Mark Sheinin

Shai Bagon, Matan Kichler, Mark Sheinin

Optical vibration sensing enables recovering the scene sound directly from the surface vibration of nearby objects, turning everyday objects into ``visual microphones''. However, most prior methods had focused on capturing the vibrations of specific objects with highly favorable vibration responses. These include objects where the surface vibrations are generated by the object itself (e.g., speaker membrane or guitar body) or objects consisting of a thin membrane which is highly reactive to sound (e.g., a chip bag or the leaf of a plant). In this paper, we tackle sound recovery for a more challenging class of solid objects whose vibration responses are poor or highly resonant. We simultaneously capture vibrations for multiple surface points on the object using a speckle-based vibrometry imaging system. Then, we derive a novel physics-guided vibration formation model that relates the scene sound source to the captured multi-point multi-axis vibrations via the object's vibrational modes. The model is then used to reverse the resonant transfer function of the vibrating object, fusing multiple vibration signals to estimate the original sound source in the scene. We evaluate our approach by recovering sound from a variety of everyday objects, demonstrating that it significantly outperforms traditional single-point speckle vibrometry in challenging scenarios and other signal-processing-based methods for multi-signal fusing.

David Novikov, Eilon Vaknin, Narek Tumanyan et al.

The task of capturing and rendering 3D dynamic scenes from 2D images has become increasingly popular in recent years. However, most conventional cameras are bandwidth-limited to 30-60 FPS, restricting these methods to static or slowly evolving scenes. While overcoming bandwidth limitations is difficult for general scenes, recent years have seen a flurry of computational imaging methods that yield high-speed videos using conventional cameras for specific applications (e.g., motion capture and particle image velocimetry). However, most of these methods require modifications to a camera's optics or the addition of mechanically moving components, limiting them to a single-view high-speed capture. Consequently, these methods cannot be readily used to capture a 3D representation of rapid scene motion. In this paper, we propose a novel method to capture and reconstruct a volumetric representation of a high-speed scene using only unaugmented low-speed cameras. Instead of modifying the hardware or optics of each individual camera, we encode high-speed scene dynamics by illuminating the scene with a rapid, sequential color-coded sequence. This results in simultaneous multi-view capture of the scene, where high-speed temporal information is encoded in the spatial intensity and color variations of the captured images. To construct a high-speed volumetric representation of the dynamic scene, we develop a novel dynamic Gaussian Splatting-based approach that decodes the temporal information from the images. We evaluate our approach on simulated scenes and real-world experiments using a multi-camera imaging setup, showing first-of-a-kind high-speed volumetric scene reconstructions.

Matan Kichler, Shai Bagon, Mark Sheinin

Computer vision seeks to infer a wide range of information about objects and events. However, vision systems based on conventional imaging are limited to extracting information only from the visible surfaces of scene objects. For instance, a vision system can detect and identify a Coke can in the scene, but it cannot determine whether the can is full or empty. In this paper, we aim to expand the scope of computer vision to include the novel task of inferring the hidden liquid levels of opaque containers by sensing the tiny vibrations on their surfaces. Our method provides a first-of-a-kind way to inspect the fill level of multiple sealed containers remotely, at once, without needing physical manipulation and manual weighing. First, we propose a novel speckle-based vibration sensing system for simultaneously capturing scene vibrations on a 2D grid of points. We use our system to efficiently and remotely capture a dataset of vibration responses for a variety of everyday liquid containers. Then, we develop a transformer-based approach for analyzing the captured vibrations and classifying the container type and its hidden liquid level at the time of measurement. Our architecture is invariant to the vibration source, yielding correct liquid level estimates for controlled and ambient scene sound sources. Moreover, our model generalizes to unseen container instances within known classes (e.g., training on five Coke cans of a six-pack, testing on a sixth) and fluid levels. We demonstrate our method by recovering liquid levels from various everyday containers.

Mark Sheinin, Yoav Y. Schechner

To image in high resolution large and occlusion-prone scenes, a camera must move above and around. Degradation of visibility due to geometric occlusions and distances is exacerbated by scattering, when the scene is in a participating medium. Moreover, underwater and in other media, artificial lighting is needed. Overall, data quality depends on the observed surface, medium and the time-varying poses of the camera and light source. This work proposes to optimize camera/light poses as they move, so that the surface is scanned efficiently and the descattered recovery has the highest quality. The work generalizes the next best view concept of robot vision to scattering media and cooperative movable lighting. It also extends descattering to platforms that move optimally. The optimization criterion is information gain, taken from information theory. We exploit the existence of a prior rough 3D model, since underwater such a model is routinely obtained using sonar. We demonstrate this principle in a scaled-down setup.