Lenny Renault

Giovanni Bindi, Nils Demerlé, Rodrigo Diaz et al. · bytedance

Artificial Intelligence (AI) technologies such as deep learning are evolving very quickly bringing many changes to our everyday lives. To explore the future impact and potential of AI in the field of music and sound technologies a doctoral day was held between Queen Mary University of London (QMUL, UK) and Sciences et Technologies de la Musique et du Son (STMS, France). Prompt questions about current trends in AI and music were generated by academics from QMUL and STMS. Students from the two institutions then debated these questions. This report presents a summary of the student debates on the topics of: Data, Impact, and the Environment; Responsible Innovation and Creative Practice; Creativity and Bias; and From Tools to the Singularity. The students represent the future generation of AI and music researchers. The academics represent the incumbent establishment. The student debates reported here capture visions, dreams, concerns, uncertainties, and contentious issues for the future of AI and music as the establishment is rightfully challenged by the next generation.

Lenny Renault, Andrea Vaglio, Romain Hennequin

Extensive works have tackled Language Identification (LID) in the speech domain, however their application to the singing voice trails and performances on Singing Language Identification (SLID) can be improved leveraging recent progresses made in other singing related tasks. This work presents a modernized phonotactic system for SLID on polyphonic music: phoneme recognition is performed with a Connectionist Temporal Classification (CTC)-based acoustic model trained with multilingual data, before language classification with a recurrent model based on the phonemes estimation. The full pipeline is trained and evaluated with a large and publicly available dataset, with unprecedented performances. First results of SLID with out-of-set languages are also presented.