Elena V. Epure

Abigail Berthe-Pardo, Gaspard Michel, Elena V. Epure et al.

With recent advances in Text-to-Speech (TTS) systems, synthetic audiobook narration has seen increased interest, reaching unprecedented levels of naturalness. However, larger gaps remain in synthetic narration systems' ability to impersonate fictional characters, and convey complex emotions or prosody. A promising direction to enhance character identification is the assignment of plausible voices to each fictional characters in a book. This step typically requires complex inference of attributes in book-length contexts, such as a character's age, gender, origin or physical health, which in turns requires dedicated benchmark datasets to evaluate extraction systems' performances. We present S-VoCAL (Speaking Voice Character Attributes in Literature), the first dataset and evaluation framework dedicated to evaluate the inference of voice-related fictional character attributes. S-VoCAL entails 8 attributes grounded in sociophonetic studies, and 952 character-book pairs derived from Project Gutenberg. Its evaluation framework addresses the particularities of each attribute, and includes a novel similarity metric based on recent Large Language Models embeddings. We demonstrate the applicability of S-VoCAL by applying a simple Retrieval-Augmented Generation (RAG) pipeline to the task of inferring character attributes. Our results suggest that the RAG pipeline reliably infers attributes such as Age or Gender, but struggles on others such as Origin or Physical Health. The dataset and evaluation code are available at https://github.com/AbigailBerthe/S-VoCAL .

Gaspard Michel, Elena V. Epure, Romain Hennequin et al.

Methods to represent literary texts as graphs or sequences of graphs mainly focus on representing character interactions, and often overlook another crucial aspect: the textual context in which characters interact. We introduce Dynamic Heterogeneous Character Networks (DHCNs), which organize long novels into temporally localized heterogeneous graphs that align characters with their textual contexts. We extract around 20,000 DHCNs from Project Gutenberg, and propose GraphLit, a self-supervised learning framework that learns rich literary representations through a masked graph autoencoder objective. Across a wide-range of 12 character-related tasks, GraphLit improves over text-only and graph-only baselines, particularly on tasks requiring contextual understanding. Finally, we demonstrate the applicability of DHCNs and GraphLit for literary analysis by studying the link between narrative non-linearity and dynamic social features.

Karim M. Ibrahim, Elena V. Epure, Geoffroy Peeters et al.

As music has become more available especially on music streaming platforms, people have started to have distinct preferences to fit to their varying listening situations, also known as context. Hence, there has been a growing interest in considering the user's situation when recommending music to users. Previous works have proposed user-aware autotaggers to infer situation-related tags from music content and user's global listening preferences. However, in a practical music retrieval system, the autotagger could be only used by assuming that the context class is explicitly provided by the user. In this work, for designing a fully automatised music retrieval system, we propose to disambiguate the user's listening information from their stream data. Namely, we propose a system which can generate a situational playlist for a user at a certain time 1) by leveraging user-aware music autotaggers, and 2) by automatically inferring the user's situation from stream data (e.g. device, network) and user's general profile information (e.g. age). Experiments show that such a context-aware personalized music retrieval system is feasible, but the performance decreases in the case of new users, new tracks or when the number of context classes increases.

Elena V. Epure, Romain Hennequin

We conducted a human subject study of named entity recognition on a noisy corpus of conversational music recommendation queries, with many irregular and novel named entities. We evaluated the human NER linguistic behaviour in these challenging conditions and compared it with the most common NER systems nowadays, fine-tuned transformers. Our goal was to learn about the task to guide the design of better evaluation methods and NER algorithms. The results showed that NER in our context was quite hard for both human and algorithms under a strict evaluation schema; humans had higher precision, while the model higher recall because of entity exposure especially during pre-training; and entity types had different error patterns (e.g. frequent typing errors for artists). The released corpus goes beyond predefined frames of interaction and can support future work in conversational music recommendation.

Noé Durandard, Viet-Anh Tran, Gaspard Michel et al.

The automatic annotation of direct speech (AADS) in written text has been often used in computational narrative understanding. Methods based on either rules or deep neural networks have been explored, in particular for English or German languages. Yet, for French, our target language, not many works exist. Our goal is to create a unified framework to design and evaluate AADS models in French. For this, we consolidated the largest-to-date French narrative dataset annotated with DS per word; we adapted various baselines for sequence labelling or from AADS in other languages; and we designed and conducted an extensive evaluation focused on generalisation. Results show that the task still requires substantial efforts and emphasise characteristics of each baseline. Although this framework could be improved, it is a step further to encourage more research on the topic.

Joanne Affolter, Benjamin Martin, Elena V. Epure et al.

Music Cover Retrieval, also known as Version Identification, aims to recognize distinct renditions of the same underlying musical work, a task central to catalog management, copyright enforcement, and music retrieval. State-of-the-art approaches have largely focused on harmonic and melodic features, employing increasingly complex audio pipelines designed to be invariant to musical attributes that often vary widely across covers. While effective, these methods demand substantial training time and computational resources. By contrast, lyrics constitute a strong invariant across covers, though their use has been limited by the difficulty of extracting them accurately and efficiently from polyphonic audio. Early methods relied on simple frameworks that limited downstream performance, while more recent systems deliver stronger results but require large models integrated within complex multimodal architectures. We introduce LIVI (Lyrics-Informed Version Identification), an approach that seeks to balance retrieval accuracy with computational efficiency. First, LIVI leverages supervision from state-of-the-art transcription and text embedding models during training to achieve retrieval accuracy on par with--or superior to--harmonic-based systems. Second, LIVI remains lightweight and efficient by removing the transcription step at inference, challenging the dominance of complexity-heavy pipelines.

Markus Frohmann, Elena V. Epure, Gabriel Meseguer-Brocal et al.

The recent rise in capabilities of AI-based music generation tools has created an upheaval in the music industry, necessitating the creation of accurate methods to detect such AI-generated content. This can be done using audio-based detectors; however, it has been shown that they struggle to generalize to unseen generators or when the audio is perturbed. Furthermore, recent work used accurate and cleanly formatted lyrics sourced from a lyrics provider database to detect AI-generated music. However, in practice, such perfect lyrics are not available (only the audio is); this leaves a substantial gap in applicability in real-life use cases. In this work, we instead propose solving this gap by transcribing songs using general automatic speech recognition (ASR) models. We do this using several detectors. The results on diverse, multi-genre, and multi-lingual lyrics show generally strong detection performance across languages and genres, particularly for our best-performing model using Whisper large-v2 and LLM2Vec embeddings. In addition, we show that our method is more robust than state-of-the-art audio-based ones when the audio is perturbed in different ways and when evaluated on different music generators. Our code is available at https://github.com/deezer/robust-AI-lyrics-detection.

Markus Frohmann, Gabriel Meseguer-Brocal, Markus Schedl et al.

The rapid advancement of AI-based music generation tools is revolutionizing the music industry but also posing challenges to artists, copyright holders, and providers alike. This necessitates reliable methods for detecting such AI-generated content. However, existing detectors, relying on either audio or lyrics, face key practical limitations: audio-based detectors fail to generalize to new or unseen generators and are vulnerable to audio perturbations; lyrics-based methods require cleanly formatted and accurate lyrics, unavailable in practice. To overcome these limitations, we propose a novel, practically grounded approach: a multimodal, modular late-fusion pipeline that combines automatically transcribed sung lyrics and speech features capturing lyrics-related information within the audio. By relying on lyrical aspects directly from audio, our method enhances robustness, mitigates susceptibility to low-level artifacts, and enables practical applicability. Experiments show that our method, DE-detect, outperforms existing lyrics-based detectors while also being more robust to audio perturbations. Thus, it offers an effective, robust solution for detecting AI-generated music in real-world scenarios. Our code is available at https://github.com/deezer/robust-AI-lyrics-detection.

Gaspard Michel, Elena V. Epure, Romain Hennequin et al.

Humans naturally attribute utterances of direct speech to their speaker in literary works. When attributing quotes, we process contextual information but also access mental representations of characters that we build and revise throughout the narrative. Recent methods to automatically attribute such utterances have explored simulating human logic with deterministic rules or learning new implicit rules with neural networks when processing contextual information. However, these systems inherently lack \textit{character} representations, which often leads to errors in more challenging examples of attribution: anaphoric and implicit quotes. In this work, we propose to augment a popular quotation attribution system, BookNLP, with character embeddings that encode global stylistic information of characters derived from an off-the-shelf stylometric model, Universal Authorship Representation (UAR). We create DramaCV (Code and data can be found at https://github.com/deezer/character_embeddings_qa ), a corpus of English drama plays from the 15th to 20th century that we automatically annotate for Authorship Verification of fictional characters utterances, and release two versions of UAR trained on DramaCV, that are tailored for literary characters analysis. Then, through an extensive evaluation on 28 novels, we show that combining BookNLP's contextual information with our proposed global character embeddings improves the identification of speakers for anaphoric and implicit quotes, reaching state-of-the-art performance.

Alessandro B. Melchiorre, Elena V. Epure, Shahed Masoudian et al.

Natural language interfaces offer a compelling approach for music recommendation, enabling users to express complex preferences conversationally. While Large Language Models (LLMs) show promise in this direction, their scalability in recommender systems is limited by high costs and latency. Retrieval-based approaches using smaller language models mitigate these issues but often rely on single-modal item representations, overlook long-term user preferences, and require full model retraining, posing challenges for real-world deployment. In this paper, we present JAM (Just Ask for Music), a lightweight and intuitive framework for natural language music recommendation. JAM models user-query-item interactions as vector translations in a shared latent space, inspired by knowledge graph embedding methods like TransE. To capture the complexity of music and user intent, JAM aggregates multimodal item features via cross-attention and sparse mixture-of-experts. We also introduce JAMSessions, a new dataset of over 100k user-query-item triples with anonymized user/item embeddings, uniquely combining conversational queries and user long-term preferences. Our results show that JAM provides accurate recommendations, produces intuitive representations suitable for practical use cases, and can be easily integrated with existing music recommendation stacks.

Gaspard Michel, Elena V. Epure, Romain Hennequin et al.

Recent approaches to automatically detect the speaker of an utterance of direct speech often disregard general information about characters in favor of local information found in the context, such as surrounding mentions of entities. In this work, we explore stylistic representations of characters built by encoding their quotes with off-the-shelf pretrained Authorship Verification models in a large corpus of English novels (the Project Dialogism Novel Corpus). Results suggest that the combination of stylistic and topical information captured in some of these models accurately distinguish characters among each other, but does not necessarily improve over semantic-only models when attributing quotes. However, these results vary across novels and more investigation of stylometric models particularly tailored for literary texts and the study of characters should be conducted.

Elena V. Epure, Yashar Deldjoo, Bruno Sguerra et al.

Music Recommender Systems (MRS) have long relied on an information-retrieval framing, where progress is measured mainly through accuracy on retrieval-oriented subtasks. While effective, this reductionist paradigm struggles to address the deeper question of what makes a good recommendation, and attempts to broaden evaluation, through user studies or fairness analyses, have had limited impact. The emergence of Large Language Models (LLMs) disrupts this framework: LLMs are generative rather than ranking-based, making standard accuracy metrics questionable. They also introduce challenges such as hallucinations, knowledge cutoffs, non-determinism, and opaque training data, rendering traditional train/test protocols difficult to interpret. At the same time, LLMs create new opportunities, enabling natural-language interaction and even allowing models to act as evaluators. This work argues that the shift toward LLM-driven MRS requires rethinking evaluation. We first review how LLMs reshape user modeling, item modeling, and natural-language recommendation in music. We then examine evaluation practices from NLP, highlighting methodologies and open challenges relevant to MRS. Finally, we synthesize insights-focusing on how LLM prompting applies to MRS, to outline a structured set of success and risk dimensions. Our goal is to provide the MRS community with an updated, pedagogical, and cross-disciplinary perspective on evaluation.

Gaspard Michel, Elena V. Epure, Christophe Cerisara

Text-to-speech (TTS) systems have recently achieved more expressive and natural speech synthesis by scaling to large speech datasets. However, the proportion of expressive speech in such large-scale corpora is often unclear. Besides, existing expressive speech corpora are typically smaller in scale and primarily used for benchmarking TTS systems. In this paper, we introduce the LibriQuote dataset, an English corpus derived from read audiobooks, designed for both fine-tuning and benchmarking expressive zero-shot TTS system. The training dataset includes 12.7K hours of read, non-expressive speech and 5.3K hours of mostly expressive speech drawn from character quotations. Each utterance in the expressive subset is supplemented with the context in which it was written, along with pseudo-labels of speech verbs and adverbs used to describe the quotation (\textit{e.g. ``he whispered softly''}). Additionally, we provide a challenging 7.5 hour test set intended for benchmarking TTS systems: given a neutral reference speech as input, we evaluate system's ability to synthesize an expressive utterance while preserving reference timbre. We validate qualitatively the test set by showing that it covers a wide range of emotions compared to non-expressive speech, along with various accents. Extensive subjective and objective evaluations show that fine-tuning a baseline TTS system on LibriQuote significantly improves its synthesized speech intelligibility, and that recent systems fail to synthesize speech as expressive and natural as the ground-truth utterances. The dataset and evaluation code are freely available. Audio samples can be found at https://libriquote.github.io/.

Yanis Labrak, Markus Frohmann, Gabriel Meseguer-Brocal et al.

In recent years, the use of large language models (LLMs) to generate music content, particularly lyrics, has gained in popularity. These advances provide valuable tools for artists and enhance their creative processes, but they also raise concerns about copyright violations, consumer satisfaction, and content spamming. Previous research has explored content detection in various domains. However, no work has focused on the text modality, lyrics, in music. To address this gap, we curated a diverse dataset of real and synthetic lyrics from multiple languages, music genres, and artists. The generation pipeline was validated using both humans and automated methods. We performed a thorough evaluation of existing synthetic text detection approaches on lyrics, a previously unexplored data type. We also investigated methods to adapt the best-performing features to lyrics through unsupervised domain adaptation. Following both music and industrial constraints, we examined how well these approaches generalize across languages, scale with data availability, handle multilingual language content, and perform on novel genres in few-shot settings. Our findings show promising results that could inform policy decisions around AI-generated music and enhance transparency for users.

Gaspard Michel, Elena V. Epure, Romain Hennequin et al.

Large Language Models (LLMs) have shown promising results in a variety of literary tasks, often using complex memorized details of narration and fictional characters. In this work, we evaluate the ability of Llama-3 at attributing utterances of direct-speech to their speaker in novels. The LLM shows impressive results on a corpus of 28 novels, surpassing published results with ChatGPT and encoder-based baselines by a large margin. We then validate these results by assessing the impact of book memorization and annotation contamination. We found that these types of memorization do not explain the large performance gain, making Llama-3 the new state-of-the-art for quotation attribution in English literature. We release publicly our code and data.

Darius Afchar, Alessandro B. Melchiorre, Markus Schedl et al.

The most common way to listen to recorded music nowadays is via streaming platforms which provide access to tens of millions of tracks. To assist users in effectively browsing these large catalogs, the integration of Music Recommender Systems (MRSs) has become essential. Current real-world MRSs are often quite complex and optimized for recommendation accuracy. They combine several building blocks based on collaborative filtering and content-based recommendation. This complexity can hinder the ability to explain recommendations to end users, which is particularly important for recommendations perceived as unexpected or inappropriate. While pure recommendation performance often correlates with user satisfaction, explainability has a positive impact on other factors such as trust and forgiveness, which are ultimately essential to maintain user loyalty. In this article, we discuss how explainability can be addressed in the context of MRSs. We provide perspectives on how explainability could improve music recommendation algorithms and enhance user experience. First, we review common dimensions and goals of recommenders' explainability and in general of eXplainable Artificial Intelligence (XAI), and elaborate on the extent to which these apply -- or need to be adapted -- to the specific characteristics of music consumption and recommendation. Then, we show how explainability components can be integrated within a MRS and in what form explanations can be provided. Since the evaluation of explanation quality is decoupled from pure accuracy-based evaluation criteria, we also discuss requirements and strategies for evaluating explanations of music recommendations. Finally, we describe the current challenges for introducing explainability within a large-scale industrial music recommender system and provide research perspectives.

Francisco B. Valero, Marion Baranes, Elena V. Epure

Podcasts have emerged as a massively consumed online content, notably due to wider accessibility of production means and scaled distribution through large streaming platforms. Categorization systems and information access technologies typically use topics as the primary way to organize or navigate podcast collections. However, annotating podcasts with topics is still quite problematic because the assigned editorial genres are broad, heterogeneous or misleading, or because of data challenges (e.g. short metadata text, noisy transcripts). Here, we assess the feasibility to discover relevant topics from podcast metadata, titles and descriptions, using topic modeling techniques for short text. We also propose a new strategy to leverage named entities (NEs), often present in podcast metadata, in a Non-negative Matrix Factorization (NMF) topic modeling framework. Our experiments on two existing datasets from Spotify and iTunes and Deezer, a new dataset from an online service providing a catalog of podcasts, show that our proposed document representation, NEiCE, leads to improved topic coherence over the baselines. We release the code for experimental reproducibility of the results.

Elena V. Epure, Romain Hennequin

Despite impressive results of language models for named entity recognition (NER), their generalization to varied textual genres, a growing entity type set, and new entities remains a challenge. Collecting thousands of annotations in each new case for training or fine-tuning is expensive and time-consuming. In contrast, humans can easily identify named entities given some simple instructions. Inspired by this, we challenge the reliance on large datasets and study pre-trained language models for NER in a meta-learning setup. First, we test named entity typing (NET) in a zero-shot transfer scenario. Then, we perform NER by giving few examples at inference. We propose a method to select seen and rare / unseen names when having access only to the pre-trained model and report results on these groups. The results show: auto-regressive language models as meta-learners can perform NET and NER fairly well especially for regular or seen names; name irregularity when often present for a certain entity type can become an effective exploitable cue; names with words foreign to the model have the most negative impact on results; the model seems to rely more on name than context cues in few-shot NER.

Elena V. Epure, Guillaume Salha, Manuel Moussallam et al.

The music genre perception expressed through human annotations of artists or albums varies significantly across language-bound cultures. These variations cannot be modeled as mere translations since we also need to account for cultural differences in the music genre perception. In this work, we study the feasibility of obtaining relevant cross-lingual, culture-specific music genre annotations based only on language-specific semantic representations, namely distributed concept embeddings and ontologies. Our study, focused on six languages, shows that unsupervised cross-lingual music genre annotation is feasible with high accuracy, especially when combining both types of representations. This approach of studying music genres is the most extensive to date and has many implications in musicology and music information retrieval. Besides, we introduce a new, domain-dependent cross-lingual corpus to benchmark state of the art multilingual pre-trained embedding models.

Elena V. Epure, Guillaume Salha, Romain Hennequin

Annotating music items with music genres is crucial for music recommendation and information retrieval, yet challenging given that music genres are subjective concepts. Recently, in order to explicitly consider this subjectivity, the annotation of music items was modeled as a translation task: predict for a music item its music genres within a target vocabulary or taxonomy (tag system) from a set of music genre tags originating from other tag systems. However, without a parallel corpus, previous solutions could not handle tag systems in other languages, being limited to the English-language only. Here, by learning multilingual music genre embeddings, we enable cross-lingual music genre translation without relying on a parallel corpus. First, we apply compositionality functions on pre-trained word embeddings to represent multi-word tags.Second, we adapt the tag representations to the music domain by leveraging multilingual music genres graphs with a modified retrofitting algorithm. Experiments show that our method: 1) is effective in translating music genres across tag systems in multiple languages (English, French and Spanish); 2) outperforms the previous baseline in an English-language multi-source translation task. We publicly release the new multilingual data and code.

Elena V. Epure, Anis Khlif, Romain Hennequin

Prevalent efforts have been put in automatically inferring genres of musical items. Yet, the propose solutions often rely on simplifications and fail to address the diversity and subjectivity of music genres. Accounting for these has, though, many benefits for aligning knowledge sources, integrating data and enriching musical items with tags. Here, we choose a new angle for the genre study by seeking to predict what would be the genres of musical items in a target tag system, knowing the genres assigned to them within source tag systems. We call this a translation task and identify three cases: 1) no common annotated corpus between source and target tag systems exists, 2) such a large corpus exists, 3) only few common annotations exist. We propose the related solutions: a knowledge-based translation modeled as taxonomy mapping, a statistical translation modeled with maximum likelihood logistic regression; a hybrid translation modeled with maximum a posteriori logistic regression with priors given by the knowledge-based translation. During evaluation, the solutions fit well the identified cases and the hybrid translation is systematically the most effective w.r.t. multilabel classification metrics. This is a first attempt to unify genre tag systems by leveraging both representation and interpretation diversity.