Wan-Chi Siu

George Ciubotariu, Sharif S M A, Abdur Rehman et al.

This paper presents a comprehensive review of the NTIRE 2026 Low Light Image Enhancement Challenge, highlighting the proposed solutions and final results. The objective of this challenge is to identify effective networks capable of producing clearer and visually compelling images in diverse and challenging conditions by learning representative visual cues with the purpose of restoring information loss due to low-contrast and noisy images. A total of 195 participants registered for the first track and 153 for the second track of the competition, and 22 teams ultimately submitted valid entries. This paper thoroughly evaluates the state-of-the-art advances in (joint denoising and) low-light image enhancement, showcasing the significant progress in the field, while leveraging samples of our novel dataset.

Silvio Giancola, Anthony Cioppa, Adrien Deliège et al.

The SoccerNet 2022 challenges were the second annual video understanding challenges organized by the SoccerNet team. In 2022, the challenges were composed of 6 vision-based tasks: (1) action spotting, focusing on retrieving action timestamps in long untrimmed videos, (2) replay grounding, focusing on retrieving the live moment of an action shown in a replay, (3) pitch localization, focusing on detecting line and goal part elements, (4) camera calibration, dedicated to retrieving the intrinsic and extrinsic camera parameters, (5) player re-identification, focusing on retrieving the same players across multiple views, and (6) multiple object tracking, focusing on tracking players and the ball through unedited video streams. Compared to last year's challenges, tasks (1-2) had their evaluation metrics redefined to consider tighter temporal accuracies, and tasks (3-6) were novel, including their underlying data and annotations. More information on the tasks, challenges and leaderboards are available on https://www.soccer-net.org. Baselines and development kits are available on https://github.com/SoccerNet.

Wing-Fung Ku, Wan-Chi Siu, Xi Cheng et al.

Have you ever thought that you can be an intelligent painter? This means that you can paint a picture with a few expected objects in mind, or with a desirable scene. This is different from normal inpainting approaches for which the location of specific objects cannot be determined. In this paper, we present an intelligent painter that generate a person's imaginary scene in one go, given explicit hints. We propose a resampling strategy for Denoising Diffusion Probabilistic Model (DDPM) to intelligently compose unconditional harmonized pictures according to the input subjects at specific locations. By exploiting the diffusion property, we resample efficiently to produce realistic pictures. Experimental results show that our resampling method favors the semantic meaning of the generated output efficiently and generates less blurry output. Quantitative analysis of image quality assessment shows that our method produces higher perceptual quality images compared with the state-of-the-art methods.

Chun-Chuen Hui, Wan-Chi Siu, Ngai-Fong Law

Large scale image super-resolution is a challenging computer vision task, since vast information is missing in a highly degraded image, say for example forscale x16 super-resolution. Diffusion models are used successfully in recent years in extreme super-resolution applications, in which Gaussian noise is used as a means to form a latent photo-realistic space, and acts as a link between the space of latent vectors and the latent photo-realistic space. There are quite a few sophisticated mathematical derivations on mapping the statistics of Gaussian noises making Diffusion Models successful. In this paper we propose a simple approach which gets away from using Gaussian noise but adopts some basic structures of diffusion models for efficient image super-resolution. Essentially, we propose a DNN to perform domain transfer between neighbor domains, which can learn the differences in statistical properties to facilitate gradual interpolation with results of reasonable quality. Further quality improvement is achieved by conditioning the domain transfer with reference to the input LR image. Experimental results show that our method outperforms not only state-of-the-art large scale super resolution models, but also the current diffusion models for image super-resolution. The approach can readily be extended to other image-to-image tasks, such as image enlightening, inpainting, denoising, etc.

Zhi-Song Liu, Marie-Paule Cani, Wan-Chi Siu

We present See360, which is a versatile and efficient framework for 360 panoramic view interpolation using latent space viewpoint estimation. Most of the existing view rendering approaches only focus on indoor or synthetic 3D environments and render new views of small objects. In contrast, we suggest to tackle camera-centered view synthesis as a 2D affine transformation without using point clouds or depth maps, which enables an effective 360? panoramic scene exploration. Given a pair of reference images, the See360 model learns to render novel views by a proposed novel Multi-Scale Affine Transformer (MSAT), enabling the coarse-to-fine feature rendering. We also propose a Conditional Latent space AutoEncoder (C-LAE) to achieve view interpolation at any arbitrary angle. To show the versatility of our method, we introduce four training datasets, namely UrbanCity360, Archinterior360, HungHom360 and Lab360, which are collected from indoor and outdoor environments for both real and synthetic rendering. Experimental results show that the proposed method is generic enough to achieve real-time rendering of arbitrary views for all four datasets. In addition, our See360 model can be applied to view synthesis in the wild: with only a short extra training time (approximately 10 mins), and is able to render unknown real-world scenes. The superior performance of See360 opens up a promising direction for camera-centered view rendering and 360 panoramic view interpolation.

Clinton Ansun Mo, Kun Hu, Chengjiang Long et al.

Motion skeletons drive 3D character animation by transforming bone hierarchies, but differences in proportions or structure make motion data hard to transfer across skeletons, posing challenges for data-driven motion synthesis. Temporal Point Clouds (TPCs) offer an unstructured, cross-compatible motion representation. Though reversible with skeletons, TPCs mainly serve for compatibility, not for direct motion task learning. Doing so would require data synthesis capabilities for the TPC format, which presents unexplored challenges regarding its unique temporal consistency and point identifiability. Therefore, we propose PUMPS, the primordial autoencoder architecture for TPC data. PUMPS independently reduces frame-wise point clouds into sampleable feature vectors, from which a decoder extracts distinct temporal points using latent Gaussian noise vectors as sampling identifiers. We introduce linear assignment-based point pairing to optimise the TPC reconstruction process, and negate the use of expensive point-wise attention mechanisms in the architecture. Using these latent features, we pre-train a motion synthesis model capable of performing motion prediction, transition generation, and keyframe interpolation. For these pre-training tasks, PUMPS performs remarkably well even without native dataset supervision, matching state-of-the-art performance. When fine-tuned for motion denoising or estimation, PUMPS outperforms many respective methods without deviating from its generalist architecture.

Zhi-Song Liu, Li-Wen Wang, Wan-Chi Siu et al.

Image style transfer has attracted widespread attention in the past few years. Despite its remarkable results, it requires additional style images available as references, making it less flexible and inconvenient. Using text is the most natural way to describe the style. More importantly, text can describe implicit abstract styles, like styles of specific artists or art movements. In this paper, we propose a text-driven image style transfer (TxST) that leverages advanced image-text encoders to control arbitrary style transfer. We introduce a contrastive training strategy to effectively extract style descriptions from the image-text model (i.e., CLIP), which aligns stylization with the text description. To this end, we also propose a novel and efficient attention module that explores cross-attentions to fuse style and content features. Finally, we achieve an arbitrary artist-aware image style transfer to learn and transfer specific artistic characters such as Picasso, oil painting, or a rough sketch. Extensive experiments demonstrate that our approach outperforms the state-of-the-art methods on both image and textual styles. Moreover, it can mimic the styles of one or many artists to achieve attractive results, thus highlighting a promising direction in image style transfer.

Zhi-Song Liu, Wan-Chi Siu, Li-Wen Wang

In this paper, we propose a novel reference based image super-resolution approach via Variational AutoEncoder (RefVAE). Existing state-of-the-art methods mainly focus on single image super-resolution which cannot perform well on large upsampling factors, e.g., 8$\times$. We propose a reference based image super-resolution, for which any arbitrary image can act as a reference for super-resolution. Even using random map or low-resolution image itself, the proposed RefVAE can transfer the knowledge from the reference to the super-resolved images. Depending upon different references, the proposed method can generate different versions of super-resolved images from a hidden super-resolution space. Besides using different datasets for some standard evaluations with PSNR and SSIM, we also took part in the NTIRE2021 SR Space challenge and have provided results of the randomness evaluation of our approach. Compared to other state-of-the-art methods, our approach achieves higher diverse scores.

Pengxu Wei, Hannan Lu, Radu Timofte et al.

This paper introduces the real image Super-Resolution (SR) challenge that was part of the Advances in Image Manipulation (AIM) workshop, held in conjunction with ECCV 2020. This challenge involves three tracks to super-resolve an input image for $\times$2, $\times$3 and $\times$4 scaling factors, respectively. The goal is to attract more attention to realistic image degradation for the SR task, which is much more complicated and challenging, and contributes to real-world image super-resolution applications. 452 participants were registered for three tracks in total, and 24 teams submitted their results. They gauge the state-of-the-art approaches for real image SR in terms of PSNR and SSIM.

Li-Wen Wang, Wan-Chi Siu, Zhi-Song Liu et al.

Manipulating the light source of given images is an interesting task and useful in various applications, including photography and cinematography. Existing methods usually require additional information like the geometric structure of the scene, which may not be available for most images. In this paper, we formulate the single image relighting task and propose a novel Deep Relighting Network (DRN) with three parts: 1) scene reconversion, which aims to reveal the primary scene structure through a deep auto-encoder network, 2) shadow prior estimation, to predict light effect from the new light direction through adversarial learning, and 3) re-renderer, to combine the primary structure with the reconstructed shadow view to form the required estimation under the target light source. Experimental results show that the proposed method outperforms other possible methods, both qualitatively and quantitatively. Specifically, the proposed DRN has achieved the best PSNR in the "AIM2020 - Any to one relighting challenge" of the 2020 ECCV conference.

Chu-Tak Li, Wan-Chi Siu, Zhi-Song Liu et al.

The degree of difficulty in image inpainting depends on the types and sizes of the missing parts. Existing image inpainting approaches usually encounter difficulties in completing the missing parts in the wild with pleasing visual and contextual results as they are trained for either dealing with one specific type of missing patterns (mask) or unilaterally assuming the shapes and/or sizes of the masked areas. We propose a deep generative inpainting network, named DeepGIN, to handle various types of masked images. We design a Spatial Pyramid Dilation (SPD) ResNet block to enable the use of distant features for reconstruction. We also employ Multi-Scale Self-Attention (MSSA) mechanism and Back Projection (BP) technique to enhance our inpainting results. Our DeepGIN outperforms the state-of-the-art approaches generally, including two publicly available datasets (FFHQ and Oxford Buildings), both quantitatively and qualitatively. We also demonstrate that our model is capable of completing masked images in the wild.

Andreas Lugmayr, Martin Danelljan, Radu Timofte et al.

This paper reviews the NTIRE 2020 challenge on real world super-resolution. It focuses on the participating methods and final results. The challenge addresses the real world setting, where paired true high and low-resolution images are unavailable. For training, only one set of source input images is therefore provided along with a set of unpaired high-quality target images. In Track 1: Image Processing artifacts, the aim is to super-resolve images with synthetically generated image processing artifacts. This allows for quantitative benchmarking of the approaches \wrt a ground-truth image. In Track 2: Smartphone Images, real low-quality smart phone images have to be super-resolved. In both tracks, the ultimate goal is to achieve the best perceptual quality, evaluated using a human study. This is the second challenge on the subject, following AIM 2019, targeting to advance the state-of-the-art in super-resolution. To measure the performance we use the benchmark protocol from AIM 2019. In total 22 teams competed in the final testing phase, demonstrating new and innovative solutions to the problem.

Zhi-Song Liu, Wan-Chi Siu, Li-Wen Wang et al.

Benefited from the deep learning, image Super-Resolution has been one of the most developing research fields in computer vision. Depending upon whether using a discriminator or not, a deep convolutional neural network can provide an image with high fidelity or better perceptual quality. Due to the lack of ground truth images in real life, people prefer a photo-realistic image with low fidelity to a blurry image with high fidelity. In this paper, we revisit the classic example based image super-resolution approaches and come up with a novel generative model for perceptual image super-resolution. Given that real images contain various noise and artifacts, we propose a joint image denoising and super-resolution model via Variational AutoEncoder. We come up with a conditional variational autoencoder to encode the reference for dense feature vector which can then be transferred to the decoder for target image denoising. With the aid of the discriminator, an additional overhead of super-resolution subnetwork is attached to super-resolve the denoised image with photo-realistic visual quality. We participated the NTIRE2020 Real Image Super-Resolution Challenge. Experimental results show that by using the proposed approach, we can obtain enlarged images with clean and pleasant features compared to other supervised methods. We also compared our approach with state-of-the-art methods on various datasets to demonstrate the efficiency of our proposed unsupervised super-resolution model.

Zhi-Song Liu, Li-Wen Wang, Chu-Tak Li et al.

Deep learning based image Super-Resolution (SR) has shown rapid development due to its ability of big data digestion. Generally, deeper and wider networks can extract richer feature maps and generate SR images with remarkable quality. However, the more complex network we have, the more time consumption is required for practical applications. It is important to have a simplified network for efficient image SR. In this paper, we propose an Attention based Back Projection Network (ABPN) for image super-resolution. Similar to some recent works, we believe that the back projection mechanism can be further developed for SR. Enhanced back projection blocks are suggested to iteratively update low- and high-resolution feature residues. Inspired by recent studies on attention models, we propose a Spatial Attention Block (SAB) to learn the cross-correlation across features at different layers. Based on the assumption that a good SR image should be close to the original LR image after down-sampling. We propose a Refined Back Projection Block (RBPB) for final reconstruction. Extensive experiments on some public and AIM2019 Image Super-Resolution Challenge datasets show that the proposed ABPN can provide state-of-the-art or even better performance in both quantitative and qualitative measurements.

Zhi-Song Liu, Li-Wen Wang, Chu-Tak Li et al.

Deep learning based single image super-resolution methods use a large number of training datasets and have recently achieved great quality progress both quantitatively and qualitatively. Most deep networks focus on nonlinear mapping from low-resolution inputs to high-resolution outputs via residual learning without exploring the feature abstraction and analysis. We propose a Hierarchical Back Projection Network (HBPN), that cascades multiple HourGlass (HG) modules to bottom-up and top-down process features across all scales to capture various spatial correlations and then consolidates the best representation for reconstruction. We adopt the back projection blocks in our proposed network to provide the error correlated up and down-sampling process to replace simple deconvolution and pooling process for better estimation. A new Softmax based Weighted Reconstruction (WR) process is used to combine the outputs of HG modules to further improve super-resolution. Experimental results on various datasets (including the validation dataset, NTIRE2019, of the Real Image Super-resolution Challenge) show that our proposed approach can achieve and improve the performance of the state-of-the-art methods for different scaling factors.