Jun-You Wang

Chien-yu Huang, Wei-Chih Chen, Shu-wen Yang et al. · cmu, mit

Multimodal foundation models, such as Gemini and ChatGPT, have revolutionized human-machine interactions by seamlessly integrating various forms of data. Developing a universal spoken language model that comprehends a wide range of natural language instructions is critical for bridging communication gaps and facilitating more intuitive interactions. However, the absence of a comprehensive evaluation benchmark poses a significant challenge. We present Dynamic-SUPERB Phase-2, an open and evolving benchmark for the comprehensive evaluation of instruction-based universal speech models. Building upon the first generation, this second version incorporates 125 new tasks contributed collaboratively by the global research community, expanding the benchmark to a total of 180 tasks, making it the largest benchmark for speech and audio evaluation. While the first generation of Dynamic-SUPERB was limited to classification tasks, Dynamic-SUPERB Phase-2 broadens its evaluation capabilities by introducing a wide array of novel and diverse tasks, including regression and sequence generation, across speech, music, and environmental audio. Evaluation results show that no model performed well universally. SALMONN-13B excelled in English ASR and Qwen2-Audio-7B-Instruct showed high accuracy in emotion recognition, but current models still require further innovations to handle a broader range of tasks. We open-source all task data and the evaluation pipeline at https://github.com/dynamic-superb/dynamic-superb.

Jun-You Wang, Li Su

We propose a pre-trained BERT-like model for symbolic music understanding that achieves competitive performance across a wide range of downstream tasks. To achieve this target, we design two novel pre-training objectives, namely token correction and pianoroll prediction. First, we sample a portion of note tokens and corrupt them with a limited amount of noise, and then train the model to denoise the corrupted tokens; second, we also train the model to predict bar-level and local pianoroll-derived representations from the corrupted note tokens. We argue that these objectives guide the model to better learn specific musical knowledge such as pitch intervals. For evaluation, we propose a benchmark that incorporates 12 downstream tasks ranging from chord estimation to symbolic genre classification. Results confirm the effectiveness of the proposed pre-training objectives on downstream tasks.

Chun-Hsiang Wang, Chung-Che Wang, Jun-You Wang et al.

Music source separation aims to separate polyphonic music into different types of sources. Most existing methods focus on enhancing the quality of separated results by using a larger model structure, rendering them unsuitable for deployment on edge devices. Moreover, these methods may produce low-quality output when the input duration is short, making them impractical for real-time applications. Therefore, the goal of this paper is to enhance a lightweight model, MMDenstNet, to strike a balance between separation quality and latency for real-time applications. Different directions of improvement are explored or proposed in this paper, including complex ideal ratio mask, self-attention, band-merge-split method, and feature look back. Source-to-distortion ratio, real-time factor, and optimal latency are employed to evaluate the performance. To align with our application requirements, the evaluation process in this paper focuses on the separation performance of the accompaniment part. Experimental results demonstrate that our improvement achieves low real-time factor and optimal latency while maintaining acceptable separation quality.