Shiwen Deng

Hongwei Song, Jiqing Han, Shiwen Deng

One of the biggest challenges of acoustic scene classification (ASC) is to find proper features to better represent and characterize environmental sounds. Environmental sounds generally involve more sound sources while exhibiting less structure in temporal spectral representations. However, the background of an acoustic scene exhibits temporal homogeneity in acoustic properties, suggesting it could be characterized by distribution statistics rather than temporal details. In this work, we investigated using auditory summary statistics as the feature for ASC tasks. The inspiration comes from a recent neuroscience study, which shows the human auditory system tends to perceive sound textures through time-averaged statistics. Based on these statistics, we further proposed to use linear discriminant analysis to eliminate redundancies among these statistics while keeping the discriminative information, providing an extreme com-pact representation for acoustic scenes. Experimental results show the outstanding performance of the proposed feature over the conventional handcrafted features.

Hongwei Song, Jiqing Han, Shiwen Deng et al.

In this paper, we propose a new strategy for acoustic scene classification (ASC) , namely recognizing acoustic scenes through identifying distinct sound events. This differs from existing strategies, which focus on characterizing global acoustical distributions of audio or the temporal evolution of short-term audio features, without analysis down to the level of sound events. To identify distinct sound events for each scene, we formulate ASC in a multi-instance learning (MIL) framework, where each audio recording is mapped into a bag-of-instances representation. Here, instances can be seen as high-level representations for sound events inside a scene. We also propose a MIL neural networks model, which implicitly identifies distinct instances (i.e., sound events). Furthermore, we propose two specially designed modules that model the multi-temporal scale and multi-modal natures of the sound events respectively. The experiments were conducted on the official development set of the DCASE2018 Task1 Subtask B, and our best-performing model improves over the official baseline by 9.4% (68.3% vs 58.9%) in terms of classification accuracy. This study indicates that recognizing acoustic scenes by identifying distinct sound events is effective and paves the way for future studies that combine this strategy with previous ones.

Ziqiang Shi, Jiqing Han, Tieran Zheng et al.

This paper studies the recovery guarantees of the models of minimizing $\|\mathcal{X}\|_*+\frac{1}{2α}\|\mathcal{X}\|_F^2$ where $\mathcal{X}$ is a tensor and $\|\mathcal{X}\|_*$ and $\|\mathcal{X}\|_F$ are the trace and Frobenius norm of respectively. We show that they can efficiently recover low-rank tensors. In particular, they enjoy exact guarantees similar to those known for minimizing $\|\mathcal{X}\|_*$ under the conditions on the sensing operator such as its null-space property, restricted isometry property, or spherical section property. To recover a low-rank tensor $\mathcal{X}^0$, minimizing $\|\mathcal{X}\|_*+\frac{1}{2α}\|\mathcal{X}\|_F^2$ returns the same solution as minimizing $\|\mathcal{X}\|_*$ almost whenever $α\geq10\mathop {\max}\limits_{i}\|X^0_{(i)}\|_2$.