Ines Nolasco

Ines Nolasco, Burooj Ghani, Shubhr Singh et al.

Few-shot bioacoustic event detection consists in detecting sound events of specified types, in varying soundscapes, while having access to only a few examples of the class of interest. This task ran as part of the DCASE challenge for the third time this year with an evaluation set expanded to include new animal species, and a new rule: ensemble models were no longer allowed. The 2023 few shot task received submissions from 6 different teams with F-scores reaching as high as 63% on the evaluation set. Here we describe the task, focusing on describing the elements that differed from previous years. We also take a look back at past editions to describe how the task has evolved. Not only have the F-score results steadily improved (40% to 60% to 63%), but the type of systems proposed have also become more complex. Sound event detection systems are no longer simple variations of the baselines provided: multiple few-shot learning methodologies are still strong contenders for the task.

Ines Nolasco, Ilyass Moummad, Dan Stowell et al.

Acoustic identification of individual animals (AIID) is closely related to audio-based species classification but requires a finer level of detail to distinguish between individual animals within the same species. In this work, we frame AIID as a hierarchical multi-label classification task and propose the use of hierarchy-aware loss functions to learn robust representations of individual identities that maintain the hierarchical relationships among species and taxa. Our results demonstrate that hierarchical embeddings not only enhance identification accuracy at the individual level but also at higher taxonomic levels, effectively preserving the hierarchical structure in the learned representations. By comparing our approach with non-hierarchical models, we highlight the advantage of enforcing this structure in the embedding space. Additionally, we extend the evaluation to the classification of novel individual classes, demonstrating the potential of our method in open-set classification scenarios.

Ines Nolasco, Dan Stowell

Hierarchical taxonomies are common in many contexts, and they are a very natural structure humans use to organise information. In machine learning, the family of methods that use the 'extra' information is called hierarchical classification. However, applied to audio classification, this remains relatively unexplored. Here we focus on how to integrate the hierarchical information of a problem to learn embeddings representative of the hierarchical relationships. Previously, triplet loss has been proposed to address this problem, however it presents some issues like requiring the careful construction of the triplets, and being limited in the extent of hierarchical information it uses at each iteration. In this work we propose a rank based loss function that uses hierarchical information and translates this into a rank ordering of target distances between the examples. We show that rank based loss is suitable to learn hierarchical representations of the data. By testing on unseen fine level classes we show that this method is also capable of learning hierarchically correct representations of the new classes. Rank based loss has two promising aspects, it is generalisable to hierarchies with any number of levels, and is capable of dealing with data with incomplete hierarchical labels.

Helen L. Bear, Ines Nolasco, Emmanouil Benetos

Acoustic Scene Classification (ASC) and Sound Event Detection (SED) are two separate tasks in the field of computational sound scene analysis. In this work, we present a new dataset with both sound scene and sound event labels and use this to demonstrate a novel method for jointly classifying sound scenes and recognizing sound events. We show that by taking a joint approach, learning is more efficient and whilst improvements are still needed for sound event detection, SED results are robust in a dataset where the sample distribution is skewed towards sound scenes.