Ester Vidaña-Vila

Ines Nolasco, Burooj Ghani, Shubhr Singh et al.

Few-shot bioacoustic event detection consists in detecting sound events of specified types, in varying soundscapes, while having access to only a few examples of the class of interest. This task ran as part of the DCASE challenge for the third time this year with an evaluation set expanded to include new animal species, and a new rule: ensemble models were no longer allowed. The 2023 few shot task received submissions from 6 different teams with F-scores reaching as high as 63% on the evaluation set. Here we describe the task, focusing on describing the elements that differed from previous years. We also take a look back at past editions to describe how the task has evolved. Not only have the F-score results steadily improved (40% to 60% to 63%), but the type of systems proposed have also become more complex. Sound event detection systems are no longer simple variations of the baselines provided: multiple few-shot learning methodologies are still strong contenders for the task.

Juan Gómez-Gómez, Ester Vidaña-Vila, Xavier Sevillano

The deployment of an expert system running over a wireless acoustic sensors network made up of bioacoustic monitoring devices that recognise bird species from their sounds would enable the automation of many tasks of ecological value, including the analysis of bird population composition or the detection of endangered species in areas of environmental interest. Endowing these devices with accurate audio classification capabilities is possible thanks to the latest advances in artificial intelligence, among which deep learning techniques excel. However, a key issue to make bioacoustic devices affordable is the use of small footprint deep neural networks that can be embedded in resource and battery constrained hardware platforms. For this reason, this work presents a critical comparative analysis between two heavy and large footprint deep neural networks (VGG16 and ResNet50) and a lightweight alternative, MobileNetV2. Our experimental results reveal that MobileNetV2 achieves an average F1-score less than a 5\% lower than ResNet50 (0.789 vs. 0.834), performing better than VGG16 with a footprint size nearly 40 times smaller. Moreover, to compare the models, we have created and made public the Western Mediterranean Wetland Birds dataset, consisting of 201.6 minutes and 5,795 audio excerpts of 20 endemic bird species of the Aiguamolls de l'Empordà Natural Park.

Felipe Perez Stoppa, Ester Vidaña-Vila, Joan Navarro

Generative Adversarial Networks (GANs) were introduced by Goodfellow in 2014, and since then have become popular for constructing generative artificial intelligence models. However, the drawbacks of such networks are numerous, like their longer training times, their sensitivity to hyperparameter tuning, several types of loss and optimization functions and other difficulties like mode collapse. Current applications of GANs include generating photo-realistic human faces, animals and objects. However, I wanted to explore the artistic ability of GANs in more detail, by using existing models and learning from them. This dissertation covers the basics of neural networks and works its way up to the particular aspects of GANs, together with experimentation and modification of existing available models, from least complex to most. The intention is to see if state of the art GANs (specifically StyleGAN2) can generate album art covers and if it is possible to tailor them by genre. This was attempted by first familiarizing myself with 3 existing GANs architectures, including the state of the art StyleGAN2. The StyleGAN2 code was used to train a model with a dataset containing 80K album cover images, then used to style images by picking curated images and mixing their styles.