Joseph L. Gabbard

Joseph L. Gabbard, J. Edward Swan, Adam Zarger

It has been noted anecdotally and through a small number of formal studies that ambient lighting conditions and dynamic real-world backgrounds affect the usability of optical see-through augmented reality (AR) displays; especially so in outdoor environments. Our previous work examined these effects using painted posters as representative real-world backgrounds. In this paper, we present a study that employs an experimental testbed that allows AR graphics to be overlaid onto real-world backgrounds as well as painted posters. Our results indicate that color blending effects of physical materials as backgrounds are nearly the same as their corresponding poster backgrounds, even though the colors of each pair are only a metameric match. More importantly, our results suggest that given the current capabilities of optical see-through head-mounted displays (oHMDs), the implications are, at a minimum, a reduced color gamut available to user interface (UI) designers. In worse cases, there are unknown or unexpected color interactions that no UI or system designers can plan for; significantly crippling the usability of the UI or altering the semantic interpretation of graphical elements. Further, our results support the concept of an adaptive AR system which can dynamically alter the color of UI elements based on predicted background color interactions. These interactions can be studied and predicted through methods such as those presented in this work.

Richard Skarbez, Doug A. Bowman, J. Todd Ogle et al.

The emergence of social virtual reality (VR) experiences, such as Facebook Spaces, Oculus Rooms, and Oculus Venues, will generate increased interest from users who want to share real places (both personal and public) with their fellow users in VR. At the same time, advances in scanning and reconstruction technology are making the realistic capture of real places more and more feasible. These complementary pressures mean that the representation of real places in virtual reality will be an increasingly common use case for VR. Despite this, there has been very little research into how users perceive such replicated spaces. This paper reports the results from a series of three user studies investigating this topic. Taken together, these results show that getting the scale of the space correct is the most important factor for generating a "feeling of reality", that it is important to avoid incoherent behaviors (such as floating objects), and that lighting makes little difference to perceptual similarity.