Jingwei Zhao

Ziyang Yao, Haochen Liu, Yuncheng Jiang et al.

Autonomous driving requires reasoning about how ego actions shape the evolution of the surrounding world. However, most end-to-end methods rely on direct state-to-action mappings, capturing correlations without explicitly modeling action-conditioned dynamics. Conversely, continuous-latent world models often lack compositional structure for causal reasoning across counterfactual futures. We introduce Discrete-WAM, a unified latent vision-action world policy that represents future visual states and ego actions as aligned discrete tokens, enabling compositional causal reasoning across alternative futures. Built upon this unified discrete alignment, Discrete-WAM establishes a shared discrete diffusion framework with unified generative tasks, jointly formulating world modeling, world-action policy, and hierarchical decision-enabled policy, supporting compositional generalization across diverse driving scenarios. Experiments on large-scale autonomous-driving benchmarks show that Discrete-WAM achieves competitive performance while supporting controllable generation and counterfactual reasoning, offering a principled path toward more reliable decision-making.

Lejun Min, Junyan Jiang, Gus Xia et al.

We propose Polyffusion, a diffusion model that generates polyphonic music scores by regarding music as image-like piano roll representations. The model is capable of controllable music generation with two paradigms: internal control and external control. Internal control refers to the process in which users pre-define a part of the music and then let the model infill the rest, similar to the task of masked music generation (or music inpainting). External control conditions the model with external yet related information, such as chord, texture, or other features, via the cross-attention mechanism. We show that by using internal and external controls, Polyffusion unifies a wide range of music creation tasks, including melody generation given accompaniment, accompaniment generation given melody, arbitrary music segment inpainting, and music arrangement given chords or textures. Experimental results show that our model significantly outperforms existing Transformer and sampling-based baselines, and using pre-trained disentangled representations as external conditions yields more effective controls.

Jinghui Lu, Jiayi Guan, Zhijian Huang et al.

Chain-of-Thought (CoT) reasoning has become a powerful driver of trajectory prediction in VLA-based autonomous driving, yet its autoregressive nature imposes a latency cost that is prohibitive for real-time deployment. Latent CoT methods attempt to close this gap by compressing reasoning into continuous hidden states, but consistently fall short of their explicit counterparts. We suggest that this is due to purely linguistic latent representations compressing a symbolic abstraction of the world, rather than the causal dynamics that actually govern driving. Thus, we present OneVL (One-step latent reasoning and planning with Vision-Language explanations), a unified VLA and World Model framework that routes reasoning through compact latent tokens supervised by dual auxiliary decoders. Alongside a language decoder that reconstructs text CoT, we introduce a visual world model decoder that predicts future-frame tokens, forcing the latent space to internalize the causal dynamics of road geometry, agent motion, and environmental change. A three-stage training pipeline progressively aligns these latents with trajectory, language, and visual objectives, ensuring stable joint optimization. At inference, the auxiliary decoders are discarded and all latent tokens are prefilled in a single parallel pass, matching the speed of answer-only prediction. Across four benchmarks, OneVL becomes the first latent CoT method to surpass explicit CoT, delivering state-of-the-art accuracy at answer-only latency, and providing direct evidence that tighter compression, when guided in both language and world-model supervision, produces more generalizable representations than verbose token-by-token reasoning. Project Page: https://xiaomi-embodied-intelligence.github.io/OneVL

Jingwei Zhao, Gus Xia, Ziyu Wang et al.

In the realm of music AI, arranging rich and structured multi-track accompaniments from a simple lead sheet presents significant challenges. Such challenges include maintaining track cohesion, ensuring long-term coherence, and optimizing computational efficiency. In this paper, we introduce a novel system that leverages prior modelling over disentangled style factors to address these challenges. Our method presents a two-stage process: initially, a piano arrangement is derived from the lead sheet by retrieving piano texture styles; subsequently, a multi-track orchestration is generated by infusing orchestral function styles into the piano arrangement. Our key design is the use of vector quantization and a unique multi-stream Transformer to model the long-term flow of the orchestration style, which enables flexible, controllable, and structured music generation. Experiments show that by factorizing the arrangement task into interpretable sub-stages, our approach enhances generative capacity while improving efficiency. Additionally, our system supports a variety of music genres and provides style control at different composition hierarchies. We further show that our system achieves superior coherence, structure, and overall arrangement quality compared to existing baselines.

Longshen Ou, Jingwei Zhao, Ziyu Wang et al.

We present a unified framework for automatic multitrack music arrangement that enables a single pre-trained symbolic music model to handle diverse arrangement scenarios, including reinterpretation, simplification, and additive generation. At its core is a segment-level reconstruction objective operating on token-level disentangled content and style, allowing for flexible any-to-any instrumentation transformations at inference time. To support track-wise modeling, we introduce REMI-z, a structured tokenization scheme for multitrack symbolic music that enhances modeling efficiency and effectiveness for both arrangement tasks and unconditional generation. Our method outperforms task-specific state-of-the-art models on representative tasks in different arrangement scenarios -- band arrangement, piano reduction, and drum arrangement, in both objective metrics and perceptual evaluations. Taken together, our framework demonstrates strong generality and suggests broader applicability in symbolic music-to-music transformation.

Xiaowei Song, Jv Zheng, Shiran Yuan et al.

In this paper, we present a Scale-adaptive method for Anti-aliasing Gaussian Splatting (SA-GS). While the state-of-the-art method Mip-Splatting needs modifying the training procedure of Gaussian splatting, our method functions at test-time and is training-free. Specifically, SA-GS can be applied to any pretrained Gaussian splatting field as a plugin to significantly improve the field's anti-alising performance. The core technique is to apply 2D scale-adaptive filters to each Gaussian during test time. As pointed out by Mip-Splatting, observing Gaussians at different frequencies leads to mismatches between the Gaussian scales during training and testing. Mip-Splatting resolves this issue using 3D smoothing and 2D Mip filters, which are unfortunately not aware of testing frequency. In this work, we show that a 2D scale-adaptive filter that is informed of testing frequency can effectively match the Gaussian scale, thus making the Gaussian primitive distribution remain consistent across different testing frequencies. When scale inconsistency is eliminated, sampling rates smaller than the scene frequency result in conventional jaggedness, and we propose to integrate the projected 2D Gaussian within each pixel during testing. This integration is actually a limiting case of super-sampling, which significantly improves anti-aliasing performance over vanilla Gaussian Splatting. Through extensive experiments using various settings and both bounded and unbounded scenes, we show SA-GS performs comparably with or better than Mip-Splatting. Note that super-sampling and integration are only effective when our scale-adaptive filtering is activated. Our codes, data and models are available at https://github.com/zsy1987/SA-GS.

Lekai Qian, Haoyu Gu, Jingwei Zhao et al.

Tokenizing music to fit the general framework of language models is a compelling challenge, especially considering the diverse symbolic structures in which music can be represented (e.g., sequences, grids, and graphs). To date, most approaches tokenize symbolic music as sequences of musical events, such as onsets, pitches, time shifts, or compound note events. This strategy is intuitive and has proven effective in Transformer-based models, but it treats the regularity of musical time implicitly: individual tokens may span different durations, resulting in non-uniform time progression. In this paper, we instead consider whether an alternative tokenization is possible, where a uniform-length musical step (e.g., a beat) serves as the basic unit. Specifically, we encode all events within a single time step at the same pitch as one token, and group tokens explicitly by time step, which resembles a sparse encoding of a piano-roll representation. We evaluate the proposed tokenization on music continuation and accompaniment generation tasks, comparing it with mainstream event-based methods. Results show improved musical quality and structural coherence, while additional analyses confirm higher efficiency and more effective capture of long-range patterns with the proposed tokenization.

Jinwei Li, Huan-ang Gao, Wenyi Li et al. · tsinghua

With the rapid advancements in diffusion models and 3D generation techniques, dynamic 3D content generation has become a crucial research area. However, achieving high-fidelity 4D (dynamic 3D) generation with strong spatial-temporal consistency remains a challenging task. Inspired by recent findings that pretrained diffusion features capture rich correspondences, we propose FB-4D, a novel 4D generation framework that integrates a Feature Bank mechanism to enhance both spatial and temporal consistency in generated frames. In FB-4D, we store features extracted from previous frames and fuse them into the process of generating subsequent frames, ensuring consistent characteristics across both time and multiple views. To ensure a compact representation, the Feature Bank is updated by a proposed dynamic merging mechanism. Leveraging this Feature Bank, we demonstrate for the first time that generating additional reference sequences through multiple autoregressive iterations can continuously improve generation performance. Experimental results show that FB-4D significantly outperforms existing methods in terms of rendering quality, spatial-temporal consistency, and robustness. It surpasses all multi-view generation tuning-free approaches by a large margin and achieves performance on par with training-based methods.

Jingwei Zhao, Yuhua Wen, Qifei Li et al.

Intent recognition aims to identify users' underlying intentions, traditionally focusing on text in natural language processing. With growing demands for natural human-computer interaction, the field has evolved through deep learning and multimodal approaches, incorporating data from audio, vision, and physiological signals. Recently, the introduction of Transformer-based models has led to notable breakthroughs in this domain. This article surveys deep learning methods for intent recognition, covering the shift from unimodal to multimodal techniques, relevant datasets, methodologies, applications, and current challenges. It provides researchers with insights into the latest developments in multimodal intent recognition (MIR) and directions for future research.

Jingwei Zhao, Gus Xia

Accompaniment arrangement is a difficult music generation task involving intertwined constraints of melody, harmony, texture, and music structure. Existing models are not yet able to capture all these constraints effectively, especially for long-term music generation. To address this problem, we propose AccoMontage, an accompaniment arrangement system for whole pieces of music through unifying phrase selection and neural style transfer. We focus on generating piano accompaniments for folk/pop songs based on a lead sheet (i.e., melody with chord progression). Specifically, AccoMontage first retrieves phrase montages from a database while recombining them structurally using dynamic programming. Second, chords of the retrieved phrases are manipulated to match the lead sheet via style transfer. Lastly, the system offers controls over the generation process. In contrast to pure learning-based approaches, AccoMontage introduces a novel hybrid pathway, in which rule-based optimization and deep learning are both leveraged to complement each other for high-quality generation. Experiments show that our model generates well-structured accompaniment with delicate texture, significantly outperforming the baselines.

Pengfei Chen, Junjie Ye, Guangyong Chen et al.

Supervised learning under label noise has seen numerous advances recently, while existing theoretical findings and empirical results broadly build up on the class-conditional noise (CCN) assumption that the noise is independent of input features given the true label. In this work, we present a theoretical hypothesis testing and prove that noise in real-world dataset is unlikely to be CCN, which confirms that label noise should depend on the instance and justifies the urgent need to go beyond the CCN assumption.The theoretical results motivate us to study the more general and practical-relevant instance-dependent noise (IDN). To stimulate the development of theory and methodology on IDN, we formalize an algorithm to generate controllable IDN and present both theoretical and empirical evidence to show that IDN is semantically meaningful and challenging. As a primary attempt to combat IDN, we present a tiny algorithm termed self-evolution average label (SEAL), which not only stands out under IDN with various noise fractions, but also improves the generalization on real-world noise benchmark Clothing1M. Our code is released. Notably, our theoretical analysis in Section 2 provides rigorous motivations for studying IDN, which is an important topic that deserves more research attention in future.

Pengfei Chen, Junjie Ye, Guangyong Chen et al.

For multi-class classification under class-conditional label noise, we prove that the accuracy metric itself can be robust. We concretize this finding's inspiration in two essential aspects: training and validation, with which we address critical issues in learning with noisy labels. For training, we show that maximizing training accuracy on sufficiently many noisy samples yields an approximately optimal classifier. For validation, we prove that a noisy validation set is reliable, addressing the critical demand of model selection in scenarios like hyperparameter-tuning and early stopping. Previously, model selection using noisy validation samples has not been theoretically justified. We verify our theoretical results and additional claims with extensive experiments. We show characterizations of models trained with noisy labels, motivated by our theoretical results, and verify the utility of a noisy validation set by showing the impressive performance of a framework termed noisy best teacher and student (NTS). Our code is released.