Baoqiang Han

Aozhi Liu, Lipei Zhang, Yaqi Mei et al.

One of the challenges of the Optical Music Recognition task is to transcript the symbols of the camera-captured images into digital music notations. Previous end-to-end model which was developed as a Convolutional Recurrent Neural Network does not explore sufficient contextual information from full scales and there is still a large room for improvement. We propose an innovative framework that combines a block of Residual Recurrent Convolutional Neural Network with a recurrent Encoder-Decoder network to map a sequence of monophonic music symbols corresponding to the notations present in the image. The Residual Recurrent Convolutional block can improve the ability of the model to enrich the context information. The experiment results are benchmarked against a publicly available dataset called CAMERA-PRIMUS, which demonstrates that our approach surpass the state-of-the-art end-to-end method using Convolutional Recurrent Neural Network.

Zehao Wang, Jingru Li, Xiaoou Chen et al.

Unlike melody extraction and other aspects of music transcription, research on playing technique detection is still in its early stages. Compared to existing work mostly focused on playing technique detection for individual single notes, we propose a general end-to-end method based on Sound Event Detection by FCN for musical instrument playing technique detection. In our case, we choose Erhu, a well-known Chinese bowed-stringed instrument, to experiment with our method. Because of the limitation of FCN, we present an algorithm to detect on variable length audio. The effectiveness of the proposed framework is tested on a new dataset, its categorization of techniques is similar to our training dataset. The highest accuracy of our 3 experiments on the new test set is 87.31%. Furthermore, we also evaluate the performance of the proposed framework on 10 real-world studio music (produced by midi) and 7 real-world recording samples to address the ability of generalization on our model.