Wei-Jaw Lee

Fang-Duo Tsai, Yi-An Lai, Fei-Yueh Chen et al.

While end-to-end lyrics-to-song models offer convenience for casual users, professional songwriters require score-to-song systems that allow them to retain authorship over the core melody. However, existing score-to-song methods are limited to short-form snippets and fail to maintain coherence in long-form generation, particularly during vocal-silent sections like intros and bridges. To address this long-form bottleneck, we propose MIDI-informed singing accompaniment generation (MIDI-SAG). Unlike conventional audio-only models, MIDI-SAG utilizes symbolic timing and chord information derived from the vocal MIDI to provide a stable musical roadmap. By incorporating structure planning, which defines temporal boundaries and semantic labels, our framework facilitates consistent generation across both vocal and non-vocal sections. We demonstrate the feasibility of this compositional pipeline by leveraging specialized pre-trained modules, enabling data-efficient training on a single GPU. Our experiments show the potential of this approach for both professional score-to-song and general lyrics-to-song tasks. While an early exploration, MIDI-SAG suggests a promising direction for structured, long-form music synthesis. Audio demos are available, and the code will be open-sourced at https://composerflow.github.io/web_revealed/.

Fang-Chih Hsieh, Wei-Jaw Lee, Chun-Ping Wang et al.

This paper presents an overview and the technical framework of the ICME 2026 Grand Challenge on Academic Text-to-Music Generation (ATTM). Despite the rapid progress in text-to-music generation (TTM) systems, the field is currently dominated by models trained on massive proprietary datasets with industrial-scale computational resources, creating a significant barrier for academic research. To address this, the ATTM Challenge establishes a fair-play benchmark that requires participants to train generative models strictly from scratch using a standardized, CC-licensed subset of the MTG-Jamendo dataset containing only instrumental music. The challenge is divided into two tracks: the Efficiency Track (limited to 500M parameters) and the Performance Track (no parameter limit). Submissions are evaluated through a multi-stage process involving objective metrics, including Frechet Audio Distance, CLAP score, and a novel Concept Coverage Score (CCS), followed by a subjective listening test. By providing open-source baselines, preprocessing pipelines, reference captions, and public evaluation code for computing FAD and CLAP, this challenge aims to facilitate and promote TTM research in academic contexts.

Wei-Jaw Lee, Fang-Chih Hsieh, Xuanjun Chen et al.

Recent advances in text-to-music generation (TTM) have yielded high-quality results, but often at the cost of extensive compute and the use of large proprietary internal data. To improve the affordability and openness of TTM training, an open-source generative model backbone that is more training- and data-efficient is needed. In this paper, we constrain the number of trainable parameters in the generative model to match that of the MusicGen-small benchmark (with about 300M parameters), and replace its Transformer backbone with the emerging class of state-space models (SSMs). Specifically, we explore different SSM variants for sequence modeling, and compare a single-stage SSM-based design with a decomposable two-stage SSM/diffusion hybrid design. All proposed models are trained from scratch on a purely public dataset comprising 457 hours of CC-licensed music, ensuring full openness. Our experimental findings are three-fold. First, we show that SSMs exhibit superior training efficiency compared to the Transformer counterpart. Second, despite using only 9% of the FLOPs and 2% of the training data size compared to the MusicGen-small benchmark, our model achieves competitive performance in both objective metrics and subjective listening tests based on MusicCaps captions. Finally, our scaling-down experiment demonstrates that SSMs can maintain competitive performance relative to the Transformer baseline even at the same training budget (measured in iterations), when the model size is reduced to four times smaller. To facilitate the democratization of TTM research, the processed captions, model checkpoints, and source code are available on GitHub via the project page: https://lonian6.github.io/ssmttm/.

Wei-Jaw Lee, Fang-Chih Hsieh, Xuanjun Chen et al.

The recent surge in State Space Models (SSMs), particularly the emergence of Mamba, has established them as strong alternatives or complementary modules to Transformers across diverse domains. In this work, we aim to explore the potential of Mamba-based architectures for text-to-music generation. We adopt discrete tokens of Residual Vector Quantization (RVQ) as the modeling representation and empirically find that a single-layer codebook can capture semantic information in music. Motivated by this observation, we focus on modeling a single-codebook representation and adapt SiMBA, originally designed as a Mamba-based encoder, to function as a decoder for sequence modeling. We compare its performance against a standard Transformer-based decoder. Our results suggest that, under limited-resource settings, SiMBA achieves much faster convergence and generates outputs closer to the ground truth. This demonstrates the promise of SSMs for efficient and expressive text-to-music generation. We put audio examples on Github.