Chirayata Bhattacharyya

Sreetama Sarkar, Gourav Datta, Souvik Kundu et al.

Video tasks are compute-heavy and thus pose a challenge when deploying in real-time applications, particularly for tasks that require state-of-the-art Vision Transformers (ViTs). Several research efforts have tried to address this challenge by leveraging the fact that large portions of the video undergo very little change across frames, leading to redundant computations in frame-based video processing. In particular, some works leverage pixel or semantic differences across frames, however, this yields limited latency benefits with significantly increased memory overhead. This paper, in contrast, presents a strategy for masking regions in video frames that leverages the semantic information in images and the temporal correlation between frames to significantly reduce FLOPs and latency with little to no penalty in performance over baseline models. In particular, we demonstrate that by leveraging extracted features from previous frames, ViT backbones directly benefit from region masking, skipping up to 80% of input regions, improving FLOPs and latency by 3.14x and 1.5x. We improve memory and latency over the state-of-the-art (SOTA) by 2.3x and 1.14x, while maintaining similar detection performance. Additionally, our approach demonstrates promising results on convolutional neural networks (CNNs) and provides latency improvements over the SOTA up to 1.3x using specialized computational kernels.

Chirayata Bhattacharyya, Sourya Sengupta, Sayan Nag et al.

A recitation is a way of combining the words together so that they have a sense of rhythm and thus an emotional content is imbibed within. In this study we envisaged to answer these questions in a scientific manner taking into consideration 5 (five) well known Bengali recitations of different poets conveying a variety of moods ranging from joy to sorrow. The clips were recited as well as read (in the form of flat speech without any rhythm) by the same person to avoid any perceptual difference arising out of timbre variation. Next, the emotional content from the 5 recitations were standardized with the help of listening test conducted on a pool of 50 participants. The recitations as well as the speech were analyzed with the help of a latest non linear technique called Detrended Fluctuation Analysis (DFA) that gives a scaling exponent α, which is essentially the measure of long range correlations present in the signal. Similar pieces (the parts which have the exact lyrical content in speech as well as in the recital) were extracted from the complete signal and analyzed with the help of DFA technique. Our analysis shows that the scaling exponent for all parts of recitation were much higher in general as compared to their counterparts in speech. We have also established a critical value from our analysis, above which a mere speech may become a recitation. The case may be similar to the conventional phase transition, wherein the measurement of external condition at which the transformation occurs (generally temperature) is called phase transition. Further, we have also categorized the 5 recitations on the basis of their emotional content with the help of the same DFA technique. Analysis with a greater variety of recitations is being carried out to yield more interesting results.