Xiquan Li

Wenxi Chen, Dongya Jia, Yushen Chen et al.

Recently, diffusion models operating on VAE latents or mel-spectrograms have become the dominant paradigm for zero-shot TTS. Although these compressed representations improve generation efficiency, they inevitably suffer from information loss and non-end-to-end training. Theoretically, directly modeling raw waveforms circumvents these issues; however, this direction remains underexplored and is often deemed difficult due to the extremely long sequence length of audio signals. To overcome this, we propose WavTTS, the first raw waveform generative TTS model that substantially narrows the gap with latent-space generative models. Built upon the flow matching with Diffusion Transformer (DiT), WavTTS directly models speech waveforms via a simple patchification strategy, while integrating multi-scale mel-spectrogram supervision to provide perceptual guidance during training. Furthermore, we investigate the impact of prediction targets and noise scheduling in waveform diffusion, and develop an effective schedule design to improve generation quality. Evaluations on open-source benchmarks demonstrate that WavTTS closely approaches the performance of current state-of-the-art latent generative zero-shot TTS models, while substantially outperforming previous end-to-end speech generation models. Our findings demonstrate the feasibility of scaling diffusion-based TTS directly in the waveform space, opening a new direction for end-to-end speech generation.

Ziyang Ma, Guanrou Yang, Wenxi Chen et al.

The recent surge in open-source Multimodal Large Language Models (MLLM) frameworks, such as LLaVA, provides a convenient kickoff for artificial intelligence developers and researchers. However, most of the MLLM frameworks take vision as the main input modality, and provide limited in-depth support for the modality of speech, audio, and music. This situation hinders the development of audio-language models, and forces researchers to spend a lot of effort on code writing and hyperparameter tuning. We present SLAM-LLM, an open-source deep learning framework designed to train customized MLLMs, focused on speech, language, audio, and music processing. SLAM-LLM provides a modular configuration of different encoders, projectors, LLMs, and parameter-efficient fine-tuning plugins. SLAM-LLM also includes detailed training and inference recipes for mainstream tasks, along with high-performance checkpoints like LLM-based Automatic Speech Recognition (ASR), Automated Audio Captioning (AAC), and Music Captioning (MC). Some of these recipes have already reached or are nearing state-of-the-art performance, and some relevant techniques have also been accepted by academic papers. We hope SLAM-LLM will accelerate iteration, development, data engineering, and model training for researchers. We are committed to continually pushing forward audio-based MLLMs through this open-source framework, and call on the community to contribute to the LLM-based speech, audio and music processing.

Xiquan Li, Aurian Quelennec, Slim Essid

Music understanding and reasoning are central challenges in the Music Information Research field, with applications ranging from retrieval and recommendation to music agents and virtual assistants. Recent Large Audio-Language Models (LALMs) have shown remarkable progress in answering music-related questions by following user instructions. However, their massive scale, often billions of parameters, results in expensive training, slow inference, and limited deployability on edge devices. In this work, we present TinyMU, a lightweight (229M) Music-Language Model (MLM) that achieves performance comparable to much larger LALMs while remaining efficient and compact. To train TinyMU, we introduce MusicSkills-3.5M, a carefully curated, music-grounded question-answering dataset with 3.5M samples. Spanning multiple-choice, binary, and open-ended formats, this dataset provides fine-grained supervision across diverse musical concepts. For its architecture, TinyMU leverages MATPAC++, the SOTA self-supervised audio encoder for fine-grained feature extraction. Paired with a lightweight linear projector, it efficiently aligns audio embeddings with the language model. Through extensive evaluation, we show that TinyMU performs strongly in both basic music understanding and complex reasoning. Notably, on the MuChoMusic benchmark, it achieves 82\% of SOTA LALM's performance despite being 35x smaller, highlighting the potential of small MLMs under constrained computational budgets.

Haina Zhu, Yao Xiao, Xiquan Li et al.

We study the fine-grained text-to-audio (T2A) generation task. While recent models can synthesize high-quality audio from text descriptions, they often lack precise control over attributes such as loudness, pitch, and sound events. Unlike prior approaches that retrain models for specific control types, we propose to train ControlNet models on top of pre-trained T2A backbones to achieve controllable generation over loudness, pitch, and event roll. We introduce two designs, T2A-ControlNet and T2A-Adapter, and show that the T2A-Adapter model offers a more efficient structure with strong control ability. With only 38M additional parameters, T2A-Adapter achieves state-of-the-art performance on the AudioSet-Strong in both event-level and segment-level F1 scores. We further extend this framework to audio editing, proposing T2A-Editor for removing and inserting audio events at time locations specified by instructions. Models, code, dataset pipelines, and benchmarks will be released to support future research on controllable audio generation and editing.

Ruiqi Yan, Xiquan Li, Wenxi Chen et al.

Recent advances in large language models (LLMs) have driven significant progress in end-to-end spoken dialogue models (SDMs). In contrast to text-based LLMs, the evaluation framework for SDMs should encompass both cognitive dimensions (e.g., logical reasoning, knowledge) and speech-related aspects (e.g., paralinguistic cues, audio quality). However, there is still a lack of comprehensive evaluations for SDMs in speech-to-speech (S2S) scenarios. To address this gap, we propose URO-Bench, an extensive benchmark for SDMs. Notably, URO-Bench is the first S2S benchmark that covers evaluations about multilingualism, multi-round dialogues, and paralinguistics. Our benchmark is divided into two difficulty levels: basic track and pro track, each comprising 20 test sets, evaluating the spoken dialogue model's abilities in Understanding, Reasoning, and Oral conversation. Evaluations on our proposed benchmark reveal that current open-source SDMs perform rather well in daily QA tasks, but lag behind their backbone LLMs in terms of instruction-following ability and also suffer from catastrophic forgetting. Their performance in advanced evaluations of paralinguistic information and audio understanding remains subpar, highlighting the need for further research in this direction. We hope that URO-Bench can facilitate the development of spoken dialogue models by providing a multifaceted evaluation of existing models and helping to track progress in this area.

Xiquan Li, Junxi Liu, Wenxi Chen et al.

Reinforcement Learning (RL) has become an effective paradigm for enhancing Large Language Models (LLMs) and visual generative models. However, its application in text-to-audio (TTA) generation remains largely under-explored. Prior work typically employs offline methods like Direct Preference Optimization (DPO) and leverages Contrastive Language-Audio Pretraining (CLAP) models as reward functions. In this study, we investigate the integration of online Group Relative Policy Optimization (GRPO) into TTA generation. We adapt the algorithm for Flow Matching-based audio models and demonstrate that online RL significantly outperforms its offline counterparts. Furthermore, we incorporate rewards derived from Large Audio Language Models (LALMs), which can provide fine-grained scoring signals that are better aligned with human perception. With only 470M parameters, our final model, \textbf{Resonate}, establishes a new SOTA on TTA-Bench in terms of both audio quality and semantic alignment.

Ziyang Ma, Yinghao Ma, Yanqiao Zhu et al.

We introduce MMAR, a new benchmark designed to evaluate the deep reasoning capabilities of Audio-Language Models (ALMs) across massive multi-disciplinary tasks. MMAR comprises 1,000 meticulously curated audio-question-answer triplets, collected from real-world internet videos and refined through iterative error corrections and quality checks to ensure high quality. Unlike existing benchmarks that are limited to specific domains of sound, music, or speech, MMAR extends them to a broad spectrum of real-world audio scenarios, including mixed-modality combinations of sound, music, and speech. Each question in MMAR is hierarchically categorized across four reasoning layers: Signal, Perception, Semantic, and Cultural, with additional sub-categories within each layer to reflect task diversity and complexity. To further foster research in this area, we annotate every question with a Chain-of-Thought (CoT) rationale to promote future advancements in audio reasoning. Each item in the benchmark demands multi-step deep reasoning beyond surface-level understanding. Moreover, a part of the questions requires graduate-level perceptual and domain-specific knowledge, elevating the benchmark's difficulty and depth. We evaluate MMAR using a broad set of models, including Large Audio-Language Models (LALMs), Large Audio Reasoning Models (LARMs), Omni Language Models (OLMs), Large Language Models (LLMs), and Large Reasoning Models (LRMs), with audio caption inputs. The performance of these models on MMAR highlights the benchmark's challenging nature, and our analysis further reveals critical limitations of understanding and reasoning capabilities among current models. We hope MMAR will serve as a catalyst for future advances in this important but little-explored area.

Xiquan Li, Wenxi Chen, Ziyang Ma et al.

While automated audio captioning (AAC) has made notable progress, traditional fully supervised AAC models still face two critical challenges: the need for expensive audio-text pair data for training and performance degradation when transferring across domains. To overcome these limitations, we present DRCap, a data-efficient and flexible zero-shot audio captioning system that requires text-only data for training and can quickly adapt to new domains without additional fine-tuning. DRCap integrates a contrastive language-audio pre-training (CLAP) model and a large-language model (LLM) as its backbone. During training, the model predicts the ground-truth caption with a fixed text encoder from CLAP, whereas, during inference, the text encoder is replaced with the audio encoder to generate captions for audio clips in a zero-shot manner. To mitigate the modality gap of the CLAP model, we use both the projection strategy from the encoder side and the retrieval-augmented generation strategy from the decoder side. Specifically, audio embeddings are first projected onto a text embedding support to absorb extensive semantic information within the joint multi-modal space of CLAP. At the same time, similar captions retrieved from a datastore are fed as prompts to instruct the LLM, incorporating external knowledge to take full advantage of its strong generative capability. Conditioned on both the projected CLAP embedding and the retrieved similar captions, the model is able to produce a more accurate and semantically rich textual description. By tailoring the text embedding support and the caption datastore to the target domain, DRCap acquires a robust ability to adapt to new domains in a training-free manner. Experimental results demonstrate that DRCap outperforms all other zero-shot models in in-domain scenarios and achieves state-of-the-art performance in cross-domain scenarios.

Xiquan Li, Junxi Liu, Yuzhe Liang et al.

Recent years have witnessed remarkable progress in Text-to-Audio Generation (TTA), providing sound creators with powerful tools to transform inspirations into vivid audio. Yet despite these advances, current TTA systems often suffer from slow inference speed, which greatly hinders the efficiency and smoothness of audio creation. In this paper, we present MeanAudio, a fast and faithful text-to-audio generator capable of rendering realistic sound with only one function evaluation (1-NFE). MeanAudio leverages: (i) the MeanFlow objective with guided velocity target that significantly accelerates inference speed, (ii) an enhanced Flux-style transformer with dual text encoders for better semantic alignment and synthesis quality, and (iii) an efficient instantaneous-to-mean curriculum that speeds up convergence and enables training on consumer-grade GPUs. Through a comprehensive evaluation study, we demonstrate that MeanAudio achieves state-of-the-art performance in single-step audio generation. Specifically, it achieves a real-time factor (RTF) of 0.013 on a single NVIDIA RTX 3090, yielding a 100x speedup over SOTA diffusion-based TTA systems. Moreover, MeanAudio also shows strong performance in multi-step generation, enabling smooth transitions across successive synthesis steps.

Ziyang Ma, Xiquan Li, Yakun Song et al.

Recent advancements in large audio language models (LALMs) have demonstrated impressive results and promising prospects in universal understanding and reasoning across speech, music, and general sound. However, these models still lack the ability to recognize their knowledge boundaries and refuse to answer questions they don't know proactively. While there have been successful attempts to enhance the reliability of LLMs, reliable LALMs remain largely unexplored. In this paper, we systematically investigate various approaches towards reliable LALMs, including training-free methods such as multi-modal chain-of-thought (MCoT), and training-based methods such as supervised fine-tuning (SFT). Besides, we identify the limitations of previous evaluation metrics and propose a new metric, the Reliability Gain Index (RGI), to assess the effectiveness of different reliable methods. Our findings suggest that both training-free and training-based methods enhance the reliability of LALMs to different extents. Moreover, we find that awareness of reliability is a "meta ability", which can be transferred across different audio modalities, although significant structural and content differences exist among sound, music, and speech.

Xiquan Li, Xuenan Xu, Ziyang Ma et al.

Contrastively pretrained audio-language models (e.g., CLAP) excel at clip-level understanding but struggle with frame-level tasks. Existing extensions fail to exploit the varying granularity of real-world audio-text data, where massive clip-level textual descriptions coexist with limited frame-level annotations. This paper proposes Fine-grained Language-Audio Pretraining (FineLAP), a novel training paradigm that advances both clip- and frame-level alignment in CLAP with heterogeneous data. FineLAP introduces a dual-stream sigmoid loss with a cluster-based sampling strategy to jointly learn from clip- and frame-level supervision. To capture both global semantics and local details, FineLAP uses a decoupled audio projector on top of a self-supervised encoder. To alleviate the scarcity of temporally annotated data, we present FineLAP-100k, a large-scale synthetic SED dataset constructed through a scalable curation pipeline. Extensive experiments demonstrate that FineLAP achieves SOTA performance across multiple audio understanding tasks, including retrieval, classification, sound event detection, and text-to-audio grounding. Ablation studies further show that coarse- and fine-grained alignment are mutually beneficial, providing insights for building better audio-language models (ALMs).

Ziyang Ma, Mingjie Chen, Hezhao Zhang et al.

Speech emotion recognition (SER) is an important part of human-computer interaction, receiving extensive attention from both industry and academia. However, the current research field of SER has long suffered from the following problems: 1) There are few reasonable and universal splits of the datasets, making comparing different models and methods difficult. 2) No commonly used benchmark covers numerous corpus and languages for researchers to refer to, making reproduction a burden. In this paper, we propose EmoBox, an out-of-the-box multilingual multi-corpus speech emotion recognition toolkit, along with a benchmark for both intra-corpus and cross-corpus settings. For intra-corpus settings, we carefully designed the data partitioning for different datasets. For cross-corpus settings, we employ a foundation SER model, emotion2vec, to mitigate annotation errors and obtain a test set that is fully balanced in speakers and emotions distributions. Based on EmoBox, we present the intra-corpus SER results of 10 pre-trained speech models on 32 emotion datasets with 14 languages, and the cross-corpus SER results on 4 datasets with the fully balanced test sets. To the best of our knowledge, this is the largest SER benchmark, across language scopes and quantity scales. We hope that our toolkit and benchmark can facilitate the research of SER in the community.