Zijin Li

Monan Zhou, Shangda Wu, Shaohua Ji et al.

This paper aims to develop a holistic evaluation method for piano sound quality to assist in purchasing decisions. Unlike previous studies that focused on the effect of piano performance techniques on sound quality, this study evaluates the inherent sound quality of different pianos. To derive quality evaluation systems, the study uses subjective questionnaires based on a piano sound quality dataset. The method selects the optimal piano classification models by comparing the fine-tuning results of different pre-training models of Convolutional Neural Networks (CNN). To improve the interpretability of the models, the study applies Equivalent Rectangular Bandwidth (ERB) analysis. The results reveal that musically trained individuals are better able to distinguish between the sound quality differences of different pianos. The best fine-tuned CNN pre-trained backbone achieves a high accuracy of 98.3% as the piano classifier. However, the dataset is limited, and the audio is sliced to increase its quantity, resulting in a lack of diversity and balance, so we use focal loss to reduce the impact of data imbalance. To optimize the method, the dataset will be expanded, or few-shot learning techniques will be employed in future research.

Nick Bryan-Kinns, Corey Ford, Alan Chamberlain et al.

This first international workshop on explainable AI for the Arts (XAIxArts) brought together a community of researchers in HCI, Interaction Design, AI, explainable AI (XAI), and digital arts to explore the role of XAI for the Arts. Workshop held at the 15th ACM Conference on Creativity and Cognition (C&C 2023).

Nick Bryan-Kinns, Zijin Li

AI systems for high quality music generation typically rely on extremely large musical datasets to train the AI models. This creates barriers to generating music beyond the genres represented in dominant datasets such as Western Classical music or pop music. We undertook a 4 month international research project summarised in this paper to explore the eXplainable AI (XAI) challenges and opportunities associated with reducing barriers to using marginalised genres of music with AI models. XAI opportunities identified included topics of improving transparency and control of AI models, explaining the ethics and bias of AI models, fine tuning large models with small datasets to reduce bias, and explaining style-transfer opportunities with AI models. Participants in the research emphasised that whilst it is hard to work with small datasets such as marginalised music and AI, such approaches strengthen cultural representation of underrepresented cultures and contribute to addressing issues of bias of deep learning models. We are now building on this project to bring together a global International Responsible AI Music community and invite people to join our network.

Meiliang Liu, Yunfang Xu, Zijin Li et al.

We propose the Granger causality inference Kolmogorov-Arnold Networks (KANGCI), a novel architecture that extends the recently proposed Kolmogorov-Arnold Networks (KAN) to the domain of causal inference. By extracting base weights from KAN layers and incorporating the sparsity-inducing penalty and ridge regularization, KANGCI effectively infers the Granger causality from time series. Additionally, we propose an algorithm based on time-reversed Granger causality that automatically selects causal relationships with better inference performance from the original or time-reversed time series or integrates the results to mitigate spurious connectivities. Comprehensive experiments conducted on Lorenz-96, Gene regulatory networks, fMRI BOLD signals, VAR, and real-world EEG datasets demonstrate that the proposed model achieves competitive performance to state-of-the-art methods in inferring Granger causality from nonlinear, high-dimensional, and limited-sample time series.

Meiliang Liu, Huiwen Dong, Xiaoxiao Yang et al.

With the advancement of deep learning technologies, various neural network-based Granger causality models have been proposed. Although these models have demonstrated notable improvements, several limitations remain. Most existing approaches adopt the component-wise architecture, necessitating the construction of a separate model for each time series, which results in substantial computational costs. In addition, imposing the sparsity-inducing penalty on the first-layer weights of the neural network to extract causal relationships weakens the model's ability to capture complex interactions. To address these limitations, we propose Gradient Regularization-based Neural Granger Causality (GRNGC), which requires only one time series prediction model and applies $L_{1}$ regularization to the gradient between model's input and output to infer Granger causality. Moreover, GRNGC is not tied to a specific time series forecasting model and can be implemented with diverse architectures such as KAN, MLP, and LSTM, offering enhanced flexibility. Numerical simulations on DREAM, Lorenz-96, fMRI BOLD, and CausalTime show that GRNGC outperforms existing baselines and significantly reduces computational overhead. Meanwhile, experiments on real-world DNA, Yeast, HeLa, and bladder urothelial carcinoma datasets further validate the model's effectiveness in reconstructing gene regulatory networks.

Fan Bu, Rongfeng Li, Zijin Li et al.

Large-scale optical music recognition (OMR) research has focused mainly on Western staff notation, leaving Chinese Jianpu (numbered notation) and its rich lyric resources underexplored. We present a modular expert-system pipeline that converts printed Jianpu scores with lyrics into machine-readable MusicXML and MIDI, without requiring massive annotated training data. Our approach adopts a top-down expert-system design, leveraging traditional computer-vision techniques (e.g., phrase correlation, skeleton analysis) to capitalize on prior knowledge, while integrating unsupervised deep-learning modules for image feature embeddings. This hybrid strategy strikes a balance between interpretability and accuracy. Evaluated on The Anthology of Chinese Folk Songs, our system massively digitizes (i) a melody-only collection of more than 5,000 songs (> 300,000 notes) and (ii) a curated subset with lyrics comprising over 1,400 songs (> 100,000 notes). The system achieves high-precision recognition on both melody (note-wise F1 = 0.951) and aligned lyrics (character-wise F1 = 0.931).

Xiaoxiao Yang, Meiliang Liu, Yunfang Xu et al.

Alzheimer's disease (AD) is a progressive neurodegenerative disorder that severely impairs cognitive function and quality of life. Timely intervention in AD relies heavily on early and precise diagnosis, which remains challenging due to the complex and subtle structural changes in the brain. Most existing deep learning methods focus only on a single plane of structural magnetic resonance imaging (sMRI) and struggle to accurately capture the complex and nonlinear relationships among pathological regions of the brain, thus limiting their ability to precisely identify atrophic features. To overcome these limitations, we propose an innovative framework, MPF-KANSC, which integrates multi-plane fusion (MPF) for combining features from the coronal, sagittal, and axial planes, and a Kolmogorov-Arnold Network-guided spatial-channel attention mechanism (KANSC) to more effectively learn and represent sMRI atrophy features. Specifically, the proposed model enables parallel feature extraction from multiple anatomical planes, thus capturing more comprehensive structural information. The KANSC attention mechanism further leverages a more flexible and accurate nonlinear function approximation technique, facilitating precise identification and localization of disease-related abnormalities. Experiments on the ADNI dataset confirm that the proposed MPF-KANSC achieves superior performance in AD diagnosis. Moreover, our findings provide new evidence of right-lateralized asymmetry in subcortical structural changes during AD progression, highlighting the model's promising interpretability.

Xinyue Yang, Meiliang Liu, Yunfang Xu et al.

Alzheimer's disease (AD) is a progressive neurodegenerative disorder that predominantly affects the elderly population and currently has no cure. Magnetic Resonance Imaging (MRI), as a non-invasive imaging technique, is essential for the early diagnosis of AD. MRI inherently contains both spatial and frequency information, as raw signals are acquired in the frequency domain and reconstructed into spatial images via the Fourier transform. However, most existing AD diagnostic models extract features from a single domain, limiting their capacity to fully capture the complex neuroimaging characteristics of the disease. While some studies have combined spatial and frequency information, they are mostly confined to 2D MRI, leaving the potential of dual-domain analysis in 3D MRI unexplored. To overcome this limitation, we propose Spatio-Frequency Network (SFNet), the first end-to-end deep learning framework that simultaneously leverages spatial and frequency domain information to enhance 3D MRI-based AD diagnosis. SFNet integrates an enhanced dense convolutional network to extract local spatial features and a global frequency module to capture global frequency-domain representations. Additionally, a novel multi-scale attention module is proposed to further refine spatial feature extraction. Experiments on the Alzheimer's Disease Neuroimaging Initiative (ADNI) dataset demonstrate that SFNet outperforms existing baselines and reduces computational overhead in classifying cognitively normal (CN) and AD, achieving an accuracy of 95.1%.

Nick Bryan-Kinns, Corey Ford, Shuoyang Zheng et al.

This second international workshop on explainable AI for the Arts (XAIxArts) brought together a community of researchers in HCI, Interaction Design, AI, explainable AI (XAI), and digital arts to explore the role of XAI for the Arts. Workshop held at the 16th ACM Conference on Creativity and Cognition (C&C 2024), Chicago, USA.

Liqiang Zhang, Chengzhu Yu, Heng Lu et al.

Singing voice conversion is converting the timbre in the source singing to the target speaker's voice while keeping singing content the same. However, singing data for target speaker is much more difficult to collect compared with normal speech data.In this paper, we introduce a singing voice conversion algorithm that is capable of generating high quality target speaker's singing using only his/her normal speech data. First, we manage to integrate the training and conversion process of speech and singing into one framework by unifying the features used in standard speech synthesis system and singing synthesis system. In this way, normal speech data can also contribute to singing voice conversion training, making the singing voice conversion system more robust especially when the singing database is small.Moreover, in order to achieve one-shot singing voice conversion, a speaker embedding module is developed using both speech and singing data, which provides target speaker identify information during conversion. Experiments indicate proposed sing conversion system can convert source singing to target speaker's high-quality singing with only 20 seconds of target speaker's enrollment speech data.

Liqiang Zhang, Chengzhu Yu, Heng Lu et al.

We propose an algorithm that is capable of synthesizing high quality target speaker's singing voice given only their normal speech samples. The proposed algorithm first integrate speech and singing synthesis into a unified framework, and learns universal speaker embeddings that are shareable between speech and singing synthesis tasks. Specifically, the speaker embeddings learned from normal speech via the speech synthesis objective are shared with those learned from singing samples via the singing synthesis objective in the unified training framework. This makes the learned speaker embedding a transferable representation for both speaking and singing. We evaluate the proposed algorithm on singing voice conversion task where the content of original singing is covered with the timbre of another speaker's voice learned purely from their normal speech samples. Our experiments indicate that the proposed algorithm generates high-quality singing voices that sound highly similar to target speaker's voice given only his or her normal speech samples. We believe that proposed algorithm will open up new opportunities for singing synthesis and conversion for broader users and applications.

Zehao Wang, Jingru Li, Xiaoou Chen et al.

Unlike melody extraction and other aspects of music transcription, research on playing technique detection is still in its early stages. Compared to existing work mostly focused on playing technique detection for individual single notes, we propose a general end-to-end method based on Sound Event Detection by FCN for musical instrument playing technique detection. In our case, we choose Erhu, a well-known Chinese bowed-stringed instrument, to experiment with our method. Because of the limitation of FCN, we present an algorithm to detect on variable length audio. The effectiveness of the proposed framework is tested on a new dataset, its categorization of techniques is similar to our training dataset. The highest accuracy of our 3 experiments on the new test set is 87.31%. Furthermore, we also evaluate the performance of the proposed framework on 10 real-world studio music (produced by midi) and 7 real-world recording samples to address the ability of generalization on our model.