R. C. de Oliveira

H. M. de Oliveira, R. J. Cintra, R. C. de Oliveira

This paper presents a wavelet representation using baseband signals, by exploiting Kotel'nikov results. Details of how to obtain the processes of envelope and phase at low frequency are shown. The archetypal interpretation of wavelets as an analysis with a filter bank of constant quality factor is revisited on these bases. It is shown that if the wavelet spectral support is limited into the band $[f_m,f_M]$, then an orthogonal analysis is guaranteed provided that $f_M \leq 3f_m$, a quite simple result, but that invokes some parallel with the Nyquist rate. Nevertheless, in cases of orthogonal wavelets whose spectrum does not verify this condition, it is shown how to construct an "equivalent" filter bank with no spectral overlapping.

R. C. de Oliveira, H. M. de Oliveira, R. M. Campello de Souza et al.

This paper describes a flexible architecture for implementing a new fast computation of the discrete Fourier and Hartley transforms, which is based on a matrix Laurent series. The device calculates the transforms based on a single bit selection operator. The hardware structure and synthesis are presented, which handled a 16-point fast transform in 65 nsec, with a Xilinx SPARTAN 3E device.

H. M. de Oliveira, R. C. de Oliveira

It is shown how binary sequences can be associated with automatic composition of monophonic pieces. We are concerned with the composition of e-music from finite field structures. The information at the input may be either random or information from a black-and-white, grayscale or color picture. New e-compositions and music score are made available, including a new piece from the famous Lenna picture: the score of the e-music <<Between Lenna's eyes in C major.>> The corresponding stretch of music score are presented. Some particular structures, including clock arithmetic (mod 12), GF(7), GF(8), GF(13) and GF(17) are addressed. Further, multilevel block-codes are also used in a new approach of e-music composition, engendering a particular style as an e-composer. As an example, Pascal multilevel block codes recently introduced are handled to generate a new style of electronic music over GF(13).

H. M. de Oliveira, R. C. de Oliveira

A short overview demystifying the midi audio format is presented. The goal is to explain the file structure and how the instructions are used to produce a music signal, both in the case of monophonic signals as for polyphonic signals.