Francisco Gómez

J. Galvis, Freddy Hernández-Romero, Francisco Gómez

We present the mathematical context of the predictive accuracy index and then introduce the definition of integral average transform. We establish the relation of our definition with two variables kernels $K({\bf y},{\bf x})$. As an example of an application we show that integrating against the fundamental solution of the Laplace operator, that is, solving the Poisson equation, can be re-interpreted as an integral of averages of the forcing term over balls. As a result, we obtained a novel integral representation of the solution of the Poisson equation. Our motivation comes from the need for a better mathematical understanding of the prediction accuracy index. This index is used to identify hot spots in predictive security and other applications.

Sergio Oramas, Luis Espinosa-Anke, Francisco Gómez et al.

Today, a massive amount of musical knowledge is stored in written form, with testimonies dated as far back as several centuries ago. In this work, we present different Natural Language Processing (NLP) approaches to harness the potential of these text collections for automatic music knowledge discovery, covering different phases in a prototypical NLP pipeline, namely corpus compilation, text-mining, information extraction, knowledge graph generation and sentiment analysis. Each of these approaches is presented alongside different use cases (i.e., flamenco, Renaissance and popular music) where large collections of documents are processed, and conclusions stemming from data-driven analyses are presented and discussed.

Francisco Gómez, Joaquín Mora, Emilia Gómez et al.

This work focuses on the topic of melodic characterization and similarity in a specific musical repertoire: a cappella flamenco singing, more specifically in debla and martinete styles. We propose the combination of manual and automatic description. First, we use a state-of-the-art automatic transcription method to account for general melodic similarity from music recordings. Second, we define a specific set of representative mid-level melodic features, which are manually labeled by flamenco experts. Both approaches are then contrasted and combined into a global similarity measure. This similarity measure is assessed by inspecting the clusters obtained through phylogenetic algorithms algorithms and by relating similarity to categorization in terms of style. Finally, we discuss the advantage of combining automatic and expert annotations as well as the need to include repertoire-specific descriptions for meaningful melodic characterization in traditional music collections.