Juan-Diego Florez

Juan-Diego Florez, Mehregan Dor, Panagiotis Tsiotras

We propose a standalone monocular visual Simultaneous Localization and Mapping (vSLAM) initialization pipeline for autonomous space robots. Our method, a state-of-the-art factor graph optimization pipeline, extends Structure from Small Motion (SfSM) to robustly initialize a monocular agent in spacecraft inspection trajectories, addressing visual estimation challenges such as weak-perspective projection and center-pointing motion, which exacerbates the bas-relief ambiguity, dominant planar geometry, which causes motion estimation degeneracies in classical Structure from Motion, and dynamic illumination conditions, which reduce the survivability of visual information. We validate our approach on realistic, simulated satellite inspection image sequences with a tumbling spacecraft and demonstrate the method's effectiveness over existing monocular initialization procedures.

Gerry Chen, Sereym Baek, Juan-Diego Florez et al.

We present GTGraffiti, a graffiti painting system from Georgia Tech that tackles challenges in art, hardware, and human-robot collaboration. The problem of painting graffiti in a human style is particularly challenging and requires a system-level approach because the robotics and art must be designed around each other. The robot must be highly dynamic over a large workspace while the artist must work within the robot's limitations. Our approach consists of three stages: artwork capture, robot hardware, and planning & control. We use motion capture to capture collaborator painting motions which are then composed and processed into a time-varying linear feedback controller for a cable-driven parallel robot (CDPR) to execute. In this work, we will describe the capturing process, the design and construction of a purpose-built CDPR, and the software for turning an artist's vision into control commands. Our work represents an important step towards faithfully recreating human graffiti artwork by demonstrating that we can reproduce artist motions up to 2m/s and 20m/s$^2$ within 9.3mm RMSE to paint artworks. Changes to the submitted manuscript are colored in blue.