Pedro Morgado

Cheng-En Wu, Yu Tian, Haichao Yu et al.

Vision-language models such as CLIP learn a generic text-image embedding from large-scale training data. A vision-language model can be adapted to a new classification task through few-shot prompt tuning. We find that such a prompt tuning process is highly robust to label noises. This intrigues us to study the key reasons contributing to the robustness of the prompt tuning paradigm. We conducted extensive experiments to explore this property and find the key factors are: 1) the fixed classname tokens provide a strong regularization to the optimization of the model, reducing gradients induced by the noisy samples; 2) the powerful pre-trained image-text embedding that is learned from diverse and generic web data provides strong prior knowledge for image classification. Further, we demonstrate that noisy zero-shot predictions from CLIP can be used to tune its own prompt, significantly enhancing prediction accuracy in the unsupervised setting. The code is available at https://github.com/CEWu/PTNL.

Shentong Mo, Pedro Morgado

Unsupervised audio-visual source localization aims at localizing visible sound sources in a video without relying on ground-truth localization for training. Previous works often seek high audio-visual similarities for likely positive (sounding) regions and low similarities for likely negative regions. However, accurately distinguishing between sounding and non-sounding regions is challenging without manual annotations. In this work, we propose a simple yet effective approach for Easy Visual Sound Localization, namely EZ-VSL, without relying on the construction of positive and/or negative regions during training. Instead, we align audio and visual spaces by seeking audio-visual representations that are aligned in, at least, one location of the associated image, while not matching other images, at any location. We also introduce a novel object guided localization scheme at inference time for improved precision. Our simple and effective framework achieves state-of-the-art performance on two popular benchmarks, Flickr SoundNet and VGG-Sound Source. In particular, we improve the CIoU of the Flickr SoundNet test set from 76.80% to 83.94%, and on the VGG-Sound Source dataset from 34.60% to 38.85%. The code is available at https://github.com/stoneMo/EZ-VSL.

Shentong Mo, Pedro Morgado

Audio-visual source localization is a challenging task that aims to predict the location of visual sound sources in a video. Since collecting ground-truth annotations of sounding objects can be costly, a plethora of weakly-supervised localization methods that can learn from datasets with no bounding-box annotations have been proposed in recent years, by leveraging the natural co-occurrence of audio and visual signals. Despite significant interest, popular evaluation protocols have two major flaws. First, they allow for the use of a fully annotated dataset to perform early stopping, thus significantly increasing the annotation effort required for training. Second, current evaluation metrics assume the presence of sound sources at all times. This is of course an unrealistic assumption, and thus better metrics are necessary to capture the model's performance on (negative) samples with no visible sound sources. To accomplish this, we extend the test set of popular benchmarks, Flickr SoundNet and VGG-Sound Sources, in order to include negative samples, and measure performance using metrics that balance localization accuracy and recall. Using the new protocol, we conducted an extensive evaluation of prior methods, and found that most prior works are not capable of identifying negatives and suffer from significant overfitting problems (rely heavily on early stopping for best results). We also propose a new approach for visual sound source localization that addresses both these problems. In particular, we found that, through extreme visual dropout and the use of momentum encoders, the proposed approach combats overfitting effectively, and establishes a new state-of-the-art performance on both Flickr SoundNet and VGG-Sound Source. Code and pre-trained models are available at https://github.com/stoneMo/SLAVC.

Himangi Mittal, Pedro Morgado, Unnat Jain et al.

We propose a self-supervised algorithm to learn representations from egocentric video data. Recently, significant efforts have been made to capture humans interacting with their own environments as they go about their daily activities. In result, several large egocentric datasets of interaction-rich multi-modal data have emerged. However, learning representations from videos can be challenging. First, given the uncurated nature of long-form continuous videos, learning effective representations require focusing on moments in time when interactions take place. Second, visual representations of daily activities should be sensitive to changes in the state of the environment. However, current successful multi-modal learning frameworks encourage representation invariance over time. To address these challenges, we leverage audio signals to identify moments of likely interactions which are conducive to better learning. We also propose a novel self-supervised objective that learns from audible state changes caused by interactions. We validate these contributions extensively on two large-scale egocentric datasets, EPIC-Kitchens-100 and the recently released Ego4D, and show improvements on several downstream tasks, including action recognition, long-term action anticipation, and object state change classification.

Senthil Purushwalkam, Pedro Morgado, Abhinav Gupta

Self-supervised learning (SSL) aims to eliminate one of the major bottlenecks in representation learning - the need for human annotations. As a result, SSL holds the promise to learn representations from data in-the-wild, i.e., without the need for finite and static datasets. Instead, true SSL algorithms should be able to exploit the continuous stream of data being generated on the internet or by agents exploring their environments. But do traditional self-supervised learning approaches work in this setup? In this work, we investigate this question by conducting experiments on the continuous self-supervised learning problem. While learning in the wild, we expect to see a continuous (infinite) non-IID data stream that follows a non-stationary distribution of visual concepts. The goal is to learn a representation that can be robust, adaptive yet not forgetful of concepts seen in the past. We show that a direct application of current methods to such continuous setup is 1) inefficient both computationally and in the amount of data required, 2) leads to inferior representations due to temporal correlations (non-IID data) in some sources of streaming data and 3) exhibits signs of catastrophic forgetting when trained on sources with non-stationary data distributions. We propose the use of replay buffers as an approach to alleviate the issues of inefficiency and temporal correlations. We further propose a novel method to enhance the replay buffer by maintaining the least redundant samples. Minimum redundancy (MinRed) buffers allow us to learn effective representations even in the most challenging streaming scenarios composed of sequential visual data obtained from a single embodied agent, and alleviates the problem of catastrophic forgetting when learning from data with non-stationary semantic distributions.

Shentong Mo, Pedro Morgado

Audio-visual generalized zero-shot learning is a rapidly advancing domain that seeks to understand the intricate relations between audio and visual cues within videos. The overarching goal is to leverage insights from seen classes to identify instances from previously unseen ones. Prior approaches primarily utilized synchronized auto-encoders to reconstruct audio-visual attributes, which were informed by cross-attention transformers and projected text embeddings. However, these methods fell short of effectively capturing the intricate relationship between cross-modal features and class-label embeddings inherent in pre-trained language-aligned embeddings. To circumvent these bottlenecks, we introduce a simple yet effective framework for Easy Audio-Visual Generalized Zero-shot Learning, named EZ-AVGZL, that aligns audio-visual embeddings with transformed text representations. It utilizes a single supervised text audio-visual contrastive loss to learn an alignment between audio-visual and textual modalities, moving away from the conventional approach of reconstructing cross-modal features and text embeddings. Our key insight is that while class name embeddings are well aligned with language-based audio-visual features, they don't provide sufficient class separation to be useful for zero-shot learning. To address this, our method leverages differential optimization to transform class embeddings into a more discriminative space while preserving the semantic structure of language representations. We conduct extensive experiments on VGGSound-GZSL, UCF-GZSL, and ActivityNet-GZSL benchmarks. Our results demonstrate that our EZ-AVGZL achieves state-of-the-art performance in audio-visual generalized zero-shot learning.

Yibing Wei, Abhinav Gupta, Pedro Morgado

Masked Image Modeling (MIM) has emerged as a promising method for deriving visual representations from unlabeled image data by predicting missing pixels from masked portions of images. It excels in region-aware learning and provides strong initializations for various tasks, but struggles to capture high-level semantics without further supervised fine-tuning, likely due to the low-level nature of its pixel reconstruction objective. A promising yet unrealized framework is learning representations through masked reconstruction in latent space, combining the locality of MIM with the high-level targets. However, this approach poses significant training challenges as the reconstruction targets are learned in conjunction with the model, potentially leading to trivial or suboptimal solutions.Our study is among the first to thoroughly analyze and address the challenges of such framework, which we refer to as Latent MIM. Through a series of carefully designed experiments and extensive analysis, we identify the source of these challenges, including representation collapsing for joint online/target optimization, learning objectives, the high region correlation in latent space and decoding conditioning. By sequentially addressing these issues, we demonstrate that Latent MIM can indeed learn high-level representations while retaining the benefits of MIM models.

Cheng-En Wu, Jinhong Lin, Yu Hen Hu et al.

Contrastive image-text pre-trained models such as CLIP have shown remarkable adaptability to downstream tasks. However, they face challenges due to the high computational requirements of the Vision Transformer (ViT) backbone. Current strategies to boost ViT efficiency focus on pruning patch tokens but fall short in addressing the multimodal nature of CLIP and identifying the optimal subset of tokens for maximum performance. To address this, we propose greedy search methods to establish a "Golden Ranking" and introduce a lightweight predictor specifically trained to approximate this Ranking. To compensate for any performance degradation resulting from token pruning, we incorporate learnable visual tokens that aid in restoring and potentially enhancing the model's performance. Our work presents a comprehensive and systematic investigation of pruning tokens within the ViT backbone of CLIP models. Through our framework, we successfully reduced 40% of patch tokens in CLIP's ViT while only suffering a minimal average accuracy loss of 0.3 across seven datasets. Our study lays the groundwork for building more computationally efficient multimodal models without sacrificing their performance, addressing a key challenge in the application of advanced vision-language models.

Jinhong Lin, Pan Wang, Zitong Zhan et al.

A key inefficiency in diffusion training occurs when a randomly initialized network, lacking visual priors, encounters gradients from the full complexity spectrum--most of which it lacks the capacity to resolve. We propose Data Warmup, a curriculum strategy that schedules training images from simple to complex without modifying the model or loss. Each image is scored offline by a semantic-aware complexity metric combining foreground dominance (how much of the image salient objects occupy) and foreground typicality (how closely the salient content matches learned visual prototypes). A temperature-controlled sampler then prioritizes low-complexity images early and anneals toward uniform sampling. On ImageNet 256x256 with SiT backbones (S/2 to XL/2), Data Warmup improves IS by up to 6.11 and FID by up to 3.41, reaching baseline quality tens of thousands of iterations earlier. Reversing the curriculum (exposing hard images first) degrades performance below the uniform baseline, confirming that the simple-to-complex ordering itself drives the gains. The method combines with orthogonal accelerators such as REPA and requires only ~10 minutes of one-time preprocessing with zero per-iteration overhead.

Lin Zhang, Shentong Mo, Yijing Zhang et al.

Current visual generation methods can produce high quality videos guided by texts. However, effectively controlling object dynamics remains a challenge. This work explores audio as a cue to generate temporally synchronized image animations. We introduce Audio Synchronized Visual Animation (ASVA), a task animating a static image to demonstrate motion dynamics, temporally guided by audio clips across multiple classes. To this end, we present AVSync15, a dataset curated from VGGSound with videos featuring synchronized audio visual events across 15 categories. We also present a diffusion model, AVSyncD, capable of generating dynamic animations guided by audios. Extensive evaluations validate AVSync15 as a reliable benchmark for synchronized generation and demonstrate our models superior performance. We further explore AVSyncDs potential in a variety of audio synchronized generation tasks, from generating full videos without a base image to controlling object motions with various sounds. We hope our established benchmark can open new avenues for controllable visual generation. More videos on project webpage https://lzhangbj.github.io/projects/asva/asva.html.

Jinhong Lin, Cheng-En Wu, Huanran Li et al.

Masked Image Modeling (MIM) has emerged as a powerful self-supervised learning paradigm for visual representation learning, enabling models to acquire rich visual representations by predicting masked portions of images from their visible regions. While this approach has shown promising results, we hypothesize that its effectiveness may be limited by optimization challenges during early training stages, where models are expected to learn complex image distributions from partial observations before developing basic visual processing capabilities. To address this limitation, we propose a prototype-driven curriculum leagrning framework that structures the learning process to progress from prototypical examples to more complex variations in the dataset. Our approach introduces a temperature-based annealing scheme that gradually expands the training distribution, enabling more stable and efficient learning trajectories. Through extensive experiments on ImageNet-1K, we demonstrate that our curriculum learning strategy significantly improves both training efficiency and representation quality while requiring substantially fewer training epochs compared to standard Masked Auto-Encoding. Our findings suggest that carefully controlling the order of training examples plays a crucial role in self-supervised visual learning, providing a practical solution to the early-stage optimization challenges in MIM.

Jinhong Lin, Cheng-En Wu, Yibing Wei et al.

Our work tackles the computational challenges of contrastive learning methods, particularly for the pretraining of Vision Transformers (ViTs). Despite the effectiveness of contrastive learning, the substantial computational resources required for training often hinder their practical application. To mitigate this issue, we propose an acceleration framework, leveraging ViT's unique ability to generalize across inputs of varying sequence lengths. Our method employs a mix of sequence compression strategies, including randomized token dropout and flexible patch scaling, to reduce the cost of gradient estimation and accelerate convergence. We further provide an in-depth analysis of the gradient estimation error of various acceleration strategies as well as their impact on downstream tasks, offering valuable insights into the trade-offs between acceleration and performance. We also propose a novel procedure to identify an optimal acceleration schedule to adjust the sequence compression ratios to the training progress, ensuring efficient training without sacrificing downstream performance. Our approach significantly reduces computational overhead across various self-supervised learning algorithms on large-scale datasets. In ImageNet, our method achieves speedups of 4$\times$ in MoCo, 3.3$\times$ in SimCLR, and 2.5$\times$ in DINO, demonstrating substantial efficiency gains.

Lin Zhang, Zefan Cai, Yufan Zhou et al.

Recent advances in audio-synchronized visual animation enable control of video content using audios from specific classes. However, existing methods rely heavily on expensive manual curation of high-quality, class-specific training videos, posing challenges to scaling up to diverse audio-video classes in the open world. In this work, we propose an efficient two-stage training paradigm to scale up audio-synchronized visual animation using abundant but noisy videos. In stage one, we automatically curate large-scale videos for pretraining, allowing the model to learn diverse but imperfect audio-video alignments. In stage two, we finetune the model on manually curated high-quality examples, but only at a small scale, significantly reducing the required human effort. We further enhance synchronization by allowing each frame to access rich audio context via multi-feature conditioning and window attention. To efficiently train the model, we leverage pretrained text-to-video generator and audio encoders, introducing only 1.9\% additional trainable parameters to learn audio-conditioning capability without compromising the generator's prior knowledge. For evaluation, we introduce AVSync48, a benchmark with videos from 48 classes, which is 3$\times$ more diverse than previous benchmarks. Extensive experiments show that our method significantly reduces reliance on manual curation by over 10$\times$, while generalizing to many open classes.

Varsha Pendyala, Pedro Morgado, William Sethares

Voice interfaces integral to the human-computer interaction systems can benefit from speech emotion recognition (SER) to customize responses based on user emotions. Since humans convey emotions through multi-modal audio-visual cues, developing SER systems using both the modalities is beneficial. However, collecting a vast amount of labeled data for their development is expensive. This paper proposes a knowledge distillation framework called LightweightSER (LiSER) that leverages unlabeled audio-visual data for SER, using large teacher models built on advanced speech and face representation models. LiSER transfers knowledge regarding speech emotions and facial expressions from the teacher models to lightweight student models. Experiments conducted on two benchmark datasets, RAVDESS and CREMA-D, demonstrate that LiSER can reduce the dependence on extensive labeled datasets for SER tasks.

Shentong Mo, Pedro Morgado

The ability to accurately recognize, localize and separate sound sources is fundamental to any audio-visual perception task. Historically, these abilities were tackled separately, with several methods developed independently for each task. However, given the interconnected nature of source localization, separation, and recognition, independent models are likely to yield suboptimal performance as they fail to capture the interdependence between these tasks. To address this problem, we propose a unified audio-visual learning framework (dubbed OneAVM) that integrates audio and visual cues for joint localization, separation, and recognition. OneAVM comprises a shared audio-visual encoder and task-specific decoders trained with three objectives. The first objective aligns audio and visual representations through a localized audio-visual correspondence loss. The second tackles visual source separation using a traditional mix-and-separate framework. Finally, the third objective reinforces visual feature separation and localization by mixing images in pixel space and aligning their representations with those of all corresponding sound sources. Extensive experiments on MUSIC, VGG-Instruments, VGG-Music, and VGGSound datasets demonstrate the effectiveness of OneAVM for all three tasks, audio-visual source localization, separation, and nearest neighbor recognition, and empirically demonstrate a strong positive transfer between them.

Pedro Morgado, Ishan Misra, Nuno Vasconcelos

We present a self-supervised learning method to learn audio and video representations. Prior work uses the natural correspondence between audio and video to define a standard cross-modal instance discrimination task, where a model is trained to match representations from the two modalities. However, the standard approach introduces two sources of training noise. First, audio-visual correspondences often produce faulty positives since the audio and video signals can be uninformative of each other. To limit the detrimental impact of faulty positives, we optimize a weighted contrastive learning loss, which down-weighs their contribution to the overall loss. Second, since self-supervised contrastive learning relies on random sampling of negative instances, instances that are semantically similar to the base instance can be used as faulty negatives. To alleviate the impact of faulty negatives, we propose to optimize an instance discrimination loss with a soft target distribution that estimates relationships between instances. We validate our contributions through extensive experiments on action recognition tasks and show that they address the problems of audio-visual instance discrimination and improve transfer learning performance.

Pedro Morgado, Yi Li, Nuno Vasconcelos

We introduce a novel self-supervised pretext task for learning representations from audio-visual content. Prior work on audio-visual representation learning leverages correspondences at the video level. Approaches based on audio-visual correspondence (AVC) predict whether audio and video clips originate from the same or different video instances. Audio-visual temporal synchronization (AVTS) further discriminates negative pairs originated from the same video instance but at different moments in time. While these approaches learn high-quality representations for downstream tasks such as action recognition, their training objectives disregard spatial cues naturally occurring in audio and visual signals. To learn from these spatial cues, we tasked a network to perform contrastive audio-visual spatial alignment of 360° video and spatial audio. The ability to perform spatial alignment is enhanced by reasoning over the full spatial content of the 360° video using a transformer architecture to combine representations from multiple viewpoints. The advantages of the proposed pretext task are demonstrated on a variety of audio and visual downstream tasks, including audio-visual correspondence, spatial alignment, action recognition, and video semantic segmentation.

Pedro Morgado, Yunsheng Li, Jose Costa Pereira et al.

Image hash codes are produced by binarizing the embeddings of convolutional neural networks (CNN) trained for either classification or retrieval. While proxy embeddings achieve good performance on both tasks, they are non-trivial to binarize, due to a rotational ambiguity that encourages non-binary embeddings. The use of a fixed set of proxies (weights of the CNN classification layer) is proposed to eliminate this ambiguity, and a procedure to design proxy sets that are nearly optimal for both classification and hashing is introduced. The resulting hash-consistent large margin (HCLM) proxies are shown to encourage saturation of hashing units, thus guaranteeing a small binarization error, while producing highly discriminative hash-codes. A semantic extension (sHCLM), aimed to improve hashing performance in a transfer scenario, is also proposed. Extensive experiments show that sHCLM embeddings achieve significant improvements over state-of-the-art hashing procedures on several small and large datasets, both within and beyond the set of training classes.

Tz-Ying Wu, Pedro Morgado, Pei Wang et al.

Long-tail recognition tackles the natural non-uniformly distributed data in real-world scenarios. While modern classifiers perform well on populated classes, its performance degrades significantly on tail classes. Humans, however, are less affected by this since, when confronted with uncertain examples, they simply opt to provide coarser predictions. Motivated by this, a deep realistic taxonomic classifier (Deep-RTC) is proposed as a new solution to the long-tail problem, combining realism with hierarchical predictions. The model has the option to reject classifying samples at different levels of the taxonomy, once it cannot guarantee the desired performance. Deep-RTC is implemented with a stochastic tree sampling during training to simulate all possible classification conditions at finer or coarser levels and a rejection mechanism at inference time. Experiments on the long-tailed version of four datasets, CIFAR100, AWA2, Imagenet, and iNaturalist, demonstrate that the proposed approach preserves more information on all classes with different popularity levels. Deep-RTC also outperforms the state-of-the-art methods in longtailed recognition, hierarchical classification, and learning with rejection literature using the proposed correctly predicted bits (CPB) metric.

Pedro Morgado, Nuno Vasconcelos, Ishan Misra

We present a self-supervised learning approach to learn audio-visual representations from video and audio. Our method uses contrastive learning for cross-modal discrimination of video from audio and vice-versa. We show that optimizing for cross-modal discrimination, rather than within-modal discrimination, is important to learn good representations from video and audio. With this simple but powerful insight, our method achieves highly competitive performance when finetuned on action recognition tasks. Furthermore, while recent work in contrastive learning defines positive and negative samples as individual instances, we generalize this definition by exploring cross-modal agreement. We group together multiple instances as positives by measuring their similarity in both the video and audio feature spaces. Cross-modal agreement creates better positive and negative sets, which allows us to calibrate visual similarities by seeking within-modal discrimination of positive instances, and achieve significant gains on downstream tasks.

Pedro Morgado, Nuno Vasconcelos

Real-world applications of object recognition often require the solution of multiple tasks in a single platform. Under the standard paradigm of network fine-tuning, an entirely new CNN is learned per task, and the final network size is independent of task complexity. This is wasteful, since simple tasks require smaller networks than more complex tasks, and limits the number of tasks that can be solved simultaneously. To address these problems, we propose a transfer learning procedure, denoted NetTailor, in which layers of a pre-trained CNN are used as universal blocks that can be combined with small task-specific layers to generate new networks. Besides minimizing classification error, the new network is trained to mimic the internal activations of a strong unconstrained CNN, and minimize its complexity by the combination of 1) a soft-attention mechanism over blocks and 2) complexity regularization constraints. In this way, NetTailor can adapt the network architecture, not just its weights, to the target task. Experiments show that networks adapted to simple tasks, such as character or traffic sign recognition, become significantly smaller than those adapted to hard tasks, such as fine-grained recognition. More importantly, due to the modular nature of the procedure, this reduction in network complexity is achieved without compromise of either parameter sharing across tasks, or classification accuracy.

Pedro Morgado, Nuno Vasconcelos, Timothy Langlois et al.

We introduce an approach to convert mono audio recorded by a 360 video camera into spatial audio, a representation of the distribution of sound over the full viewing sphere. Spatial audio is an important component of immersive 360 video viewing, but spatial audio microphones are still rare in current 360 video production. Our system consists of end-to-end trainable neural networks that separate individual sound sources and localize them on the viewing sphere, conditioned on multi-modal analysis of audio and 360 video frames. We introduce several datasets, including one filmed ourselves, and one collected in-the-wild from YouTube, consisting of 360 videos uploaded with spatial audio. During training, ground-truth spatial audio serves as self-supervision and a mixed down mono track forms the input to our network. Using our approach, we show that it is possible to infer the spatial location of sound sources based only on 360 video and a mono audio track.

Pedro Morgado, Nuno Vasconcelos

The role of semantics in zero-shot learning is considered. The effectiveness of previous approaches is analyzed according to the form of supervision provided. While some learn semantics independently, others only supervise the semantic subspace explained by training classes. Thus, the former is able to constrain the whole space but lacks the ability to model semantic correlations. The latter addresses this issue but leaves part of the semantic space unsupervised. This complementarity is exploited in a new convolutional neural network (CNN) framework, which proposes the use of semantics as constraints for recognition.Although a CNN trained for classification has no transfer ability, this can be encouraged by learning an hidden semantic layer together with a semantic code for classification. Two forms of semantic constraints are then introduced. The first is a loss-based regularizer that introduces a generalization constraint on each semantic predictor. The second is a codeword regularizer that favors semantic-to-class mappings consistent with prior semantic knowledge while allowing these to be learned from data. Significant improvements over the state-of-the-art are achieved on several datasets.