MRDC-Conv and other dilated convolutions in pitch estimation. The results show that this model outperforms the DeepF0, yields state-of-the-art performance in three datasets, and simultaneously reduces more than 90% parameters. We also find that it has stronger noise resistance and fewer octave errors. The code and pre-trained model are available at https://github.com/WX-Wei/HarmoF0.

Dichucheng Li, Yinghao Ma, Weixing Wei et al.

Instrument playing techniques (IPTs) constitute a pivotal component of musical expression. However, the development of automatic IPT detection methods suffers from limited labeled data and inherent class imbalance issues. In this paper, we propose to apply a self-supervised learning model pre-trained on large-scale unlabeled music data and finetune it on IPT detection tasks. This approach addresses data scarcity and class imbalance challenges. Recognizing the significance of pitch in capturing the nuances of IPTs and the importance of onset in locating IPT events, we investigate multi-task finetuning with pitch and onset detection as auxiliary tasks. Additionally, we apply a post-processing approach for event-level prediction, where an IPT activation initiates an event only if the onset output confirms an onset in that frame. Our method outperforms prior approaches in both frame-level and event-level metrics across multiple IPT benchmark datasets. Further experiments demonstrate the efficacy of multi-task finetuning on each IPT class.

Weixing Wei, Raynaldi Lalang, Dichucheng Li et al.

This paper describes a novel paradigm that formalizes automatic piano transcription (APT) as an optimal transport (OT) problem, not as a frame-level multi-label binary classification problem. Our method learns to minimize the cost of transporting a predicted distribution of note events to the ground-truth distribution over time and frequency. The OT loss can thus accommodate temporal misalignment, leading to perceptually relevant optimization. We also propose a convolutional recurrent neural network (CRNN) with a harmonics-aware attention mechanism to capture the spectro-temporal dependencies inherent in music.Our experiments using the MAESTRO dataset showed that our method attained a state-of-the-art performance in onset detection. We confirmed the versatility of the OT loss in application to existing models.