Mingshuo Ding

2papers

2 Papers

2.2SDFeb 28
CMI-RewardBench: Evaluating Music Reward Models with Compositional Multimodal Instruction

Yinghao Ma, Haiwen Xia, Hewei Gao et al.

While music generation models have evolved to handle complex multimodal inputs mixing text, lyrics, and reference audio, evaluation mechanisms have lagged behind. In this paper, we bridge this critical gap by establishing a comprehensive ecosystem for music reward modeling under Compositional Multimodal Instruction (CMI), where the generated music may be conditioned on text descriptions, lyrics, and audio prompts. We first introduce CMI-Pref-Pseudo, a large-scale preference dataset comprising 110k pseudo-labeled samples, and CMI-Pref, a high-quality, human-annotated corpus tailored for fine-grained alignment tasks. To unify the evaluation landscape, we propose CMI-RewardBench, a unified benchmark that evaluates music reward models on heterogeneous samples across musicality, text-music alignment, and compositional instruction alignment. Leveraging these resources, we develop CMI reward models (CMI-RMs), a parameter-efficient reward model family capable of processing heterogeneous inputs. We evaluate their correlation with human judgments scores on musicality and alignment on CMI-Pref along with previous datasets. Further experiments demonstrate that CMI-RM not only correlates strongly with human judgments, but also enables effective inference-time scaling via top-k filtering. The necessary training data, benchmarks, and reward models are publicly available.

1.9SDOct 15, 2020
A Transformer Based Pitch Sequence Autoencoder with MIDI Augmentation

Mingshuo Ding, Yinghao Ma

Despite recent achievements of deep learning automatic music generation algorithms, few approaches have been proposed to evaluate whether a single-track music excerpt is composed by automatons or Homo sapiens. To tackle this problem, we apply a masked language model based on ALBERT for composers classification. The aim is to obtain a model that can suggest the probability a MIDI clip might be composed condition on the auto-generation hypothesis, and which is trained with only AI-composed single-track MIDI. In this paper, the amount of parameters is reduced, two methods on data augmentation are proposed as well as a refined loss function to prevent overfitting. The experiment results show our model ranks $3^{rd}$ in all the $7$ teams in the data challenge in CSMT(2020). Furthermore, this inspiring method could be spread to other music information retrieval tasks that are based on a small dataset.