Archontis Politis

Kazuki Shimada, Archontis Politis, Parthasaarathy Sudarsanam et al.

While direction of arrival (DOA) of sound events is generally estimated from multichannel audio data recorded in a microphone array, sound events usually derive from visually perceptible source objects, e.g., sounds of footsteps come from the feet of a walker. This paper proposes an audio-visual sound event localization and detection (SELD) task, which uses multichannel audio and video information to estimate the temporal activation and DOA of target sound events. Audio-visual SELD systems can detect and localize sound events using signals from a microphone array and audio-visual correspondence. We also introduce an audio-visual dataset, Sony-TAu Realistic Spatial Soundscapes 2023 (STARSS23), which consists of multichannel audio data recorded with a microphone array, video data, and spatiotemporal annotation of sound events. Sound scenes in STARSS23 are recorded with instructions, which guide recording participants to ensure adequate activity and occurrences of sound events. STARSS23 also serves human-annotated temporal activation labels and human-confirmed DOA labels, which are based on tracking results of a motion capture system. Our benchmark results demonstrate the benefits of using visual object positions in audio-visual SELD tasks. The data is available at https://zenodo.org/record/7880637.

David Diaz-Guerra, Archontis Politis, Tuomas Virtanen

Recent data- and learning-based sound source localization (SSL) methods have shown strong performance in challenging acoustic scenarios. However, little work has been done on adapting such methods to track consistently multiple sources appearing and disappearing, as would occur in reality. In this paper, we present a new training strategy for deep learning SSL models with a straightforward implementation based on the mean squared error of the optimal association between estimated and reference positions in the preceding time frames. It optimizes the desired properties of a tracking system: handling a time-varying number of sources and ordering localization estimates according to their trajectories, minimizing identity switches (IDSs). Evaluation on simulated data of multiple reverberant moving sources and on two model architectures proves its effectiveness on reducing identity switches without compromising frame-wise localization accuracy.

David Diaz-Guerra, Archontis Politis, Antonio Miguel et al.

Many multi-source localization and tracking models based on neural networks use one or several recurrent layers at their final stages to track the movement of the sources. Conventional recurrent neural networks (RNNs), such as the long short-term memories (LSTMs) or the gated recurrent units (GRUs), take a vector as their input and use another vector to store their state. However, this approach results in the information from all the sources being contained in a single ordered vector, which is not optimal for permutation-invariant problems such as multi-source tracking. In this paper, we present a new recurrent architecture that uses unordered sets to represent both its input and its state and that is invariant to the permutations of the input set and equivariant to the permutations of the state set. Hence, the information of every sound source is represented in an individual embedding and the new estimates are assigned to the tracked trajectories regardless of their order.

Jaime Garcia-Martinez, David Diaz-Guerra, Archontis Politis et al.

Recent advancements in music source separation have significantly progressed, particularly in isolating vocals, drums, and bass elements from mixed tracks. These developments owe much to the creation and use of large-scale, multitrack datasets dedicated to these specific components. However, the challenge of extracting similarly sounding sources from orchestra recordings has not been extensively explored, largely due to a scarcity of comprehensive and clean (i.e bleed-free) multitrack datasets. In this paper, we introduce a novel multitrack dataset called SynthSOD, developed using a set of simulation techniques to create a realistic (i.e. using high-quality soundfonts), musically motivated, and heterogeneous training set comprising different dynamics, natural tempo changes, styles, and conditions. Moreover, we demonstrate the application of a widely used baseline music separation model trained on our synthesized dataset w.r.t to the well-known EnsembleSet, and evaluate its performance under both synthetic and real-world conditions.

Michael Neri, Archontis Politis, Tuomas Virtanen

Single-channel speaker distance estimation has recently achieved centimeter-level accuracy in simulated environments, yet it remains unclear which components of the room impulse response (RIR) the model exploits and how performance depends on the recording conditions. In this work, we decompose simulated RIRs into four variants (full, direct-only, no-late, and no-early) using the mixing time estimated from the echo density function as the boundary between early reflections and late reverberation. We define four calibration scenarios, from fully calibrated (synchronised capture, known source level) to fully uncalibrated (arbitrary onset, unknown level), and evaluate all combinations on a matched dataset. Results show that without time calibration, mean absolute error (MAE) increases to $1.29$ m and the model extracts reverberation-based cues, with early reflections emerging as the most informative component. Further analysis against DRR, $C_{50}$, and $T_{60}$ confirms that estimation accuracy improves with stronger early energy and degrades in highly reverberant environments. When time calibration is available, the model achieves a MAE of $0.14$ m by extracting the propagation delay alone, regardless of the RIR content.

Daniel Aleksander Krause, Archontis Politis, Annamaria Mesaros

Sound Event Detection and Localization (SELD) is a combined task of identifying sound events and their corresponding direction-of-arrival (DOA). While this task has numerous applications and has been extensively researched in recent years, it fails to provide full information about the sound source position. In this paper, we overcome this problem by extending the task to Sound Event Detection, Localization with Distance Estimation (3D SELD). We study two ways of integrating distance estimation within the SELD core - a multi-task approach, in which the problem is tackled by a separate model output, and a single-task approach obtained by extending the multi-ACCDOA method to include distance information. We investigate both methods for the Ambisonic and binaural versions of STARSS23: Sony-TAU Realistic Spatial Soundscapes 2023. Moreover, our study involves experiments on the loss function related to the distance estimation part. Our results show that it is possible to perform 3D SELD without any degradation of performance in sound event detection and DOA estimation.

Yuzhu Wang, Archontis Politis, Tuomas Virtanen

Current multichannel speech enhancement algorithms typically assume a stationary sound source, a common mismatch with reality that limits their performance in real-world scenarios. This paper focuses on attention-driven spatial filtering techniques designed for dynamic settings. Specifically, we study the application of linear and nonlinear attention-based methods for estimating time-varying spatial covariance matrices used to design the filters. We also investigate the direct estimation of spatial filters by attention-based methods without explicitly estimating spatial statistics. The clean speech clips from WSJ0 are employed for simulating speech signals of moving speakers in a reverberant environment. The experimental dataset is built by mixing the simulated speech signals with multichannel real noise from CHiME-3. Evaluation results show that the attention-driven approaches are robust and consistently outperform conventional spatial filtering approaches in both static and dynamic sound environments.

Kazuki Shimada, Archontis Politis, Iran R. Roman et al.

This paper presents the objective, dataset, baseline, and metrics of Task 3 of the DCASE2025 Challenge on sound event localization and detection (SELD). In previous editions, the challenge used four-channel audio formats of first-order Ambisonics (FOA) and microphone array. In contrast, this year's challenge investigates SELD with stereo audio data (termed stereo SELD). This change shifts the focus from more specialized 360° audio and audiovisual scene analysis to more commonplace audio and media scenarios with limited field-of-view (FOV). Due to inherent angular ambiguities in stereo audio data, the task focuses on direction-of-arrival (DOA) estimation in the azimuth plane (left-right axis) along with distance estimation. The challenge remains divided into two tracks: audio-only and audiovisual, with the audiovisual track introducing a new sub-task of onscreen/offscreen event classification necessitated by the limited FOV. This challenge introduces the DCASE2025 Task3 Stereo SELD Dataset, whose stereo audio and perspective video clips are sampled and converted from the STARSS23 recordings. The baseline system is designed to process stereo audio and corresponding video frames as inputs. In addition to the typical SELD event classification and localization, it integrates onscreen/offscreen classification for the audiovisual track. The evaluation metrics have been modified to introduce an onscreen/offscreen accuracy metric, which assesses the models' ability to identify which sound sources are onscreen. In the experimental evaluation, the baseline system performs reasonably well with the stereo audio data.

Mikko Heikkinen, Archontis Politis, Konstantinos Drossos et al.

Using deep neural networks (DNNs) for encoding of microphone array (MA) signals to the Ambisonics spatial audio format can surpass certain limitations of established conventional methods, but existing DNN-based methods need to be trained separately for each MA. This paper proposes a DNN-based method for Ambisonics encoding that can generalize to arbitrary MA geometries unseen during training. The method takes as inputs the MA geometry and MA signals and uses a multi-level encoder consisting of separate paths for geometry and signal data, where geometry features inform the signal encoder at each level. The method is validated in simulated anechoic and reverberant conditions with one and two sources. The results indicate improvement over conventional encoding across the whole frequency range for dry scenes, while for reverberant scenes the improvement is frequency-dependent.

Eetu Tunturi, David Diaz-Guerra, Archontis Politis et al.

Music source separation is the task of separating a mixture of instruments into constituent tracks. Music source separation models are typically trained using only audio data, although additional information can be used to improve the model's separation capability. In this paper, we propose two ways of using musical scores to aid music source separation: a score-informed model where the score is concatenated with the magnitude spectrogram of the audio mixture as the input of the model, and a model where we use only the score to calculate the separation mask. We train our models on synthetic data in the SynthSOD dataset and evaluate our methods on the URMP and Aalto anechoic orchestra datasets, comprised of real recordings. The score-informed model improves separation results compared to a baseline approach, but struggles to generalize from synthetic to real data, whereas the score-only model shows a clear improvement in synthetic-to-real generalization.

Sharath Adavanne, Archontis Politis, Tuomas Virtanen

Data-based and learning-based sound source localization (SSL) has shown promising results in challenging conditions, and is commonly set as a classification or a regression problem. Regression-based approaches have certain advantages over classification-based, such as continuous direction-of-arrival estimation of static and moving sources. However, multi-source scenarios require multiple regressors without a clear training strategy up-to-date, that does not rely on auxiliary information such as simultaneous sound classification. We investigate end-to-end training of such methods with a technique recently proposed for video object detectors, adapted to the SSL setting. A differentiable network is constructed that can be plugged to the output of the localizer to solve the optimal assignment between predictions and references, optimizing directly the popular CLEAR-MOT tracking metrics. Results indicate large improvements over directly optimizing mean squared errors, in terms of localization error, detection metrics, and tracking capabilities.

Daniel Aleksander Krause, Archontis Politis, Annamaria Mesaros

Sound source proximity and distance estimation are of great interest in many practical applications, since they provide significant information for acoustic scene analysis. As both tasks share complementary qualities, ensuring efficient interaction between these two is crucial for a complete picture of an aural environment. In this paper, we aim to investigate several ways of performing joint proximity and direction estimation from binaural recordings, both defined as coarse classification problems based on Deep Neural Networks (DNNs). Considering the limitations of binaural audio, we propose two methods of splitting the sphere into angular areas in order to obtain a set of directional classes. For each method we study different model types to acquire information about the direction-of-arrival (DoA). Finally, we propose various ways of combining the proximity and direction estimation problems into a joint task providing temporal information about the onsets and offsets of the appearing sources. Experiments are performed for a synthetic reverberant binaural dataset consisting of up to two overlapping sound events.

Parthasaarathy Sudarsanam, Archontis Politis, Konstantinos Drossos

Joint sound event localization and detection (SELD) is an emerging audio signal processing task adding spatial dimensions to acoustic scene analysis and sound event detection. A popular approach to modeling SELD jointly is using convolutional recurrent neural network (CRNN) models, where CNNs learn high-level features from multi-channel audio input and the RNNs learn temporal relationships from these high-level features. However, RNNs have some drawbacks, such as a limited capability to model long temporal dependencies and slow training and inference times due to their sequential processing nature. Recently, a few SELD studies used multi-head self-attention (MHSA), among other innovations in their models. MHSA and the related transformer networks have shown state-of-the-art performance in various domains. While they can model long temporal dependencies, they can also be parallelized efficiently. In this paper, we study in detail the effect of MHSA on the SELD task. Specifically, we examined the effects of replacing the RNN blocks with self-attention layers. We studied the influence of stacking multiple self-attention blocks, using multiple attention heads in each self-attention block, and the effect of position embeddings and layer normalization. Evaluation on the DCASE 2021 SELD (task 3) development data set shows a significant improvement in all employed metrics compared to the baseline CRNN accompanying the task.

Shanshan Wang, Gaurav Naithani, Archontis Politis et al.

Time-frequency masking or spectrum prediction computed via short symmetric windows are commonly used in low-latency deep neural network (DNN) based source separation. In this paper, we propose the usage of an asymmetric analysis-synthesis window pair which allows for training with targets with better frequency resolution, while retaining the low-latency during inference suitable for real-time speech enhancement or assisted hearing applications. In order to assess our approach across various model types and datasets, we evaluate it with both speaker-independent deep clustering (DC) model and a speaker-dependent mask inference (MI) model. We report an improvement in separation performance of up to 1.5 dB in terms of source-to-distortion ratio (SDR) while maintaining an algorithmic latency of 8 ms.

Archontis Politis, Sharath Adavanne, Daniel Krause et al.

This report presents the dataset and baseline of Task 3 of the DCASE2021 Challenge on Sound Event Localization and Detection (SELD). The dataset is based on emulation of real recordings of static or moving sound events under real conditions of reverberation and ambient noise, using spatial room impulse responses captured in a variety of rooms and delivered in two spatial formats. The acoustical synthesis remains the same as in the previous iteration of the challenge, however the new dataset brings more challenging conditions of polyphony and overlapping instances of the same class. The most important difference of the new dataset is the introduction of directional interferers, meaning sound events that are localized in space but do not belong to the target classes to be detected and are not annotated. Since such interfering events are expected in every real-world scenario of SELD, the new dataset aims to promote systems that deal with this condition effectively. A modified SELDnet baseline employing the recent ACCDOA representation of SELD problems accompanies the dataset and it is shown to outperform the previous one. The new dataset is shown to be significantly more challenging for both baselines according to all considered metrics. To investigate the individual and combined effects of ambient noise, interferers, and reverberation, we study the performance of the baseline on different versions of the dataset excluding or including combinations of these factors. The results indicate that by far the most detrimental effects are caused by directional interferers.

Archontis Politis, Annamaria Mesaros, Sharath Adavanne et al.

Sound event localization and detection is a novel area of research that emerged from the combined interest of analyzing the acoustic scene in terms of the spatial and temporal activity of sounds of interest. This paper presents an overview of the first international evaluation on sound event localization and detection, organized as a task of the DCASE 2019 Challenge. A large-scale realistic dataset of spatialized sound events was generated for the challenge, to be used for training of learning-based approaches, and for evaluation of the submissions in an unlabeled subset. The overview presents in detail how the systems were evaluated and ranked and the characteristics of the best-performing systems. Common strategies in terms of input features, model architectures, training approaches, exploitation of prior knowledge, and data augmentation are discussed. Since ranking in the challenge was based on individually evaluating localization and event classification performance, part of the overview focuses on presenting metrics for the joint measurement of the two, together with a reevaluation of submissions using these new metrics. The new analysis reveals submissions that performed better on the joint task of detecting the correct type of event close to its original location than some of the submissions that were ranked higher in the challenge. Consequently, ranking of submissions which performed strongly when evaluated separately on detection or localization, but not jointly on both, was affected negatively.

Archontis Politis, Sharath Adavanne, Tuomas Virtanen

This report presents the dataset and the evaluation setup of the Sound Event Localization & Detection (SELD) task for the DCASE 2020 Challenge. The SELD task refers to the problem of trying to simultaneously classify a known set of sound event classes, detect their temporal activations, and estimate their spatial directions or locations while they are active. To train and test SELD systems, datasets of diverse sound events occurring under realistic acoustic conditions are needed. Compared to the previous challenge, a significantly more complex dataset was created for DCASE 2020. The two key differences are a more diverse range of acoustical conditions, and dynamic conditions, i.e. moving sources. The spatial sound scenes are created using real room impulse responses captured in a continuous manner with a slowly moving excitation source. Both static and moving sound events are synthesized from them. Ambient noise recorded on location is added to complete the generation of scene recordings. A baseline SELD method accompanies the dataset, based on a convolutional recurrent neural network, to provide benchmark scores for the task. The baseline is an updated version of the one used in the previous challenge, with input features and training modifications to improve its performance.

Antonio J. Muñoz-Montoro, Julio J. Carabias-Orti, Archontis Politis et al.

This work addresses the problem of multichannel source separation combining two powerful approaches, multichannel spectral factorization with recent monophonic deep-learning (DL) based spectrum inference. Individual source spectra at different channels are estimated with a Masker-Denoiser Twin Network (MaD TwinNet), able to model long-term temporal patterns of a musical piece. The monophonic source spectrograms are used within a spatial covariance mixing model based on Complex Non-Negative Matrix Factorization (CNMF) that predicts the spatial characteristics of each source. The proposed framework is evaluated on the task of singing voice separation with a large multichannel dataset. Experimental results show that our joint DL+CNMF method outperforms both the individual monophonic DL-based separation and the multichannel CNMF baseline methods.

Sharath Adavanne, Archontis Politis, Tuomas Virtanen

This paper presents the sound event localization and detection (SELD) task setup for the DCASE 2019 challenge. The goal of the SELD task is to detect the temporal activities of a known set of sound event classes, and further localize them in space when active. As part of the challenge, a synthesized dataset with each sound event associated with a spatial coordinate represented using azimuth and elevation angles is provided. These sound events are spatialized using real-life impulse responses collected at multiple spatial coordinates in five different rooms with varying dimensions and material properties. A baseline SELD method employing a convolutional recurrent neural network is used to generate benchmark scores for this reverberant dataset. The benchmark scores are obtained using the recommended cross-validation setup.

Sharath Adavanne, Archontis Politis, Tuomas Virtanen

This paper investigates the joint localization, detection, and tracking of sound events using a convolutional recurrent neural network (CRNN). We use a CRNN previously proposed for the localization and detection of stationary sources, and show that the recurrent layers enable the spatial tracking of moving sources when trained with dynamic scenes. The tracking performance of the CRNN is compared with a stand-alone tracking method that combines a multi-source (DOA) estimator and a particle filter. Their respective performance is evaluated in various acoustic conditions such as anechoic and reverberant scenarios, stationary and moving sources at several angular velocities, and with a varying number of overlapping sources. The results show that the CRNN manages to track multiple sources more consistently than the parametric method across acoustic scenarios, but at the cost of higher localization error.

Sharath Adavanne, Archontis Politis, Joonas Nikunen et al.

In this paper, we propose a convolutional recurrent neural network for joint sound event localization and detection (SELD) of multiple overlapping sound events in three-dimensional (3D) space. The proposed network takes a sequence of consecutive spectrogram time-frames as input and maps it to two outputs in parallel. As the first output, the sound event detection (SED) is performed as a multi-label classification task on each time-frame producing temporal activity for all the sound event classes. As the second output, localization is performed by estimating the 3D Cartesian coordinates of the direction-of-arrival (DOA) for each sound event class using multi-output regression. The proposed method is able to associate multiple DOAs with respective sound event labels and further track this association with respect to time. The proposed method uses separately the phase and magnitude component of the spectrogram calculated on each audio channel as the feature, thereby avoiding any method- and array-specific feature extraction. The method is evaluated on five Ambisonic and two circular array format datasets with different overlapping sound events in anechoic, reverberant and real-life scenarios. The proposed method is compared with two SED, three DOA estimation, and one SELD baselines. The results show that the proposed method is generic and applicable to any array structures, robust to unseen DOA values, reverberation, and low SNR scenarios. The proposed method achieved a consistently higher recall of the estimated number of DOAs across datasets in comparison to the best baseline. Additionally, this recall was observed to be significantly better than the best baseline method for a higher number of overlapping sound events.

Sharath Adavanne, Archontis Politis, Tuomas Virtanen

In this paper, we propose a stacked convolutional and recurrent neural network (CRNN) with a 3D convolutional neural network (CNN) in the first layer for the multichannel sound event detection (SED) task. The 3D CNN enables the network to simultaneously learn the inter- and intra-channel features from the input multichannel audio. In order to evaluate the proposed method, multichannel audio datasets with different number of overlapping sound sources are synthesized. Each of this dataset has a four-channel first-order Ambisonic, binaural, and single-channel versions, on which the performance of SED using the proposed method are compared to study the potential of SED using multichannel audio. A similar study is also done with the binaural and single-channel versions of the real-life recording TUT-SED 2017 development dataset. The proposed method learns to recognize overlapping sound events from multichannel features faster and performs better SED with a fewer number of training epochs. The results show that on using multichannel Ambisonic audio in place of single-channel audio we improve the overall F-score by 7.5%, overall error rate by 10% and recognize 15.6% more sound events in time frames with four overlapping sound sources.

Sharath Adavanne, Archontis Politis, Tuomas Virtanen

This paper proposes a deep neural network for estimating the directions of arrival (DOA) of multiple sound sources. The proposed stacked convolutional and recurrent neural network (DOAnet) generates a spatial pseudo-spectrum (SPS) along with the DOA estimates in both azimuth and elevation. We avoid any explicit feature extraction step by using the magnitudes and phases of the spectrograms of all the channels as input to the network. The proposed DOAnet is evaluated by estimating the DOAs of multiple concurrently present sources in anechoic, matched and unmatched reverberant conditions. The results show that the proposed DOAnet is capable of estimating the number of sources and their respective DOAs with good precision and generate SPS with high signal-to-noise ratio.

Archontis Politis, Ville Pulkki

This work presents a method for estimation of the acoustic intensity, the energy density and the associated sound field diffuseness around the origin, when the sound field is weighted with a spatial filter. The method permits energetic DOA estimation and sound field characterization focused in a specific angular region determined by the beam pattern of the spatial filter. The formulation of the estimators is presented and their behavior is analyzed for the fundamental cases useful in parametric sound field models of a single plane wave, a uniform diffuse field and a mixture of the two.

Archontis Politis

Knowledge of the diffuse-field coherence between array sensors is a basic assumption for a wide range of array processing applications. Explicit relations previously existed only for omnidirectional and first-order directional sensors, or a restricted arrangement of differential patterns. We present a closed-form formulation of the theoretical coherence function between arbitrary directionally band-limited sensors for the general cases that a) the responses of the individual sensors are known or estimated, and the coherence needs to be known for an arbitrary arrangement, and b) that no information on the sensor directionality or on array geometry exists, but calibration measurements around the array are available.