Renato Fabbri

Renato Fabbri, Vilson Vieira da Silva Junior, Antônio Carlos Silvano Pessotti et al.

The representation of basic elements of music in terms of discrete audio signals is often used in software for musical creation and design. Nevertheless, there is no unified approach that relates these elements to the discrete samples of digitized sound. In this article, each musical element is related by equations and algorithms to the discrete-time samples of sounds, and each of these relations are implemented in scripts within a software toolbox, referred to as MASS (Music and Audio in Sample Sequences). The fundamental element, the musical note with duration, volume, pitch and timbre, is related quantitatively to characteristics of the digital signal. Internal variations of a note, such as tremolos, vibratos and spectral fluctuations, are also considered, which enables the synthesis of notes inspired by real instruments and new sonorities. With this representation of notes, resources are provided for the generation of higher scale musical structures, such as rhythmic meter, pitch intervals and cycles. This framework enables precise and trustful scientific experiments, data sonification and is useful for education and art. The efficacy of MASS is confirmed by the synthesis of small musical pieces using basic notes, elaborated notes and notes in music, which reflects the organization of the toolbox and thus of this article. It is possible to synthesize whole albums through collage of the scripts and settings specified by the user. With the open source paradigm, the toolbox can be promptly scrutinized, expanded in co-authorship processes and used with freedom by musicians, engineers and other interested parties. In fact, MASS has already been employed for diverse purposes which include music production, artistic presentations, psychoacoustic experiments and computer language diffusion where the appeal of audiovisual artifacts is exploited for education.

Renato Fabbri

A minimal constructed language (conlang) is useful for experiments and comfortable for making tools. The Toki Pona (TP) conlang is minimal both in the vocabulary (with only 14 letters and 124 lemmas) and in the (about) 10 syntax rules. The language is useful for being a used and somewhat established minimal conlang with at least hundreds of fluent speakers. This article exposes current concepts and resources for TP, and makes available Python (and Vim) scripted routines for the analysis of the language, synthesis of texts, syntax highlighting schemes, and the achievement of a preliminary TP Wordnet. Focus is on the analysis of the basic vocabulary, as corpus analyses were found. The synthesis is based on sentence templates, relates to context by keeping track of used words, and renders larger texts by using a fixed number of phonemes (e.g. for poems) and number of sentences, words and letters (e.g. for paragraphs). Syntax highlighting reflects morphosyntactic classes given in the official dictionary and different solutions are described and implemented in the well-established Vim text editor. The tentative TP Wordnet is made available in three patterns of relations between synsets and word lemmas. In summary, this text holds potentially novel conceptualizations about, and tools and results in analyzing, synthesizing and syntax highlighting the TP language.

Renato Fabbri

The Vim text editor is very rich in capabilities and thus complex. This article is a description of Vim and a set of considerations about its usage and design. It results from more than ten years of experience in using Vim for writing and editing various types of documents, e.g. Python, C++, JavaScript, ChucK programs; \LaTeX, Markdown, HTML, RDF, Make and other markup files; % TTM binary files. It is commonplace, in the Vim users and developers communities, to say that it takes about ten years to master (or start mastering) this text editor, and I find that other experienced users have a different view of Vim and that they use a different set of features. Therefore, this document exposes my understandings in order to confront my usage with that of other Vim users. Another goal is to make available a reference document with which new users can grasp a sound overview by reading it and the discussions that it might generate. Also, it should be useful for users of any degree of experience, including me, as a compendium of commands, namespaces and tweaks. Upon feedback, and maturing of my Vim usage, this document might be enhanced and expanded.

Renato Fabbri, Maria Cristina Ferreira de Oliveira

Visual Analytics might be defined as data mining assisted by interactive visual interfaces. The field has been receiving prominent consideration by researchers, developers and the industry. The literature, however, is complex because it involves multiple fields of knowledge and is considerably recent. In this article we describe an initial tentative organization of the knowledge in the field as an OWL ontology and a SKOS vocabulary. This effort might be useful in many ways that include conceptual considerations and software implementations. Within the results and discussions, we expose a core and an example expansion of the conceptualization, and incorporate design issues that enhance the expressive power of the abstraction.

Renato Fabbri

The semantic web has received many contributions of researchers as ontologies which, in this context, i.e. within RDF linked data, are formalized conceptualizations that might use different protocols, such as RDFS, OWL DL and OWL FULL. In this article, we describe new expressive techniques which were found necessary after elaborating dozens of OWL ontologies for the scientific academy, the State and the civil society. They consist in: 1) stating possible uses a property might have without incurring into axioms or restrictions; 2) assigning a level of priority for an element (class, property, triple); 3) correct depiction in diagrams of relations between classes, between individuals which are imperative, and between individuals which are optional; 4) a convenient association between OWL classes and SKOS concepts. We propose specific rules to accomplish these enhancements and exemplify both its use and the difficulties that arise because these techniques are currently not established as standards to the ontology designer.

Renato Fabbri, Luis Henrique Garcia

Literary analysis, criticism or studies is a largely valued field with dedicated journals and researchers which remains mostly within the humanities scope. Text analytics is the computer-aided process of deriving information from texts. In this article we describe a simple and generic model for performing literary analysis using text analytics. The method relies on statistical measures of: 1) token and sentence sizes and 2) Wordnet synset features. These measures are then used in Principal Component Analysis where the texts to be analyzed are observed against Shakespeare and the Bible, regarded as reference literature. The model is validated by analyzing selected works from James Joyce (1882-1941), one of the most important writers of the 20th century. We discuss the consistency of this approach, the reasons why we did not use other techniques (e.g. part-of-speech tagging) and the ways by which the analysis model might be adapted and enhanced.

Renato Fabbri, Ricardo Fabbri, Vilson Vieira et al.

We present a new self-regulating methodology for coordinating distributed team work called Algorithmic Autoregulation (AA), based on recent social networking concepts and individual merit. Team members take on an egalitarian role, and stay voluntarily logged into so-called AA sessions for part of their time (e.g. 2 hours per day), during which they create periodical logs - short text sentences - they wish to share about their activity with the team. These logs are publicly aggregated in a website and are peer-validated after the end of a session, as in code review. A short screencast is ideally recorded at the end of each session to make AA logs more understandable. This methodology has shown to be well-suited for increasing the efficiency of distributed teams working on Global Software Development (GSD), as observed in our reported experience in actual real-world situations. This efficiency boost is mainly achieved through 1) built-in asynchronous on-demand communication in conjunction with documentation of work, products, and processes, and 2) reduced need for central management, meetings or time-consuming reports. Hence, the AA methodology legitimizes and facilitates the activities of a distributed software team. It thus enables other entities to have a solid means to fund these activities, allowing for new and concrete business models to emerge for very distributed software development. AA has been proposed, at its core, as a way of sustaining self-replicating hacker initiatives. These claims are discussed in a real case-study of running a distributed free software hacker team called Lab Macambira.

Vilson Vieira, Guilherme Lunhani, Geraldo Magela de Castro Rocha Junior et al.

Live coding is a performance and creative technique based on improvised and interactive coding. Many recent endeavors have focused in live coding both because of aesthetics and as a way to alleviate performance drawbacks when the musical instrument is a computer. This paper describes the principles and the design of Vivace, a live coding language and environment built with Web technologies to be executed on web browsers. The approach is compelling by 1) allowing many performers to code simultaneously, 2) the synthesis of audio and video, 3) a very simple syntax, 4) being a multiplatform software. We also strive to contextualize Vivace by means of historical and usage summaries including a live coding sub-genre.

Renato Fabbri, Henrique Parra Parra Filho, Rodrigo Bandeira de Luna et al.

Participatory democracy advances in virtually all governments and especially in South America which exhibits a mixed culture and social predisposition. This article presents the "Social Participation Ontology" (OPS from the Brazilian name \emph{Ontologia de Participação Social}) implemented in compliance with the Web Ontology Language standard (OWL) for fostering social participation, specially in virtual platforms. The entities and links of OPS were defined based on an extensive collaboration of specialists. It is shown that OPS is instrumental for information retrieval from the contents of the portal, both in terms of the actors (at various levels) as well as mechanisms and activities. Significantly, OPS is linked to other OWL ontologies as an upper ontology and via FOAF and BFO as higher upper ontologies, which yields sound organization and access of knowledge and data. In order to illustrate the usefulness of OPS, we present results on ontological expansion and integration with other ontologies and data. Ongoing work involves further adoption of OPS by the official Brazilian federal portal for social participation and NGO s, and further linkage to other ontologies for social participation.

Vilson Vieira, Renato Fabbri, Gonzalo Travieso et al.

The development of new statistical and computational methods is increasingly making it possible to bridge the gap between hard sciences and humanities. In this study, we propose an approach based on a quantitative evaluation of attributes of objects in fields of humanities, from which concepts such as dialectics and opposition are formally defined mathematically. As case studies, we analyzed the temporal evolution of classical music and philosophy by obtaining data for 8 features characterizing the corresponding fields for 7 well-known composers and philosophers, which were treated with multivariate statistics and pattern recognition methods. A bootstrap method was applied to avoid statistical bias caused by the small sample data set, with which hundreds of artificial composers and philosophers were generated, influenced by the 7 names originally chosen. Upon defining indices for opposition, skewness and counter-dialectics, we confirmed the intuitive analysis of historians in that classical music evolved according to a master-apprentice tradition, while in philosophy changes were driven by opposition. Though these case studies were meant only to show the possibility of treating phenomena in humanities quantitatively, including a quantitative measure of concepts such as dialectics and opposition the results are encouraging for further application of the approach presented here to many other areas, since it is entirely generic.