Byungmoon Kim

Ju-Seung Byun, Byungmoon Kim, Huamin Wang

In this paper, we propose a new algorithm PPG (Proximal Policy Gradient), which is close to both VPG (vanilla policy gradient) and PPO (proximal policy optimization). The PPG objective is a partial variation of the VPG objective and the gradient of the PPG objective is exactly same as the gradient of the VPG objective. To increase the number of policy update iterations, we introduce the advantage-policy plane and design a new clipping strategy. We perform experiments in OpenAI Gym and Bullet robotics environments for ten random seeds. The performance of PPG is comparable to PPO, and the entropy decays slower than PPG. Thus we show that performance similar to PPO can be obtained by using the gradient formula from the original policy gradient theorem.

Biao Jia, Jonathan Brandt, Radomir Mech et al.

We present a novel reinforcement learning-based natural media painting algorithm. Our goal is to reproduce a reference image using brush strokes and we encode the objective through observations. Our formulation takes into account that the distribution of the reward in the action space is sparse and training a reinforcement learning algorithm from scratch can be difficult. We present an approach that combines self-supervised learning and reinforcement learning to effectively transfer negative samples into positive ones and change the reward distribution. We demonstrate the benefits of our painting agent to reproduce reference images with brush strokes. The training phase takes about one hour and the runtime algorithm takes about 30 seconds on a GTX1080 GPU reproducing a 1000x800 image with 20,000 strokes.

Biao Jia, Chen Fang, Jonathan Brandt et al.

We propose a new automated digital painting framework, based on a painting agent trained through reinforcement learning. To synthesize an image, the agent selects a sequence of continuous-valued actions representing primitive painting strokes, which are accumulated on a digital canvas. Action selection is guided by a given reference image, which the agent attempts to replicate subject to the limitations of the action space and the agent's learned policy. The painting agent policy is determined using a variant of proximal policy optimization reinforcement learning. During training, our agent is presented with patches sampled from an ensemble of reference images. To accelerate training convergence, we adopt a curriculum learning strategy, whereby reference patches are sampled according to how challenging they are using the current policy. We experiment with differing loss functions, including pixel-wise and perceptual loss, which have consequent differing effects on the learned policy. We demonstrate that our painting agent can learn an effective policy with a high dimensional continuous action space comprising pen pressure, width, tilt, and color, for a variety of painting styles. Through a coarse-to-fine refinement process our agent can paint arbitrarily complex images in the desired style.

Tao Zhou, Chen Fang, Zhaowen Wang et al.

Doodling is a useful and common intelligent skill that people can learn and master. In this work, we propose a two-stage learning framework to teach a machine to doodle in a simulated painting environment via Stroke Demonstration and deep Q-learning (SDQ). The developed system, Doodle-SDQ, generates a sequence of pen actions to reproduce a reference drawing and mimics the behavior of human painters. In the first stage, it learns to draw simple strokes by imitating in supervised fashion from a set of strokeaction pairs collected from artist paintings. In the second stage, it is challenged to draw real and more complex doodles without ground truth actions; thus, it is trained with Qlearning. Our experiments confirm that (1) doodling can be learned without direct stepby- step action supervision and (2) pretraining with stroke demonstration via supervised learning is important to improve performance. We further show that Doodle-SDQ is effective at producing plausible drawings in different media types, including sketch and watercolor.

Jihyun Lee, Byungmoon Kim, Bongwon Suh et al.

In this paper, we propose a new interface for virtual reality headset: a touchpad in front of the headset. To demonstrate the feasibility of the front touch interface, we built a prototype device, explored VR UI design space expansion, and performed various user studies. We started with preliminary tests to see how intuitively and accurately people can interact with the front touchpad. Then, we further experimented various user interfaces such as a binary selection, a typical menu layout, and a keyboard. Two-Finger and Drag-n-Tap were also explored to find the appropriate selection technique. As a low-cost, light-weight, and in low power budget technology, a touch sensor can make an ideal interface for mobile headset. Also, front touch area can be large enough to allow wide range of interaction types such as multi-finger interactions. With this novel front touch interface, we paved a way to new virtual reality interaction methods.