Jiehua Zhang

h-index4
2papers
42citations

2 Papers

11.3CVNov 25, 2024Code
Multi-Granularity Class Prototype Topology Distillation for Class-Incremental Source-Free Unsupervised Domain Adaptation

Peihua Deng, Jiehua Zhang, Xichun Sheng et al.

This paper explores the Class-Incremental Source-Free Unsupervised Domain Adaptation (CI-SFUDA) problem, where the unlabeled target data come incrementally without access to labeled source instances. This problem poses two challenges, the interference of similar source-class knowledge in target-class representation learning and the shocks of new target knowledge to old ones. To address them, we propose the Multi-Granularity Class Prototype Topology Distillation (GROTO) algorithm, which effectively transfers the source knowledge to the class-incremental target domain. Concretely, we design the multi-granularity class prototype self-organization module and the prototype topology distillation module. First, we mine the positive classes by modeling accumulation distributions. Next, we introduce multi-granularity class prototypes to generate reliable pseudo-labels, and exploit them to promote the positive-class target feature self-organization. Second, the positive-class prototypes are leveraged to construct the topological structures of source and target feature spaces. Then, we perform the topology distillation to continually mitigate the shocks of new target knowledge to old ones. Extensive experiments demonstrate that our proposed method achieves state-of-the-art performance on three public datasets. Code is available at https://github.com/dengpeihua/GROTO.

4.9SDAug 3, 2024
Generating High-quality Symbolic Music Using Fine-grained Discriminators

Zhedong Zhang, Liang Li, Jiehua Zhang et al.

Existing symbolic music generation methods usually utilize discriminator to improve the quality of generated music via global perception of music. However, considering the complexity of information in music, such as rhythm and melody, a single discriminator cannot fully reflect the differences in these two primary dimensions of music. In this work, we propose to decouple the melody and rhythm from music, and design corresponding fine-grained discriminators to tackle the aforementioned issues. Specifically, equipped with a pitch augmentation strategy, the melody discriminator discerns the melody variations presented by the generated samples. By contrast, the rhythm discriminator, enhanced with bar-level relative positional encoding, focuses on the velocity of generated notes. Such a design allows the generator to be more explicitly aware of which aspects should be adjusted in the generated music, making it easier to mimic human-composed music. Experimental results on the POP909 benchmark demonstrate the favorable performance of the proposed method compared to several state-of-the-art methods in terms of both objective and subjective metrics.