Chunyu Qiang

Chunyu Qiang, Hao Li, Hao Ni et al.

Recently, there has been a growing interest in text-to-speech (TTS) methods that can be trained with minimal supervision by combining two types of discrete speech representations and using two sequence-to-sequence tasks to decouple TTS. However, existing methods suffer from three problems: the high dimensionality and waveform distortion of discrete speech representations, the prosodic averaging problem caused by the duration prediction model in non-autoregressive frameworks, and the information redundancy and dimension explosion problems of existing semantic encoding methods. To address these problems, three progressive methods are proposed. First, we propose Diff-LM-Speech, an autoregressive structure consisting of a language model and diffusion models, which models the semantic embedding into the mel-spectrogram based on a diffusion model to achieve higher audio quality. We also introduce a prompt encoder structure based on a variational autoencoder and a prosody bottleneck to improve prompt representation ability. Second, we propose Tetra-Diff-Speech, a non-autoregressive structure consisting of four diffusion model-based modules that design a duration diffusion model to achieve diverse prosodic expressions. Finally, we propose Tri-Diff-Speech, a non-autoregressive structure consisting of three diffusion model-based modules that verify the non-necessity of existing semantic encoding models and achieve the best results. Experimental results show that our proposed methods outperform baseline methods. We provide a website with audio samples.

Chunyu Qiang, Hao Li, Yixin Tian et al.

Text-to-speech (TTS) methods have shown promising results in voice cloning, but they require a large number of labeled text-speech pairs. Minimally-supervised speech synthesis decouples TTS by combining two types of discrete speech representations(semantic \& acoustic) and using two sequence-to-sequence tasks to enable training with minimal supervision. However, existing methods suffer from information redundancy and dimension explosion in semantic representation, and high-frequency waveform distortion in discrete acoustic representation. Autoregressive frameworks exhibit typical instability and uncontrollability issues. And non-autoregressive frameworks suffer from prosodic averaging caused by duration prediction models. To address these issues, we propose a minimally-supervised high-fidelity speech synthesis method, where all modules are constructed based on the diffusion models. The non-autoregressive framework enhances controllability, and the duration diffusion model enables diversified prosodic expression. Contrastive Token-Acoustic Pretraining (CTAP) is used as an intermediate semantic representation to solve the problems of information redundancy and dimension explosion in existing semantic coding methods. Mel-spectrogram is used as the acoustic representation. Both semantic and acoustic representations are predicted by continuous variable regression tasks to solve the problem of high-frequency fine-grained waveform distortion. Experimental results show that our proposed method outperforms the baseline method. We provide audio samples on our website.

Chunyu Qiang, Peng Yang, Hao Che et al.

Cross-speaker style transfer in speech synthesis aims at transferring a style from source speaker to synthesised speech of a target speaker's timbre. Most previous approaches rely on data with style labels, but manually-annotated labels are expensive and not always reliable. In response to this problem, we propose Style-Label-Free, a cross-speaker style transfer method, which can realize the style transfer from source speaker to target speaker without style labels. Firstly, a reference encoder structure based on quantized variational autoencoder (Q-VAE) and style bottleneck is designed to extract discrete style representations. Secondly, a speaker-wise batch normalization layer is proposed to reduce the source speaker leakage. In order to improve the style extraction ability of the reference encoder, a style invariant and contrastive data augmentation method is proposed. Experimental results show that the method outperforms the baseline. We provide a website with audio samples.

Chunyu Qiang, Wang Geng, Yi Zhao et al.

Deep learning has brought significant improvements to the field of cross-modal representation learning. For tasks such as text-to-speech (TTS), voice conversion (VC), and automatic speech recognition (ASR), a cross-modal fine-grained (frame-level) sequence representation is desired, emphasizing the semantic content of the text modality while de-emphasizing the paralinguistic information of the speech modality. We propose a method called "Vector Quantized Contrastive Token-Acoustic Pre-training (VQ-CTAP)", which uses the cross-modal aligned sequence transcoder to bring text and speech into a joint multimodal space, learning how to connect text and speech at the frame level. The proposed VQ-CTAP is a paradigm for cross-modal sequence representation learning, offering a promising solution for fine-grained generation and recognition tasks in speech processing. The VQ-CTAP can be directly applied to VC and ASR tasks without fine-tuning or additional structures. We propose a sequence-aware semantic connector, which connects multiple frozen pre-trained modules for the TTS task, exhibiting a plug-and-play capability. We design a stepping optimization strategy to ensure effective model convergence by gradually injecting and adjusting the influence of various loss components. Furthermore, we propose a semantic-transfer-wise paralinguistic consistency loss to enhance representational capabilities, allowing the model to better generalize to unseen data and capture the nuances of paralinguistic information. In addition, VQ-CTAP achieves high-compression speech coding at a rate of 25Hz from 24kHz input waveforms, which is a 960-fold reduction in the sampling rate. The audio demo is available at https://qiangchunyu.github.io/VQCTAP/

Chunyu Qiang, Peng Yang, Hao Che et al.

Conversion of Chinese Grapheme-to-Phoneme (G2P) plays an important role in Mandarin Chinese Text-To-Speech (TTS) systems, where one of the biggest challenges is the task of polyphone disambiguation. Most of the previous polyphone disambiguation models are trained on manually annotated datasets, and publicly available datasets for polyphone disambiguation are scarce. In this paper we propose a simple back-translation-style data augmentation method for mandarin Chinese polyphone disambiguation, utilizing a large amount of unlabeled text data. Inspired by the back-translation technique proposed in the field of machine translation, we build a Grapheme-to-Phoneme (G2P) model to predict the pronunciation of polyphonic character, and a Phoneme-to-Grapheme (P2G) model to predict pronunciation into text. Meanwhile, a window-based matching strategy and a multi-model scoring strategy are proposed to judge the correctness of the pseudo-label. We design a data balance strategy to improve the accuracy of some typical polyphonic characters in the training set with imbalanced distribution or data scarcity. The experimental result shows the effectiveness of the proposed back-translation-style data augmentation method.

Yushen Chen, Junzhe Liu, Yujie Tu et al.

A notable gap persists in speech synthesis research and development for Arabic dialects, particularly from a unified modeling perspective. Despite its high practical value, the inherent linguistic complexity of Arabic dialects, further compounded by a lack of standardized data, benchmarks, and evaluation guidelines, steers researchers toward safer ground. To bridge this divide, we present Habibi, a suite of specialized and unified text-to-speech models that harnesses existing open-source ASR corpora to support a wide range of high- to low-resource Arabic dialects through linguistically-informed curriculum learning. Our approach outperforms the leading commercial service in generation quality, while maintaining extensibility through effective in-context learning, without requiring text diacritization. We are committed to open-sourcing the model, along with creating the first systematic benchmark for multi-dialect Arabic speech synthesis. Furthermore, by identifying the key challenges in and establishing evaluation standards for the process, we aim to provide a solid groundwork for subsequent research. Resources at https://SWivid.github.io/Habibi/ .

Ruibo Fu, Rui Liu, Chunyu Qiang et al.

The Inspirational and Convincing Audio Generation Challenge 2024 (ICAGC 2024) is part of the ISCSLP 2024 Competitions and Challenges track. While current text-to-speech (TTS) technology can generate high-quality audio, its ability to convey complex emotions and controlled detail content remains limited. This constraint leads to a discrepancy between the generated audio and human subjective perception in practical applications like companion robots for children and marketing bots. The core issue lies in the inconsistency between high-quality audio generation and the ultimate human subjective experience. Therefore, this challenge aims to enhance the persuasiveness and acceptability of synthesized audio, focusing on human alignment convincing and inspirational audio generation. A total of 19 teams have registered for the challenge, and the results of the competition and the competition are described in this paper.

Xin Qi, Ruibo Fu, Zhengqi Wen et al.

In recent years, speech diffusion models have advanced rapidly. Alongside the widely used U-Net architecture, transformer-based models such as the Diffusion Transformer (DiT) have also gained attention. However, current DiT speech models treat Mel spectrograms as general images, which overlooks the specific acoustic properties of speech. To address these limitations, we propose a method called Directional Patch Interaction for Text-to-Speech (DPI-TTS), which builds on DiT and achieves fast training without compromising accuracy. Notably, DPI-TTS employs a low-to-high frequency, frame-by-frame progressive inference approach that aligns more closely with acoustic properties, enhancing the naturalness of the generated speech. Additionally, we introduce a fine-grained style temporal modeling method that further improves speaker style similarity. Experimental results demonstrate that our method increases the training speed by nearly 2 times and significantly outperforms the baseline models.

Chenxu Xiong, Ruibo Fu, Shuchen Shi et al.

Current mainstream audio generation methods primarily rely on simple text prompts, often failing to capture the nuanced details necessary for multi-style audio generation. To address this limitation, the Sound Event Enhanced Prompt Adapter is proposed. Unlike traditional static global style transfer, this method extracts style embedding through cross-attention between text and reference audio for adaptive style control. Adaptive layer normalization is then utilized to enhance the model's capacity to express multiple styles. Additionally, the Sound Event Reference Style Transfer Dataset (SERST) is introduced for the proposed target style audio generation task, enabling dual-prompt audio generation using both text and audio references. Experimental results demonstrate the robustness of the model, achieving state-of-the-art Fréchet Distance of 26.94 and KL Divergence of 1.82, surpassing Tango, AudioLDM, and AudioGen. Furthermore, the generated audio shows high similarity to its corresponding audio reference. The demo, code, and dataset are publicly available.

Chunyu Qiang, Peng Yang, Hao Che et al.

Cross-speaker style transfer in speech synthesis aims at transferring a style from source speaker to synthesized speech of a target speaker's timbre. In most previous methods, the synthesized fine-grained prosody features often represent the source speaker's average style, similar to the one-to-many problem(i.e., multiple prosody variations correspond to the same text). In response to this problem, a strength-controlled semi-supervised style extractor is proposed to disentangle the style from content and timbre, improving the representation and interpretability of the global style embedding, which can alleviate the one-to-many mapping and data imbalance problems in prosody prediction. A hierarchical prosody predictor is proposed to improve prosody modeling. We find that better style transfer can be achieved by using the source speaker's prosody features that are easily predicted. Additionally, a speaker-transfer-wise cycle consistency loss is proposed to assist the model in learning unseen style-timbre combinations during the training phase. Experimental results show that the method outperforms the baseline. We provide a website with audio samples.

Chunyu Qiang, Xiaopeng Wang, Kang Yin et al.

Generative audio modeling has largely been fragmented into specialized tasks, text-to-speech (TTS), text-to-music (TTM), and text-to-audio (TTA), each operating under heterogeneous control paradigms. Unifying these modalities remains a fundamental challenge due to the intrinsic dissonance between structured semantic representations (speech/music) and unstructured acoustic textures (sound effects). In this paper, we introduce UniSonate, a unified flow-matching framework capable of synthesizing speech, music, and sound effects through a standardized, reference-free natural language instruction interface. To reconcile structural disparities, we propose a novel dynamic token injection mechanism that projects unstructured environmental sounds into a structured temporal latent space, enabling precise duration control within a phoneme-driven Multimodal Diffusion Transformer (MM-DiT). Coupled with a multi-stage curriculum learning strategy, this approach effectively mitigates cross-modal optimization conflicts. Extensive experiments demonstrate that UniSonate achieves state-of-the-art performance in instruction-based TTS (WER 1.47%) and TTM (SongEval Coherence 3.18), while maintaining competitive fidelity in TTA. Crucially, we observe positive transfer, where joint training on diverse audio data significantly enhances structural coherence and prosodic expressiveness compared to single-task baselines. Audio samples are available at https://qiangchunyu.github.io/UniSonate/.

Jun Wang, Xijuan Zeng, Chunyu Qiang et al.

We propose Kling-Foley, a large-scale multimodal Video-to-Audio generation model that synthesizes high-quality audio synchronized with video content. In Kling-Foley, we introduce multimodal diffusion transformers to model the interactions between video, audio, and text modalities, and combine it with a visual semantic representation module and an audio-visual synchronization module to enhance alignment capabilities. Specifically, these modules align video conditions with latent audio elements at the frame level, thereby improving semantic alignment and audio-visual synchronization. Together with text conditions, this integrated approach enables precise generation of video-matching sound effects. In addition, we propose a universal latent audio codec that can achieve high-quality modeling in various scenarios such as sound effects, speech, singing, and music. We employ a stereo rendering method that imbues synthesized audio with a spatial presence. At the same time, in order to make up for the incomplete types and annotations of the open-source benchmark, we also open-source an industrial-level benchmark Kling-Audio-Eval. Our experiments show that Kling-Foley trained with the flow matching objective achieves new audio-visual SOTA performance among public models in terms of distribution matching, semantic alignment, temporal alignment and audio quality.

Haoyu Wang, Chunyu Qiang, Tianrui Wang et al.

Recent advancements in speech synthesis models, trained on extensive datasets, have demonstrated remarkable zero-shot capabilities. These models can control content, timbre, and emotion in generated speech based on prompt inputs. Despite these advancements, the choice of prompts significantly impacts the output quality, yet most existing selection schemes do not adequately address the control of emotional intensity. To address this question, this paper proposes a two-stage prompt selection strategy EmoPro, which is specifically designed for emotionally controllable speech synthesis. This strategy focuses on selecting highly expressive and high-quality prompts by evaluating them from four perspectives: emotional expression strength, speech quality, text-emotion consistency, and model generation performance. Experimental results show that prompts selected using the proposed method result in more emotionally expressive and engaging synthesized speech compared to those obtained through baseline. Audio samples and codes will be available at https://whyrrrrun.github.io/EmoPro/.

Chunyu Qiang, Haoyu Wang, Cheng Gong et al.

Speech codecs serve as a crucial bridge in unifying speech and text language models. Existing codec methods face several challenges in semantic encoding, such as residual paralinguistic information (e.g., timbre, emotion), insufficient semantic completeness, limited reconstruction capability, and lack of support for streaming. To address these challenges, we propose SecoustiCodec, a cross-modal aligned low-bitrate streaming speech codec that disentangles semantic and paralinguistic information in a single-codebook space. To ensure semantic completeness and reconstruction fidelity, paralinguistic encoding is introduced to bridge the information gap between semantic and acoustic encoding. A semantic-only efficient quantization method based on VAE (Variational Autoencoder) and FSQ (Finite Scalar Quantization) is proposed. This approach alleviates the long-tail distribution problem of tokens while maintaining high codebook utilization. A semantic disentanglement method based on contrastive learning is proposed, which aligns text and speech in a joint multimodal frame-level space, effectively removing paralinguistic information from semantic encoding. An acoustic-constrained multi-stage optimization strategy is proposed to ensure robust and stable convergence. Figure~\ref{fig:pesq_kbps_below_2kbps} shows SecoustiCodec achieves SOTA (state-of-the-art) reconstruction quality (PESQ) of 1.77/2.58 at 0.27/1 kbps. The code and model weights for SecoustiCodec will be open-sourced upon the completion of the peer-review process. We've open-sourced SecoustiCodec's demo, code, and model weights.

Jun Wang, Chunyu Qiang, Yuxin Guo et al.

Audio-video joint generation has progressed rapidly, yet substantial challenges still remain. Non-commercial approaches still suffer audio-visual asynchrony, poor lip-speech alignment, and unimodal degradation, which can be stemmed from weak audio-visual correspondence modeling, limited generalization, and scarce high-quality dense-caption data. To address these issues, we introduce Klear and delve into three axes--model architecture, training strategy, and data curation. Architecturally, we adopt a single-tower design with unified DiT blocks and an Omni-Full Attention mechanism, achieving tight audio-visual alignment and strong scalability. Training-wise, we adopt a progressive multitask regime--random modality masking to joint optimization across tasks, and a multistage curriculum, yielding robust representations, strengthening A-V aligned world knowledge, and preventing unimodal collapse. For datasets, we present the first large-scale audio-video dataset with dense captions, and introduce a novel automated data-construction pipeline which annotates and filters millions of diverse, high-quality, strictly aligned audio-video-caption triplets. Building on this, Klear scales to large datasets, delivering high-fidelity, semantically and temporally aligned, instruction-following generation in both joint and unimodal settings while generalizing robustly to out-of-distribution scenarios. Across tasks, it substantially outperforms prior methods by a large margin and achieves performance comparable to Veo 3, offering a unified, scalable path toward next-generation audio-video synthesis.

Ruibo Fu, Shuchen Shi, Hongming Guo et al.

Foley audio, critical for enhancing the immersive experience in multimedia content, faces significant challenges in the AI-generated content (AIGC) landscape. Despite advancements in AIGC technologies for text and image generation, the foley audio dubbing remains rudimentary due to difficulties in cross-modal scene matching and content correlation. Current text-to-audio technology, which relies on detailed and acoustically relevant textual descriptions, falls short in practical video dubbing applications. Existing datasets like AudioSet, AudioCaps, Clotho, Sound-of-Story, and WavCaps do not fully meet the requirements for real-world foley audio dubbing task. To address this, we introduce the Multi-modal Image and Narrative Text Dubbing Dataset (MINT), designed to enhance mainstream dubbing tasks such as literary story audiobooks dubbing, image/silent video dubbing. Besides, to address the limitations of existing TTA technology in understanding and planning complex prompts, a Foley Audio Content Planning, Generation, and Alignment (CPGA) framework is proposed, which includes a content planning module leveraging large language models for complex multi-modal prompts comprehension. Additionally, the training process is optimized using Proximal Policy Optimization based reinforcement learning, significantly improving the alignment and auditory realism of generated foley audio. Experimental results demonstrate that our approach significantly advances the field of foley audio dubbing, providing robust solutions for the challenges of multi-modal dubbing. Even when utilizing the relatively lightweight GPT-2 model, our framework outperforms open-source multimodal large models such as LLaVA, DeepSeek-VL, and Moondream2. The dataset is available at https://github.com/borisfrb/MINT .

Chunyu Qiang, Jun Wang, Xiaopeng Wang et al.

Joint audio-video generation aims to synthesize synchronized multisensory content, yet current unified models struggle with fine-grained acoustic control, particularly for identity-preserving speech. Existing approaches either suffer from temporal misalignment due to cascaded generation or lack the capability to perform zero-shot voice cloning within a joint synthesis framework. In this work, we present MM-Sonate, a multimodal flow-matching framework that unifies controllable audio-video joint generation with zero-shot voice cloning capabilities. Unlike prior works that rely on coarse semantic descriptions, MM-Sonate utilizes a unified instruction-phoneme input to enforce strict linguistic and temporal alignment. To enable zero-shot voice cloning, we introduce a timbre injection mechanism that effectively decouples speaker identity from linguistic content. Furthermore, addressing the limitations of standard classifier-free guidance in multimodal settings, we propose a noise-based negative conditioning strategy that utilizes natural noise priors to significantly enhance acoustic fidelity. Empirical evaluations demonstrate that MM-Sonate establishes new state-of-the-art performance in joint generation benchmarks, significantly outperforming baselines in lip synchronization and speech intelligibility, while achieving voice cloning fidelity comparable to specialized Text-to-Speech systems.

Le Wang, Jun Wang, Chunyu Qiang et al.

We present AudioGen-Omni - a unified approach based on multimodal diffusion transformers (MMDit), capable of generating high-fidelity audio, speech, and song coherently synchronized with the input video. AudioGen-Omni introduces a novel joint training paradigm that seamlessly integrates large-scale video-text-audio corpora, enabling a model capable of generating semantically rich, acoustically diverse audio conditioned on multimodal inputs and adaptable to a wide range of audio generation tasks. AudioGen-Omni employs a unified lyrics-transcription encoder that encodes graphemes and phonemes from both song and spoken inputs into dense frame-level representations. Dense frame-level representations are fused using an AdaLN-based joint attention mechanism enhanced with phase-aligned anisotropic positional infusion (PAAPI), wherein RoPE is selectively applied to temporally structured modalities to ensure precise and robust cross-modal alignment. By unfreezing all modalities and masking missing inputs, AudioGen-Omni mitigates the semantic constraints of text-frozen paradigms, enabling effective cross-modal conditioning. This joint training approach enhances audio quality, semantic alignment, and lip-sync accuracy, while also achieving state-of-the-art results on Text-to-Audio/Speech/Song tasks. With an inference time of 1.91 seconds for 8 seconds of audio, it offers substantial improvements in both efficiency and generality.

Chunyu Qiang, Kang Yin, Xiaopeng Wang et al.

Text-to-speech (TTS) and text-to-music (TTM) models face significant limitations in instruction-based control. TTS systems usually depend on reference audio for timbre, offer only limited text-level attribute control, and rarely support dialogue generation. TTM systems are constrained by input conditioning requirements that depend on expert knowledge annotations. The high heterogeneity of these input control conditions makes them difficult to joint modeling with speech synthesis. Despite sharing common acoustic modeling characteristics, these two tasks have long been developed independently, leaving open the challenge of achieving unified modeling through natural language instructions. We introduce InstructAudio, a unified framework that enables instruction-based (natural language descriptions) control of acoustic attributes including timbre (gender, age), paralinguistic (emotion, style, accent), and musical (genre, instrument, rhythm, atmosphere). It supports expressive speech, music, and dialogue generation in English and Chinese. The model employs joint and single diffusion transformer layers with a standardized instruction-phoneme input format, trained on 50K hours of speech and 20K hours of music data, enabling multi-task learning and cross-modal alignment. Fig. 1 visualizes performance comparisons with mainstream TTS and TTM models, demonstrating that InstructAudio achieves optimal results on most metrics. To our best knowledge, InstructAudio represents the first instruction-controlled framework unifying speech and music generation. Audio samples are available at: https://qiangchunyu.github.io/InstructAudio/

Cheng Gong, Erica Cooper, Xin Wang et al.

Self-supervised learning (SSL) representations from massively multilingual models offer a promising solution for low-resource language speech tasks. Despite advancements, language adaptation in TTS systems remains an open problem. This paper explores the language adaptation capability of ZMM-TTS, a recent SSL-based multilingual TTS system proposed in our previous work. We conducted experiments on 12 languages using limited data with various fine-tuning configurations. We demonstrate that the similarity in phonetics between the pre-training and target languages, as well as the language category, affects the target language's adaptation performance. Additionally, we find that the fine-tuning dataset size and number of speakers influence adaptability. Surprisingly, we also observed that using paired data for fine-tuning is not always optimal compared to audio-only data. Beyond speech intelligibility, our analysis covers speaker similarity, language identification, and predicted MOS.

Chunyu Qiang, Hao Li, Yixin Tian et al.

For fine-grained generation and recognition tasks such as minimally-supervised text-to-speech (TTS), voice conversion (VC), and automatic speech recognition (ASR), the intermediate representations extracted from speech should serve as a "bridge" between text and acoustic information, containing information from both modalities. The semantic content is emphasized, while the paralinguistic information such as speaker identity and acoustic details should be de-emphasized. However, existing methods for extracting fine-grained intermediate representations from speech suffer from issues of excessive redundancy and dimension explosion. Contrastive learning is a good method for modeling intermediate representations from two modalities. However, existing contrastive learning methods in the audio field focus on extracting global descriptive information for downstream audio classification tasks, making them unsuitable for TTS, VC, and ASR tasks. To address these issues, we propose a method named "Contrastive Token-Acoustic Pretraining (CTAP)", which uses two encoders to bring phoneme and speech into a joint multimodal space, learning how to connect phoneme and speech at the frame level. The CTAP model is trained on 210k speech and phoneme pairs, achieving minimally-supervised TTS, VC, and ASR. The proposed CTAP method offers a promising solution for fine-grained generation and recognition downstream tasks in speech processing. We provide a website with audio samples.