Hayder Mahdi Abdullah Al-Maneea

J. C. Roberts, J. W. Mearman, P. W. S. Butcher et al.

We believe that 3D visualisations should not be used alone; by coincidentally displaying alternative views the user can gain the best understanding of all situations. The different presentations signify manifold meanings and afford different tasks. Natural 3D worlds implicitly tell many stories. For instance, walking into a living room, seeing the TV, types of magazines, pictures on the wall, tells us much about the occupiers: their occupation, standards of living, taste in design, whether they have kids, and so on. How can we similarly create rich and diverse 3D visualisation presentations? How can we create visualisations that allow people to understand different stories from the data? In a multivariate 2D visualisation a developer may coordinate and link many views together to provide exploratory visualisation functionality. But how can this be achieved in 3D and in immersive visualisations? Different visualisation types, each have specific uses, and each has the potential to tell or evoke a different story. Through several use-cases, we discuss challenges of 3D visualisation, and present our argument for concurrent and coordinated visualisations of alternative styles, and encourage developers to consider using alternative representations with any 3D view, even if that view is displayed in a virtual, augmented or mixed reality setup.

Xi Chen, Wei Zeng, Yanna Lin et al.

Multiple-view visualization (MV) is a layout design technique often employed to help users see a large number of data attributes and values in a single cohesive representation. Because of its generalizability, the MV design has been widely adopted by the visualization community to help users examine and interact with large, complex, and high-dimensional data. However, although ubiquitous, there has been little work to categorize and analyze MVs in order to better understand its design space. As a result, there has been little to no guideline in how to use the MV design effectively. In this paper, we present an in-depth study of how MVs are designed in practice. We focus on two fundamental measures of multiple-view patterns: composition, which quantifies what view types and how many are there; and configuration, which characterizes spatial arrangement of view layouts in the display space. We build a new dataset containing 360 images of MVs collected from IEEE VIS, EuroVis, and PacificVis publications 2011 to 2019, and make fine-grained annotations of view types and layouts for these visualization images. From this data we conduct composition and configuration analyses using quantitative metrics of term frequency and layout topology. We identify common practices around MVs, including relationship of view types, popular view layouts, and correlation between view types and layouts. We combine the findings into a MV recommendation system, providing interactive tools to explore the design space, and support example-based design.