Sergio Picascia

Luigi Curini, Alfio Ferrara, Giovanni Pagano et al.

Parliamentary proceedings represent a rich yet challenging resource for computational analysis, particularly when preserved only as scanned historical documents. Existing efforts to transcribe Italian parliamentary speeches have relied on traditional Optical Character Recognition pipelines, resulting in transcription errors and limited semantic annotation. In this paper, we propose a pipeline based on Vision-Language Models for the automatic transcription, semantic segmentation, and entity linking of Italian parliamentary speeches. The pipeline employs a specialised OCR model to extract text while preserving reading order, followed by a large-scale Vision-Language Model that performs transcription refinement, element classification, and speaker identification by jointly reasoning over visual layout and textual content. Extracted speakers are then linked to the Chamber of Deputies knowledge base through SPARQL queries and a multi-strategy fuzzy matching procedure. Evaluation against an established benchmark demonstrates substantial improvements both in transcription quality and speaker tagging.

Leonardo Bassanini, Ludovico Biancardi, Alfio Ferrara et al.

The digitisation of historical documents has traditionally been conceived as a process limited to character-level transcription, producing flat text that lacks the structural and semantic information necessary for substantive computational analysis. We present VERITAS (Vision-Enhanced Reading, Interpretation, and Transcription of Archival Sources), a modular, model-agnostic framework that reconceptualises digitisation as an integrated workflow encompassing transcription, layout analysis, and semantic enrichment. The pipeline is organised into four stages - Preprocessing, Extraction, Refinement, and Enrichment - and employs a schema-driven architecture that allows researchers to declaratively specify their extraction objectives. We evaluate VERITAS on the critical edition of Bernardino Corio's Storia di Milano, a Renaissance chronicle of over 1,600 pages. Results demonstrate that the pipeline achieves a 67.6% relative reduction in word error rate compared to a commercial OCR baseline, with a threefold reduction in end-to-end processing time when accounting for manual correction. We further illustrate the downstream utility of the pipeline's output by querying the transcribed corpus through a retrieval-augmented generation system, demonstrating its capacity to support historical inquiry.

Alfio Ferrara, Sergio Picascia, Elisabetta Rocchetti

Text-to-image diffusion models have demonstrated remarkable capabilities in generating artistic content by learning from billions of images, including popular artworks. However, the fundamental question of how these models internally represent concepts, such as content and style in paintings, remains unexplored. Traditional computer vision assumes content and style are orthogonal, but diffusion models receive no explicit guidance about this distinction during training. In this work, we investigate how transformer-based text-to-image diffusion models encode content and style concepts when generating artworks. We leverage cross-attention heatmaps to attribute pixels in generated images to specific prompt tokens, enabling us to isolate image regions influenced by content-describing versus style-describing tokens. Our findings reveal that diffusion models demonstrate varying degrees of content-style separation depending on the specific artistic prompt and style requested. In many cases, content tokens primarily influence object-related regions while style tokens affect background and texture areas, suggesting an emergent understanding of the content-style distinction. These insights contribute to our understanding of how large-scale generative models internally represent complex artistic concepts without explicit supervision. We share the code and dataset, together with an exploratory tool for visualizing attention maps at https://github.com/umilISLab/artistic-prompt-interpretation.

Alfio Ferrara, Sergio Picascia, Laura Pinnavaia et al.

Proprietary Large Language Models (LLMs) have shown tendencies toward politeness, formality, and implicit content moderation. While previous research has primarily focused on explicitly training models to moderate and detoxify sensitive content, there has been limited exploration of whether LLMs implicitly sanitize language without explicit instructions. This study empirically analyzes the implicit moderation behavior of GPT-4o-mini when paraphrasing sensitive content and evaluates the extent of sensitivity shifts. Our experiments indicate that GPT-4o-mini systematically moderates content toward less sensitive classes, with substantial reductions in derogatory and taboo language. Also, we evaluate the zero-shot capabilities of LLMs in classifying sentence sensitivity, comparing their performances against traditional methods.

Alessandra Bassani, Beatrice Del Bo, Alfio Ferrara et al.

The Latin language has received attention from the computational linguistics research community, which has built, over the years, several valuable resources, ranging from detailed annotated corpora to sophisticated tools for linguistic analysis. With the recent advent of large language models, researchers have also started developing models capable of generating vector representations of Latin texts. The performances of such models remain behind the ones for modern languages, given the disparity in available data. In this paper, we present the LiMe dataset, a corpus of 325 documents extracted from a series of medieval manuscripts called Libri sententiarum potestatis Mediolani, and thoroughly annotated by experts, in order to be employed for masked language model, as well as supervised natural language processing tasks.